Gothic literature fascinates millions of people, including me. Much of it is not too far distant from some types of crime fiction, and there's a Gothic influence on some of my short stories, as well as on some aspects of one or two of my novels - including my current work-in-progress, The Dungeon House. So it was with great delight that, last week, I had an opportunity to explore the British Library's fantastic exhibition Terror and Wonder: The Gothic Imagination.
The exhibits are eclectic and comprehensive, and take us all the way from Horace Walpole and The Castle of Otranto, through the Brontes, Poe, Stoker and John Buchan's Witch Wood, to modern Goth festivals at Whitby, the atmospheric Yorkshire resort that is the setting for a story I wrote last year, "The Killiing of Captain Hastiings". There are rare handwritten manuscripts (Wilkie Collins' Basil among them) and also several melodramatic paintings, by Henry Fuseli and others. The key role of landscape and setting in Gothic fiction is brought home in vivid fashion.
A number of film clips - including extracts from Dead of Night and The Wicker Man, two of the finest of all horror films - can be watched, and there are some intriguing bits and pieces, including a vampire slayer's kit. Ghosts, vampires, demons and zombies abound. It was fitting that I timed my visit more or less to coincide with Hallowe'en. I recommend this exhibition unreservedly..
The British Library has also teamed up with BBC Four, which has been showing an excellent documentary by Andrew Graham Dixon, The Art of the Gothic, which concludes this evening. The programme covers art, architecture and literature and I've found the first two episodes engrossing. The same can be said of last night's Frankenstein and The Vampyre, and Dan Cruickshanks' excellent study for BBC Four of the Gilbert Scott family's influence on Gothic architecture, including Liverpool Cathedral, which I know well, and even little Stretton Church, just down the road from where I live. To this day, the Gothic influence is pervasive, and although I've been interested in the subject for a very long time, visiting the exhibition and watching the recent documentaries has given me more insight, as well as a good deal of pleasure.
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