Fen Country

East Anglia is the setting for some marvellous crime fiction, but it's a part of England that I've seldom visited. This is quite a confession, given that in the 90s I co-edited, with Robert Church, Anglian Blood, a CWA anthology of East Anglian crime fiction; the local chapter invited me to become involved, not because of my knowledge of the area but because of my interest in short stories. That book boasted a cover that I really did not like, but thankfully, the contents were better than the artwork, and the book contained a couple of stories that were short-listed for CWA Daggers. Suffice to say that I felt that a return trip to Fenland was long overdue.

So, on a September Sunday as lovely as any we've had all year, my webmaster and I headed from Cambridge to Ely - a place I've never been to before, but of which I've heard good things.In a nutshell, the praise Ely receives from its fans is well-deserved. We had a terrific day, which included a walking tour and a trip to the top of the remarkable octagonal tower of the utterly stunning cathedral.

I suppose the most famous East Anglian detective novel is Sayers' The Nine Tailors, which most people would acknowledge is a classic of the genre (though after re-reading most of her work earlier this year, I decided I preferred the very appealing Murder Must Advertise.) She captures the atmosphere of the Fens very effectively. P.D. James also loves the area, and Devices and Desires in particular benefits from an evocative setting.

The late Alan Hunter - who created Inspector George Gently and who, like P.D. James, contributed to Anglian Blood - was another East Anglian crime writer of note. It's sad that his books were not televised until after his death. Among present day practioners, Jim Kelly is especially good at Fenland settings, and I'm a fan of his enjoyable puzzle Death Wore White. My trip to Ely and Fenland, although very brief, helped me to understand why the landscape has made such a strong impression on writers over so many years. It's a fascinating place, and I shall aim not to leave it too long before exploring it more extensively.

Inspector George Gently: Gently Evil - review

Inspector George Gently is back, and I recorded the first episode of the new series, Gently Evil, catching up with it last night. Martin Shaw is again the gruff cop with a heart, and his irksome sidekick, Bacchus, is played very well by Lee Ingleby. The series is based on the late Alan Hunter's novels, and written by Peter Flannery.

In this episode, a youngish woman is found battered to death at her home. Her ex husband is a suspect, and her rather odd brother is too. And what about her daughter, who seems both precocious and naive? The story takes an unexpected turn, moving into the realm of child abduction, and a mystery about a young girl's death a year earlier.

The story moved along well, and there was also some worthwhile discussion about the nature of evil. The series is set in 1966, and the atmosphere was pretty well done, though did people really talkl about the mentally ill being 'sectioned' back then? I'm not sure.

The relationship between the cops is very well done, and Bacchus's hapless love life is an interesting plot strand. An attractive lawyer with a conscience (yes, they do exist) featured, and I suspect she may well return in future shows. Definitely worth watching.

Gently Through the Mill

The latest episode of Inspector George Gently was set in Durham at the time of the 1964 general election. Gently Through the Mill opens with the death by hanging of a former owner of a flour mill, who has recently sold the business to the Labour Party election candidate. It appears to be a case of suicide, but Gently and his infuriating sidekick Bacchus find that lately there has been a great deal of trouble at the mill. And before long there is a second death.

I haven’t read the Alan Hunter book on which the show was based, but I’d like to bet that most, if not all, of the political stuff wasn’t in the original. The same may or may not have been true of the scenes involving freemasonry. It seems that the novels have just been used as a starting point for the scriptwriters, but although the stories have one or two jarring anachronisms, nevertheless I thought this episode, like the others that I’ve seen, had something that lifted them out of the ordinary and made them worth watching.

The more I’ve seen Martin Shaw as Gently, the more I’ve been impressed by the quiet authority of his performance, and the less his previous incarnations as Adam Dalgleish and Judge John Deed have got in the way of my appreciation of the humanity he brings to Gently. But I still wish that, having transplanted the stories to the North East, the programme makers had filmed them there, rather than in Ireland.

Inspector George Gently

It’s a tragic irony that Alan Hunter’s novels about George Gently should only be televised subsequent to his death, at the age of 82, back in 2005. The Gently series began in 1955, and Alan went on to write roughly one a year for over forty years. I never met him, though we were in touch briefly when he contributed a story to Anglian Blood, an anthology I co-edited with Robert Church. It was, in fact, a story he’d originally written before that first novel appeared, at a time when he was working as a book-seller and was known as a poet rather than a crime writer.

I’m not sure what he’d have made of Inspector George Gently, and my own feelings about it are rather mixed. I saw the pilot episode, but missed a couple of episodes shown last year. This story, Gently and the Innocents, featured the murder of an elderly man at his large, dilapidated home, which was just about to be bulldozed to the ground to make way for a building development.

Gently is played by Martin Shaw, in a performance I thought strongly reminiscent of his interpretation of Adam Dalgleish, another widower capable of being both sharp and benign. Shaw has a compelling presence, but the casting decision strikes me as unadventurous. I’m also baffled by the decision to move the setting from East Anglia to the North East – and then to film on location in Ireland!

The script was written by the acclaimed Peter Flannery and it was something of a curate’s egg. The ending was strong and effective – Flannery did a very good job of drawing out the theme and implications of the story. The story was set in 1964, and the period was well conveyed for the most part, although there were a couple of jarring notes. But I did experience despair when the Chief Constable threw Gently off the case for no good reason – only, of course, for Gently to carry on investigating and solve the mystery. One can only conclude that Flannery believes this cliché is a compulsory plot element in all television police dramas. And the moment it was revealed that the dilapidated house had once been a children’s home, I had a sinking feeling that child abuse would loom large in the unravelling of the mystery. And guess what?

Despite the flaws, Inspector George Gently is a well, and no doubt expensively, made show, and I shall watch it again. But I hope that the detection part of the script has a fresher feel to it next time.