London Spy, which began on BBC 2 this evening, is the latest in a run of interesting TV crime shows, of varying types, offering varying degrees of entertainment. Before watching, I'd read that the author of the screenplay, Tom Rob Smith, had been interested in the "spy in the bag" case of Gareth Williams, and although he has emphasised that London Spy is not based on that tragic and mysterious real life case, I can understand why its bizarre circumstances fired his imagination.
The show has a lot going for it, including Ben Whishaw and Jim Broadbent in the cast, but for much of the first hour, it felt like a strong candidate for the Most Excruciatingly Slow Thriller of the Year award. Towards the end, things livened up, but for my taste, the Meaningful Pauses were definitely over-done. .
From Darkness, which recently ended, was another show of considerable potential which had its moments. But really it seemed like a two-part story padded out with lots of shots of silently anguished lead characters to fill four hours. A real disappointment. In contrast, Unforgotten has gone from strength to strength. It's been my must-watch show since it started, very well written and superbly acted.
I've also admired Beck, the powerful BBC 4 series based on the Sjowall and Wahloo characters, but updated and with brand new storylines. The plots are as varied and ingenious as those in Lewis (still going strong, still a class act) and it's the most impressive Scandinavian thriller I've seen in a long time. Martin Beck's sidekick Gunvald, in particular, is compelling to watch. Beck is a series I can strongly recommend.
Showing posts with label From Darkness. Show all posts
Showing posts with label From Darkness. Show all posts
Monday, 9 November 2015
Thursday, 8 October 2015
Unforgotten - ITV review
Unforgotten, the new ITV crime drama which began this evening, benefits from a superb cast and a decent script. And also, I think, from comparison with another new crime show, From Darkness, which started on BBC on Sunday. There are striking similarities between the openings of both stories - human remains are found by builders, and off we go into cold case territory. But overall, I felt that Unforgotten made the stronger start.
Nicola Walker and Sanjeev Bhaskar are the detective duo who try to figure out the identity of the skeleton buried in concrete on the site of a building in London, and they make a good pair,likeable and professional and thankfully free of most of the cliches which bedevil so many telly cops. As their investigation moves along, we are also introduced to a host of assorted, and seemingly unconnected characters. An affable priest, a successful businessman, a caring bereaved mother, an elderly man with a wife suffering memory loss. What secrets might they share?
There's a clue to the underlying theme of Chris Lang's script when Walker muses on the question of whether a crime becomes less serious just because it took place a very long time ago. In these troubled times when historic sex abuse cases are so much discussed, it's a very thought-provoking question. I felt that the story was intriguing, without (so far) matching the brilliance of the first episode of Broadchurch or the early series of Taggart. As for the actors - Trevor Eve, Hannah Gorden, Tom Courtenay, Claire Goose, Bernard Hill, and so on - it would be a pleasure to watch them in almost anything.
By contrast, I felt that From Darkness moved too slowly. Katie Baxendale's script had several good moments but it also indulged in quite a lot of time-wasting moodiness that failed to advance the story and didn't even offer much insight into character. It did, however, warm up rather nicely towards the end. I'll gladly give it another look, but given that life is short, the early evidence suggests that if you have to choose between one show or the other, Unforgotten is likely to prove more compelling.
Nicola Walker and Sanjeev Bhaskar are the detective duo who try to figure out the identity of the skeleton buried in concrete on the site of a building in London, and they make a good pair,likeable and professional and thankfully free of most of the cliches which bedevil so many telly cops. As their investigation moves along, we are also introduced to a host of assorted, and seemingly unconnected characters. An affable priest, a successful businessman, a caring bereaved mother, an elderly man with a wife suffering memory loss. What secrets might they share?
There's a clue to the underlying theme of Chris Lang's script when Walker muses on the question of whether a crime becomes less serious just because it took place a very long time ago. In these troubled times when historic sex abuse cases are so much discussed, it's a very thought-provoking question. I felt that the story was intriguing, without (so far) matching the brilliance of the first episode of Broadchurch or the early series of Taggart. As for the actors - Trevor Eve, Hannah Gorden, Tom Courtenay, Claire Goose, Bernard Hill, and so on - it would be a pleasure to watch them in almost anything.
By contrast, I felt that From Darkness moved too slowly. Katie Baxendale's script had several good moments but it also indulged in quite a lot of time-wasting moodiness that failed to advance the story and didn't even offer much insight into character. It did, however, warm up rather nicely towards the end. I'll gladly give it another look, but given that life is short, the early evidence suggests that if you have to choose between one show or the other, Unforgotten is likely to prove more compelling.
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