Forgotten Book - The Deep End

Fredric Brown had a lot going for him as a crime writer. He had a flair for plotting, was strong on psychological insight, and although he wrote a successful series, he was especially good with stand-alone novels, when one can never be sure what the protagonist's fate will be. His writing was often witty, his story structures innovative, and he had a gift for the short story. What more could any crime fan wish for?

The Deep End was published in 1952, not too long after the admirable The Far Cry, but it's very, very different - and almost equally as good as that fine novel. The setting is this time a small, unnamed city rather than a remote outpost of New Mexico, and the lead character is a young journalist, Sam Evans. One thing he has in common with George Weaver in the earlier book is that his marriage is on the rocks. At the start of the story, his wife Millie has departed on a sort of trial separation.

The story has a low-key beginning, but the tension gradually rises as Sam begins to suspect a connection between a series of apparent accidents that resulted in fatalities. One of the ways that Brown builds suspense is by splitting the book into ten sections, representing the successive days over which the events of the story unfold. As with The Far Cry, the end of the story echoes the opening paragraphs, but the effect is quite different. He really was a clever writer.

Jack Seabrook's excellent biography of Brown, Martians and Misplaced Clues (a recommended read) explains that Brown based the story on an earlier novelette rejoicing in the title of "Obit for Obie". Like many writers of his era, including Chandler and Cornell Woolrich, he was a great one for reworking material that had originally appeared in the pulp magazines. In the case of lesser writers, this can be a sign of laziness or lack of imagination, but the better writers, such as Brown, often showed considerable skill in reworking ideas, and exploiting their potential more fully. Certainly, The Deep End is one of the best books of a very good crime novelist.

Forgotten Book - The Far Cry

Fredric Brown was not only a first-rate crime writer, he was also remarkably versatile. In fact, I suppose you could argue that most of the best crime writers had the flexibility of approach and imagination to write a wide range of types of story. That was certainly true of Brown, who mastered both the short story and the novel, and wrote private eye fiction as well as stunning stand-alones. I'm surprised his work is not better known. He really was a wonderful entertainer.

The Far Cry, published in 1951, is one of his finest novels. It benefits from a vividly evoked setting, the town of Taos in New Mexico, where Brown had recently made his home, with his second wife. It seems to me that there are strong autobiographical echoes in the novel, and the protagonist, George Weaver, is someone who seems in some respects to have a touch of Brown about him.

Weaver is a real estate agent from Kansas City who is getting over a breakdown. He moves to Taos to recuperate, and rents a house in which, eight years earlier, a murder occurred. A young woman called Jenny Ames was killed by a man called Nelson, who met her through a Lonely Hearts club, but Nelson was never brought to justice. George becomes obsessed by the case, and tries to solve the mystery of the crime and find Nelson. Meanwhile, he is joined in Taos by his wife Vi, but their marriage is on the rocks, and he now finds her repellent.

Brown was very good at atmospherics, and he conjures up people and place with rare skill. Weaver is on a downward spiral, motivated only by an obsession with Jenny reminiscent of Mark McPherson's obsession with the eponymous Laura in Vera Caspary's novel - although the two books are very different. The final twist struck me as clever but debatable - to say why would be a spoiler. But this is a very good book and I'd be glad to discuss it with anyone else who has read it.