Against the Grain by Peter Lovesey - review

Against the Grain by Peter Lovesey is billed as the last Peter Diamond novel. I've followed Diamond's rollercoaster crime-solving career right from the start, so reading the book was in a sense a bitter-sweet experience, but I'm delighted to say that this story shows Diamond at his best. The sense of fun that Peter Lovesey must have had in writing this novel is palpable.

Here, for the first time, the gruff Bath cop investigates a village mystery. The book opens with a memorable scene, when a man climbs into a grain silo with disastrous results. We then move forward in time to find Diamond and his partner Paloma invited to stay in the country with his former sidekick, Julie Hargreaves. Julie, it turns out, wants him to do some investigating. Was what happened to the man in the grain silo manslaughter? Or even murder? Naturally, Diamond can't resist the challenge.

The text is peppered with crime fiction references - Sherlock Holmes, Poirot, Miss Marple, Columbo, Jack Reacher - as Diamond engages in all kinds of antics in his attempt to find the truth. He even helps to deliver a new-born calf and participates in a country hoe-down. There are some good jokes and we find out what Peter Lovesey thinks about a certain theory concerning the identity of Jack the Ripper (suffice to say, I agree with him).

Writing a series that runs to twenty-two novels is an impressive feat. What is much more impressive is the sheer variety of the Diamond books. It is their range and constant inventiveness that makes them stand out. It's so easy for a long series to become formulaic, and we can all think of examples, but that has never been the case with the Diamond stories. Even if Peter Lovesey had written nothing else - and of course, he's written many wonderful novels and short stories outside this particular series - this would stand as an admirable achievement.

I'm rather proud that a quote from me features on the rear of the dust jacket. I described Peter as 'a master of tales of the unexpected' and Against the Grain, which is full of surprises, certainly bears out the truth of that statement. No wonder this book gained a starred review from Publishers Weekly. This is great entertainment, strongly recommended.

 

Hemlock Bay...and what comes next?

I'm feeling slightly liberated just at the moment, for a number of reasons. First, I'm very pleased with the reaction of critics and readers to Hemlock Bay. This is a novel I felt very confident about when I was writing it - not something that happens very often, to be perfectly frank - and so I was hopeful that others would like it just as much as my editor Bethan and my agent James did. But you can never be too sure about these things. And no sensible author is ever complacent.

I was lucky to get a great review in the Daily Mail earlier this month; as a bonus, there was also a nice review of Dramatic Murder, the latest Crime Classic to which I've supplied an introduction. This is a real boost to morale, given that it's extremely difficult (unless you're a big bestseller) to get any coverage in the national newspapers for the fifth book in a series. I've previously mentioned Jeremy Black's nice review in The Critic, and some of the best bloggers around have been extremely supportive too. All this is very motivating when one is toiling away on a work-in-progress.

Second, what about that work-in-progress? Well, I'm glad to say that I have just sent off the manuscript for my latest novel. I can't say too much about it yet, but I can say that it's a stand-alone and it is significantly different from my other crime novels (though it's very much in the detective genre, and yes, there is a Cluefinder!) Writing this book has been quite demanding, but once again I'm very pleased with the very enthusiastic response of my editor and agent, and that is a big positive. Believe me, it isn't a given that discerning editors and agents will like everything that their authors produce, and I don't take their support for granted. More news about this book before too long.

So now I'm turning my mind to future projects. There are a number of them, including two novels. One of those novels is another break from my usual type of crime writing (although it's still a detective story, but again one with a difference and wholly distinct from the book I've just finished). The other is the next Rachel Savernake book. As regards the latter, I'm playing around with various plot ideas at the moment, which I find a lot of fun. In my early days as a crime novelist, I found it quite intimidating to try to think up something fresh (and even when writing a series, I like each book to be distinctive) but I'm glad to say I find it a bit easier nowadays. 

I've been asked many times over the course of this year when (or if) I'm going to return to the Lake District Mysteries. The short answer is that I do intend to do so, but again I'm toying with ideas about some degree of reinvention of the series. So nobody should hold their breath, but I do believe there is a lot of mileage in this series, and I do love writing books set in the Lakes. Which is why Rachel Savernake will go to the Lakes in her new adventure...

Forgotten Book - Licensed for Murder

Plenty of crime writers like a drink, but I doubt any of us over the years has been quite as fixated on featuring pubs in our stories as John Rhode. He really did love them, and quite possibly they brought out the best in him as a writer. Licensed for Murder certainly suggests this; it was published towards the end of his long career, in 1958, but it isn't a tired effort by any means. In fact, I'd say it's one of the Rhodes I've most enjoyed travelling (forgive the pun, but I did read it on my recent trip to Spain...)

The opening of the story is by no means dramatic. The bombshell that greets the managing director of a brewery is merely that the veteran tenant of a pub called the Knappers' Arms has decided to retire. The snag is that the pub, in a remote village that was a hub of the flint-knapping trade (which, I admit, I'd never even heard of, though apparently it was a big thing in the south of England at one time), is no longer an attractive proposition to a new tenant. 

Unexpectedly, however, a couple agree to take over the running of the pub, following a short interregnum. But they then discover a body on the premises, charred beyond recognition. Who is the deceased and how did their remains come to be there? An interesting conundrum. Scotland Yard, in the person of Jimmy Waghorn, is called in, but soon finds himself at a loss. Naturally, he consults old Dr Priestley, who is as astute as he is grumpy...

There are some nice plot twists in the story, along with a shoal of red herrings. One small piece of factual information given early on made me suspicious, although the reason why it was suspicious was impossible to figure out until towards the end of the novel. I found this one very readable, with an authentic background that Rhode evokes well. 

Penning Poison (and Wicked Little Lies)

The psychology of people who write poison pen letters is very interesting to anyone who dabbles in criminology. I've touched on this subject several times in my novels and short stories and in fact poison pen letters have been a trope in the crime fiction genre for upwards of a century, though few mystery novels handled the subject as deftly as the very first example I read in my youth, Agatha Christie's The Moving Finger.

Penning Poison is an extremely worthwhile study of the subject, and it ranges far and wide, with a focus on the period 1760-1939. After that, Emily Cockayne argues, 'study of anonymous communications...is increasingly complicated by burgeoning methods of despatch'; in addition, there was a flood of cases from the late 1930s on. She even wonders if publication of The Moving Finger in 1943 contributed to this.

There is a great deal of material in this book that I found interesting and thought-provoking, and even if I don't necessarily agree with all the author's conclusions, they invariably deserve careful consideration. Inevitably there are some examples from murder cases (the Edmunds and Luard cases are among those that spring to mind) that I think would have been worthy of mention, but that isn't really a criticism. As I know well myself, when writing a wide-ranging book, you simply have to be selective, and overall the treatment of the subject struck me as thoughtful.

This is quite a densely written book, with an academic edge, and this may account for the fact that it didn't make the longlist for the CWA Gold Dagger for Non-Fiction - a pity, because I think it was a worthy contender. This is a book that I'm sure I will return to - perhaps when looking for story ideas! However, I wasn't quite so impressed by the author's complaint that 'it is very difficult to write on top of a "teaching-only contract"'. But this is the real world that 99% of authors have to contend with. Anyone who is funded to write or given paid research leave is in a very privileged position indeed. Perhaps not all recipients of such largesse know quite how lucky they are?

In any event, the author did get a presumably lucrative gig as a consultant to the film Wicked Little Letters, a film about the Littlehampton Libel Case which has an excellent cast headed by Olivia Coleman and featuring Timothy Spall, Eileen Atkins, and Jason Watkins. Suffice to say that with such ingredients, I felt that the film should have been much better than it was.      

The Golden Era of Sherlock Holmes and His Contemporaries by Michael Cohen

I was pleased, a short time ago, to be sent a copy of a new book by Michael Cohen. The Golden Era of Sherlock Holmes and His Contemporaries has an explanatory sub-title: A Mystery Guide and Finding List. In other words, it's a guide for readers who are interested in detective writers and their characters from the Holmes era.

A book of this kind, which aims, I guess, at readers who are interested in the genre but aren't necessarily deeply knowledgeable, needs to be written in clear and crisp prose; the publisher claims that Michael Cohen's book has these attributes, and I agree. It's genuinely readable, and the various chapter and section divisions are well-chosen.

Quite rightly, Cohen starts with Sherlock Holmes and proceeds from there. His second chapter is particularly interesting, broadly dealing with Sherlock's early male rivals, whom he divides into 'Plain Men' (a favourite Julian Symons term) and 'Exaggerators' (a rather nice term that he has coined; I haven't come across it before). The latter group includes, for instance, M.P. Shiel's Prince Zaleski, whom Cohen describes rather nicely as a 'languid aesthete'.

Women detectives, medical and scientific detectives, rogues, and occult detectives are among those who are explored in an interesting way. Among the occult sleuths is Thomas Carnacki, created by William Hope Hodgson, an author who has long fascinated me. All in all, this book is a worthwhile piece of work and I'm delighted to have been able to add it to my groaning bookshelves.  

Forgotten Book - Life Cycle

Life Cycle is the rather poignant title of a novel published by Harry Carmichael in 1978, the year before his death. It is the last entry in the long series featuring the hard-drinking newspaper reporter Quinn and the insurance assessor Piper, although in this story Quinn takes centre stage. An apparently popular doctor called Wingate is found battered to death in the very first chapter and from that point on, the pace is maintained well.

Quinn is immediately interested in the doctor's widow, an attractive woman who may have been having an affair. Is that where the explanation for the crime lies? Or is it in the doctor's unexpected deviation from routine on the last evening of his life? And what is the significance of the patient who called on the doctor regularly without ever giving his name to the secretary, Leila Farrow?

For anyone who has struggled to get an appointment to see their local GP, there's an element of nostalgia about the description of Dr Wingate's house calls and ready availability. Quinn is fairly likeable, but his attitude to women leaves quite a lot to be desired. In many ways he is his own worst enemy.

Carmichael had a very readable style, and in his day he was one of the stalwarts of the Collins Crime Club list. I enjoyed the story all the way up to the concluding scenes, when one or two developments stretched my credulity to the limit. Once all had been revealed, I felt Carmichael had an interesting story idea but didn't work hard enough on his characterisation to make it as compelling as it might have been. So Life Cycle isn't the best of his books, but it's still a light, fast-moving read - good, undemanding entertainment. 

Phil Rickman R.I.P.

I was sorry to hear that Phil Rickman died on 29 October at the age of 74. He was a writer whose work straddled the mystery and supernatural genres. Although born in Lancashire, he lived in Wales for most of his life and he had a great affinity with the country. He wrote three books under the name Will Kingdom, and two as Thom Madley, but he is best-known for the novels he wrote under his own name which featured Merrily Watkins.

I didn't know Phil well, but on my few encounters with him I found him extremely pleasant. Our first connection came when he interviewed me a couple of times on Radio Wales about the Lake District Mysteries. Landscape interested him and he evoked it well in his own work. He was a good broadcaster and a very capable interviewer. We finally met in person fifteen years ago, when we both took part in an enjoyable event held in a terrific historic setting - Ludlow Castle. 

On that occasion Phil revealed that he was in talks with regard to the televising of the Merrily books, although such is the nature of the TV world that six more years were to pass before Merrily finally reached the screen. A year or so later, he was involved with the CWA annual conference when it was held on his 'patch' in Abergavenny. A fun weekend, as I recall.

Merrily, a female priest who is an exorcist, was played on television by Anna Maxwell Martin in a three-parter called Midwinter of the Spirit. The cast also included David Threlfall and Siobhan Finneran. I enjoyed watching it, but for whatever reason, Merrily did not become a fixture on the screen. On Phil's website, there are some comments which give clues to his dissatisfaction - he regarded himself first and foremost as a crime writer rather than a horror writer and he saw the Merrily books as crime stories, albeit seen from the perspective of an exorcist. Perhaps unsurprisingly, he felt that the TV version wasn't fully in tune with the novel on which it was based. But as he said, he couldn't complain, and he continued to write quietly accomplished fiction that was both polished and very readable. 

Trial of Christiana Edmunds by Kate Clarke

Kate Clarke is a doyenne of British women true crime writers. It's often forgotten how many women have been first-rate writers on the subject of true crime - Fryn Tennyson Jesse, for instance, was a leading light in the field for decades - and Kate has been writing high-calibre books for at least as long as her distinguished predecessor. With Bernard Taylor, she co-wrote Murder at the Priory, which was shortlisted for the CWA Gold Dagger for Non-Fiction.

Her latest publication is an entry in the happily revived series of Notable British Trials - it is number 92 in the series, and it's an account of the trial of Christiana Edmunds. This case is truly fascinating and among those crime novelists who have referenced it are Anthony Berkeley and John Dickson Carr. It is a murder mystery that involves poisoned chocolates - definitely one of my favourite detective fiction tropes!

Christiana Edmunds was a deeply disturbed woman who became obsessed with a doctor in Brighton called Charles Beard. She knew Dr Beard and his wife Mary socially, and it may be that Beard, deliberately or unwittingly, encouraged her friendship with him. If so, he paid a very heavy price, as her obsession took a very dark turn indeed, leading her to carry out a series of poisonings in the town from 1870 onwards. 

Her first victim was Mary Beard, and although Mary survived, Christiana embarked on a campaign of lacing chocolate creams with strychnine. One child died as a result and others were made seriously ill. Eventually she was found guilty of murder, although her death sentence was commuted to life imprisonment, and she spent the rest of her life in Broadmoor, dying there in 1907. Beard was among her victims: his own mental health was destroyed by his involvement in the case.

Kate Clarke provides a crisply written and detailed introduction, and in addition to the fascinating trial transcript (I noted that Christiana's defence counsel referred to her 'idiotic vanity' among other things...) there are useful appendices and a good index. For anyone interested in this remarkable case, this book is required reading.  

  

Forgotten Book - Better Dead

I've been meaning to take a look at the work of John and Emery Bonett (the writing name of a husband and wife team, John Coulson and Felicity Carter) for some time, but I've only just got around to their 1964 novel Better Dead. The story is set in the Costa Brava, an area the couple knew very well. My recent trip to Spain seemed like the right moment to give a try to this novel (known in the US as Better Off Dead). Overall, it's an odd one, a mixture of genuinely pleasing elements and deeply disappointing flaws.

Let's start with the positives. The fictional town of Rocadamor is nicely evoked (it's clear that the authors, who settled in Spain in later life, were disenchanted with life in England), the police detective - who is called Borges - is appealing, although off-stage for most of the novel, and the writing is agreeable, with prose a cut above the average. The way in which the story ends is also quite well done.

However, I had major reservations about the plot and structure, reservations closely connected with some aspects of the characterisation. The story begins with two Englishmen, a head teacher who is about to open a school for local children and the architect he has hired, discovering a body. The corpse belongs to a bar manager called Ferdy whom they both had reason to detest. I'm afraid that I found the way they reacted to this discovery to be utterly implausible.

We then have a very, very long flashback, in which we're introduced to a variety of local characters, mostly English, all of whom seem to have possible motives to kill Ferdy. They are an interesting bunch, but unfortunately, I found some of those motives unconvincing. In a way the trouble stems from the fact that the characters are quite well-drawn. But if one creates intelligent people who behave in a consistently stupid way, that behaviour needs to be convincing. Of course intelligent people behave foolishly very often in the real world, but in fiction there does need to be a degree of believability - and I felt the Bonetts failed to supply this. I couldn't really get my head around why the culprit behaved as they did. As a result, in my opinion the plot doesn't really work. A shame, because this is a book that I wanted to like more than I did. Frustrating.

Ludwig - BBC TV review

Puzzles are all the rage at present. It's a fashion, and like all fashions it will pass in due course, but as a lifelong puzzle fan, I'm delighted that they are having a moment. And it's a very big moment. I enjoyed meeting G.T. Karber, whose Murdle books have been such a big hit, at CrimeFest, and I've been interested to see the recent flood of murder mysteries with a puzzle element. Of course, like any other type of book (or any other artistic venture, come to that) they vary in quality, from the excellent to the banal. But the best ones are truly enjoyable and offer an opportunity for escapism at a time when escapism seems extremely appealing.

So I was interested to watch the new BBC TV series Ludwig. Some people have compared it to Jonathan Creek, but I think it's closer to Death in Paradise - no great surprise, since the creator and writer of Ludwig, Mark Brotherhood, has worked on the Robert Thorogood show. I don't know Mark Brotherhood personally, but I've read some of his interviews and I find his approach to his craft likeable and intelligent as well as highly professional.

The premise of Ludwig is unlikely in the extreme, and it requires two exceptionally appealing actors - David Mitchell (Ludwig, aka John Taylor) and Anna Maxwell Martin (Lucy, wife of John's twin brother, James) - at their best to persuade us to suspend our disbelief. In a nutshell, James is a policeman who has suddenly and mysteriously disappeared. Lucy persuades John to impersonate him in order to find out what has happened to him. And when John does this, not only does he get away with his imposture, he solves one baffling mystery after another in very quick succession.

If you can accept that - and after some initial reservations, I managed to do so - this is perfectly enjoyable light entertainment, with a variety of puzzles, including a locked room mystery to solve. The Cambridge setting makes an ideal backdrop, and having watched all six episodes, I'm pleased that another series is said to be highly likely.