Tuesday, 17 July 2018

Married Life - 2007 film review

Married Life is the rather odd (and to my mind unsatisfactory) title given to a 2007 American film version by Ira Sachs of a novel published more than half a century earlier by the British crime novelist and spy John Bingham. The book, Five Roundabouts to Heaven, was his second published novel, and is regarded as one of his best. It appeared in 1953 and had the alternative title The Tender Poisoner, which was the name given to a tv version in 1962 in the Alfred Hitchcock Hour series.

The film is set in 1949, with the action shifted across the Atlantic: many of the scenes were filmed around Vancouver. The strong cast includes Pierce Brosnan, who plays Richard, a likeable chap who has a particular liking for attractive women. His closest friend, Harry (Chris Cooper) is married to Pat (Patricia Carlson) but actually having a torrid affair with Kay (Rachel McAdams). After being introduced to Kay, Richard too becomes smitten, and things inevitably become complicated.

As the alternative title to the book suggests, Harry decides that the ideal solution to his marital dilemma is to murder Pat painlessly. But like so many other wannabe killers before him, he discovers that committing the perfect crime is not as easy as he'd like to believe. And then it turns out that Pat nurses a secret of her own...

This is a quirky film, and is much more entertaining than its commonplace title suggests. Ira Sachs offers plenty of touches of dark humour as well as a sequence of unpredictable developments. The historical setting adds to a sense of playful unreality which is part of its appeal. A major bonus with the DVD is the director's commentary on the three alternative endings that he toyed with. No spoilers from me, but they are well worth watching, as is the film as a whole. Although I haven't read Bingham's book, I'm now keen to do so. He was an interesting and sometimes original writer.

Friday, 13 July 2018

Forgotten Book - Laura

Laura, by Vera Caspary, is a famous crime novel that became an even more famous film noir, as well as a stage play, and haunting song. The book was originally published in 1942, and it made an instant impact. Caspary was a talented mainstream writer, whose memoirs, The Secrets of Grown-Ups, make fascinating reading. She makes it clear that she wasn't really a mystery fan, but it's noteworthy that her favourite crime writer was Cornell Woolrich, her favourite crime novel Francis Iles' Before the Fact. Suspense appealed to her, in other words, and Laura is a novel of suspense as much as it is a detective story.

When, many years ago, I first saw the film, and read the book, I enjoyed them without fully appreciating them. That was because I paid too much attention to the plot, and although the story has one excellent plot twist, Caspary's strength didn't lie in plotting. On rereading the book after having done some research into Caspary's life, I got more out of it than I did the first time around.

Mark McPherson is called in to investigate the murder of Laura Hunt, a very attractive woman who works in advertising. She is engaged to be married, and her fiance becomes a suspect. McPherson becomes intrigued by Waldo Lydecker, a rather effete older man who was close to Laura, and who is one of the narrators.

In telling her story, Caspary borrowed the narrative device favoured by Wilkie Collins - using different points of view, so as to conceal as well as reveal. It's a device which, when employed with skill (and Caspary was highly skilled), I find engrossing. I've never written a "casebook" novel, but it's something I'd certainly consider at some future date, because the form has a great deal of potential for the crime writer. It's fair to say that Caspary never surpassed Laura, but her other books are also intriguing and well-written, and I'll talk about one or two of them in the future.

Wednesday, 11 July 2018

Jessica Mann R.I.P.

 Image result for jessica mann
I'm truly sorry to report the death, on Wednesday, of Jessica Mann, a crime writer and reviewer of distinction. It's only a month ago that she played a full part in the Alibis in the Archives weekend, talking with her customary fluency and passion about female crime writing, and then joining a panel of authors for a wide-ranging discussion about the genre. A fortnight ago, she was - as so often - a convivial guest at a Detection Club dinner. And only last week I received a parcel of books from her. It was, therefore, with great shock and much sadness that I heard the news from her daughter Lavinia yesterday. 

Jessica lived a full life of high accomplishment, and I’ll remember her with huge affection not just as a talented author but as someone who was always ready, willing, and able to give younger colleagues, myself included, a great deal of help and encouragement. I first met her in the late 1980s, some years after I first read her books, but it's really been in the past ten years that she and I became friends. She followed this blog and emailed me regularly to urge me to keep busy, travelling and writing. We'd even talked recently about collaborating on a book together. She was a great believer in making the most of life, a philosophy that stood her in good stead.

Jessica Mann was educated at St Paul’s Girls’ School and Newnham College, Cambridge, where she studied archaeology, and Leicester University, where she took a degree in law; she became a barrister, but did not practise, although she later served as an employment tribunal member. Over the years, she served as a planning inspector as well as serving on numerous committees – including the CWA committee – and as Secretary of the Detection Club. A week after she completed her finals at Cambridge, she married the distinguished archaeologist and historian Charles Thomas; they had two sons and two daughters. Jessica and Charles lived in Cornwall for many years, but after his death two years ago she came back to London, the city of her birth.

Jessica’s first crime novel, A Charitable End, appeared in 1971; her penultimate book, Dead Woman Walking took her career full circle, as it reintroduced one of the characters from her debut, as well as the psychiatrist Dr Fidelis Berlin, who appeared in a handful of earlier novels, perhaps most memorably the superb A Private Enquiry, which was shortlisted for a CWA Gold Dagger. Her final novel, The Stroke of Death, saw the reappearance of perhaps her most popular character, the archaeologist Tamara Hoyland, after an absence, regretted by many readers, of a quarter of a century. 

Jessica’s non-fiction included Deadlier than the Male, an excellent study of female crime writing, and she was in much demand as a journalist and broadcaster from the time she first appeared on Radio 4’s Any Questions in the 1970s; she also featured on Question Time, Start the Week, Stop the Week, and the Round Britain Quiz . For many years, she reviewed crime for the Literary Review. For about fifteen years, she’d coped with Parkinson’s, which must have been very difficult, but her spirit was indomitable. Her life advice to me, regularly repeated and much appreciated, was very simple: “Do it now!”  Jessica was, you see, a wise woman as well as a good friend and a fine writer. She will be much missed.

Double Confession - 1950 film review

Double Confession is a British post-war film which is sometimes described as a film noir, despite the fact that the action mostly takes place on a bright summer day at the seaside. In fact, the basis for the screenplay was a novel called All on a Summer's Day, written by John Garden (a title and author name which seem distinctly non-noir). The Garden name was actually a pseudonym for Harry Liff Verne Fletcher (1902-74), whose day job was as a schoolteacher in Llandridnod Wells.

The story begins with Jim Medway (Derek Farr) turning up at a remote coastal house at four in the morning, apparently to visit a woman. He passes a mysterious man who is leaving the house, whom Doctor Who fans will instantly recognise as the first Doctor, William Hartnell. A scream is heard...

The following day, it turns out that the woman is dead and so is a mysterious man who has plunged from the dangerous cliff path. Medway calls on Charlie Durham (Hartnell), a local entrepreneur who has been having an affair with the dead woman - who proves to be Medway's estranged wife. The plot complications thicken from there.

The quality of the cast lifts this film out of the ordinary. We have Naunton Wayne as an affable police inspector, and Peter Lorre as Durham's psychopathic sidekick. Medway manages to spend his day blackmailing Durham while getting friendly with an attractive woman (Joan Hopkins) who has personal problems of her own. The seaside locations help to make the implausibilities of the plot bearable, and Ken Annakin directs intelligently, even though the story meanders around quite a lot. It's not exactly Body Heat, far less Double Indemnity, but I enjoyed it.

Monday, 9 July 2018

Football Fever and other celebrations

As England celebrates an improbable run of success in the World Cup, the British Library publishes tomorrow a novel that is surely the best of all classic mysteries with a football setting, Leonard Gribble's The Arsenal Stadium Mystery. Great timing! I'm delighted to see this book back in print, and even though I'm not an Arsenal fan, it's an enjoyable fair puzzle mystery that was turned into an equally entertaining film.

England's unexpectedly convincing win against Sweden came as a happy extra birthday present on Saturday. I just got back home in time for the match, following a quick trip to London to watch Burt Bacharach in concert at the Royal Festival Hall. In keeping with the mood, the great man wore an England football shirt throughout. It was a wonderful evening, quite well reviewed here, and we were treated to three new songs, including a very good one that has never been publicly performed before. The standing ovation was utterly deserved, after more than two hours of non-stop melody. Few 90 year olds could compete with this stunning performance, that's for sure.

After the match on Saturday we headed to North Wales for an enjoyable dinner at a nice hotel before on Sunday I achieved a long held ambition. When I was a small boy, we often went on holiday to North Wales, and I became fascinated by an island off Anglesey called Puffin Island. For many years, rats took over from the sea birds, but now they are gone and wildlife boat trips to Puffin Island from the historic town of Beaumaris are available.

I've wanted to take such a trip for a while, and the perfect weather yesterday made it a memorable occasion. It was fascinating to see at close quarters the island which intrigued me so much when I was small. There were seals, as well as innumerable birds. And the puffins are back - it was fun to see them flying around. All in all, a marvellous weekend.  

Thursday, 5 July 2018

Forgotten Book - Game for Three Losers

Edgar Lustgarten was once a familiar face on British TV screens. A barrister from Manchester, he became a successful broadcaster, specialising in programmes about crime. The Scotland Yard TV series that he fronted (and which was very good) has recently been resurrected on the Talking Pictures channel, and this has reignited my interest in a writer who wrote occasional novels as well as numerous true crime books. His first novel, A Case to Answer, was especially well-regarded, not least by Julian Symons.

Game for Three Losers was first published in 1952; later, it was adapted for TV as part of the Edgar Wallace Mysteries series which has again resurfaced thanks to Talking Pictures. The novel is written in Lustgarten's rather distinctive style, with rather more "tell" than "show"; today, this isn't a fashionable method, but he handles it pretty well.

Robert Hilary is a rising star in the political world, a Conservative MP in his late forties. When his trusty secretary leaves work to have a baby, her replacement is a stunningly beautiful young woman and Hilary finds her irresistible. He soon finds himself in a compromising position, and open to blackmail by the woman's rascally lover, who poses as her outraged brother.

I rather expected Hilary to decide that the only solution to his dilemma was murder, but Lustgarten's main focus is on charting the consequences of crime. This is a book roughly in the Francis Iles tradition that focuses on the way the legal system operates - not very justly, in some cases. The story is downbeat in mood, but Lustgarten's crisp writing kept me interested from start to finish.

Wednesday, 4 July 2018

Night Was Our Friend - 1951 film review

Night Was Our Friend is a rather good British B-movie which dates from 1951. The script was based on a play, though the film isn't as irritatingly stagey as so many movies based on plays tend to be. And despite the fact that most of the story is told via an extended flashback, that isn't as unsatisfactory as is so often the case. Both play and screenplay were written by Michael Pertwee, brother of Jon and uncle of Sean, and he did a good job.

The story begins with a young woman on trial for murder. The case is a sensation, and when we see the jury debating their verdict, it's clear that the outcome is far from straightforward. In the end, however, the result is decided - and the woman is acquitted. She is then immediately confronted by the unhappy mother of her dead husband, who clearly believes her to be guilty. And then the man she really loves proposes to her, only for her to tell him that she did, in fact, murder her husband.

This is where the flashback begins. Sally (Elizabeth Sellars) is in love with Dr Harper (Ronald Howard) when unexpected news arrives. Her husband Martin (Michael Gough), who two years ago went missing presumed dead after a plane crash in South America has turned up alive! The couple are clearly not thrilled, and it's apparent that Martin was a difficult man to live with. But they do the decent thing, and Sally welcomes Martin back with open arms.

Alas, all is not well with Martin. His two years in the jungle didn't agree with him, and he's mentally disturbed, but refuses to undergo any treatment. He develops a habit of going on nocturnal prowls, and when he's involved in a serious incident, matters come to a head....

This is a well-made film, unpretentious and watchable to this day. Gough, as you'd expect, does a very good job in an unsavoury role. I enjoyed it.

Monday, 2 July 2018

The Dark Man - 1951 film review

The Dark Man is an enjoyable, lightweight British thriller written and directed by Jeffrey Dell, whose first crime screenplay was an adaptation of C.S. Forester's classic chiller, Payment Deferred, in which Charles Laughton starred. The producer was Julian Wintle, famed for his work on The Avengers in the Sixties. This movie has a good cast, with the likes of Barbara Murray, William Hartnell, and the ubiquitous Sam Kydd in minor roles. The mysterious villain who gives the film its title is Maxwell Reed, who was apparently the first husband of Joan Collins.

Reed's character takes a taxi to a lonely house where he seeks to rob a petty criminal. When the criminal retaliates, he is murdered. And then the taxi driver is murdered, for good measure. The Dark Man is evidently a psychopath, although we never get to find out much about him. But we fear for Molly Lester (Natasha Perry) when, cycling past the scene of the crime, she catches sight of him.

This fleeting identification drives the plot, since the dark man becomes determined to eliminate Molly as a witness. Frankly, I'd have thought he'd have been much better off making a run for it. But no, he hangs around the coastal resort where Molly is working as an actress, now under the protection of Scotland Yard's DI Jack Viner (Edward Underdown). Molly is attractive and charismatic, if foolhardy, so we care about her fate; she falls in love with Viner, who is very much of the stiff upper lip school. I felt, however, underwhelmed by Underdown's performance.

The coastal setting is in many ways the star turn of The Dark Man. It's rather bleak, with a military firing range, derelict castle, and old lighthouse, but highly atmospheric. I don't know south east England well enough to recognise the location, but I thought it very well chosen.

Thursday, 28 June 2018

Forgotten Book - The Pit-Prop Syndicate

Freeman Wills Crofts has enjoyed quite a revival during the last couple of years. The British Library has reissued several of his best novels, and Harper Collins have reprinted others, both in paperback editions and in some cases as hardbacks under the Detective Story Club imprint. The latter include his third book, The Pit-Prop Syndicate, which first appeared in 1922.

Crofts was still learning his trade at that time. Inspector French was yet to be created, and he'd followed up the success of The Cask with the slightly disappointing The Ponson Case. Here, he experiments rather interestingly. The first half of the book follows an amateur investigation into a suspected criminal conspiracy. The second half sees the professionals take over, in the form of Inspector Willis. It's a tricky blend, but I found it appealing.

Seymour Merriman (great name!) is cycling in France when he chances upon a strange puzzle. Why would a lorry change its number plate? He comes across a pit-prop exporting business (one of those enterprises that presumably died out long ago) and also a pretty girl. Back in England, he tells a friend, and they decide to return to France to investigate (and Seymour also wants to get to know the pretty girl better). The plot thickens from there.

This is a classic Crofts story, meticulously planned and written. And I can't think of many Golden Age stories featuring Goole and Hull, but this is one! In the second half of the book, the investigation dragged a bit, and I found some of the detail a bit dull, much like Seymour's romance. All the same, it's an enjoyable story, and there's also a bonus in the dust jacket artwork, as well as the inclusion of an intro by John Curran and a little-known short story with a railway setting, "Danger in Shroude Valley". 

Monday, 25 June 2018

Gallows Court

Today, I'm truly delighted to be able to talk about a book that has meant a great deal to me over the past three years. After many years of striving, I've finally managed to realise an ambition I've long held as a crime novelist - simply, to write a story that a major publisher loved enough to get behind in a significant way.

The book is Gallows Court, publication date is September 2018, and it will be the lead crime fiction title of Head of Zeus (whose other authors range from Ben Okri to Jim Naughtie) this coming autumn. For me, then, a thrilling development.

During the recent past, I've combined the writing of the novel with various other ventures, notably The Story of Classic Crime in 100 Books, and another non-fiction project which is still ongoing, and will be for some time. But I've always seen myself first and foremost as a novelist, and I've always tried to develop and progress as a writer of fiction. Writing this novel was an attempt to do something very different, in all sorts of ways, from my previous work.

Gallows Court is set in 1930, and it builds on my fascination with that period in our history, and my love of Golden Age detective fiction. But it's not a pastiche whodunit. Rather, it's a novel of psychological suspense, fast-paced, with plenty of plot twists.

In writing the book, I deliberately adopted a different approach from that of my other novels. Rather than planning out "whodunnit", I began with a character, and a scenario, and took things from there. This was a bold move, for me, which often felt as though it might prove foolhardy. But as I kept working on the story, it began to come together, and I found myself increasingly gripped by its potential.

I wrote the book without the comfort blanket of a contract or expression of interest from a publisher, because I wanted to set my agent the task of trying to finding a really good, fresh home for the book. In many ways, this was a real risk, because it's so easy to become typecast as a writer, and publishers do not necessarily want writers to change direction. Thankfully, Nic Cheetham of Head of Zeus "got" exactly what I was trying to do - an incredibly lucky break for me. I've worked with many lovely publishers over the years, and I must say that I'm exceptionally excited by this relationship. And I'm keeping my fingers crossed that readers will love the book as much as Nic did. The book cover image is subject to change, but I think it captures the period setting.

I'll be telling you more about the novel in the run-up to publication. Suffice to say at this stage that it concerns Rachel Savernake, an attractive and fabulously wealthy - but ruthless and mysterious - woman who comes to London and becomes embroiled in a sequence of bizarre murders. A young journalist, Jacob Flint, determines to find out her secret...   

At the British Library the other day, I did a podcast with two splendid bloggers and locked room enthusiasts, Jim and Dan, and towards the end I talked a bit about the new book. Here's a link to the whole podcast - and do check out their blogs, The Invisible Event and The Reader is Warned, both of which are excellent.