Forgotten Book - Death in Albert Park

In a recent The Life of Crime Premium newsletter, I told the curious story of how Leo Bruce's novel Neck and Neck, featuring his series character Sergeant Beef, was actually written by his brother. This prompted a fellow Golden Age fan to tell me that he believed that some of the later Leo Bruce titles may also have been written by his brother (in real life, L.A.B. Croft-Cooke). Why this was done, nobody seems to know; perhaps it was simply all about writing as much as possible to earn money.

I was reminded of this when reading the 1964 Bruce title Death in Albert Park, because in some respects the writing style strikes me as slightly different from that of other novels about his second major character, Carolus Deene, that I have read. Yes, the usual supporting cast is present and correct, but (despite some enjoyable lampooning of trendy 60s theatrical pretensions) the lightness of tone found in earlier Deene novels is much less conspicuous. To some extent, this is because the setting, in the eponymous London suburb, is drab. But I do wonder about the authorship.

Quite early in the novel, three women are murdered. There's no significant connection between them, other than the location of the crimes, but Carolus decides, when investigating, to look into the personal lives of each of the victims. This is a set-up similar to that of a previous novel in the series - although the treatment is different - and again it made me wonder if the two books were written by the same man, or if plot inspiration was wearing a bit thin.

The book is a smooth and enjoyable read, but I must say I was rather disappointed with the solution. This is, perhaps, because I was a bit miffed that I'd worked what I thought was a better solution, which turned out to be incorrect! But it was also because the culprit's motivation didn't carry as much conviction as I thought it should have done. So, worth reading, but not a vintage Leo Bruce, whoever wrote it. 

Somewhere By the Sea - guest blog post by Gianetta Murray

Today I'm pleased to host a guest post by my fellow crime writer Gianetta Murray, who shares my enthusiasm for cruises!

'For luxury, excitement, and a chance to see the world, there isn’t much that beats a cruise ship.

It’s also an ideal place for murder.

Agatha Christie, Ngaio Marsh, Kerry Greenwood, and countless others have set mysteries on ships, and with good reason. The surroundings tend to be luxurious, allowing your readers to live vicariously. The suspects can’t leave (except by being murdered), so there’s plenty of time to interview them. And even in this day and age, the WiFi is often dodgy, presenting your sleuth with communication challenges when time is of the essence.

Your average mystery author is also spoiled for choice when it comes to murder method. Fancy drowning someone in the swimming pool? Poisoned drinks? Electrocuted in the gym? Or maybe an “accident” while trap shooting? All available, plus any of the classics. There’s no official police presence, and your killer has a large ‘body’ of water in which to hide the evidence!

If all that wasn’t enough, cruises usually have dining arrangements that throw random people together. We all know when strangers meet, eventually someone’s going to want to kill someone else, right? (Maybe because they’re not actually strangers?) They are forced into close proximity over Lobster Thermidor, and by the time the crème brulee is served no one is safe.

With such a glorious midnight buffet of plot and character possibilities presented by a cruise ship setting, it’s no surprise bestselling writers Tom Hindle and Ruth Ware also recently indulged.  Frankly, it’s a wonder any writer can resist.

I certainly couldn’t. My Vivien Brandt Mystery series mostly takes place in a small Yorkshire village, but by book three I craved some high-seas glamour and wrote Shipped to Slaughter, in which expat Vivien’s American and British families gather for the first time on an Alaska cruise to celebrate her milestone birthday.

Throw in a chance meeting (or is it?) with someone from Vivien’s past, a robbery, and some suspiciously dodgy passengers in addition to murder and I was one happy author.

So yes, cruise ships are a great place to set a murder mystery. I just have to figure out how to top it, now that Vivien’s on a train home. Because nothing exciting ever happens on a train…

What’s your favourite setting for murder and why? Reply with your answer (to gianettamurray@gmail.com) and I’ll pick a favorite to win an e-book of Shipped to Slaughter.

Thanks to Martin for letting me guest on his blog!'

 

L. C. Tyler - The Murder Planner

I've often talked about L.C. Tyler's books on this blog. He is a writer whom I enjoyed reading even before our paths ever crossed in person. Since that time, we've become friends and I was his vice-chair when he chaired the Crime Writers' Association. We're also working on a project together at present. So I was very pleased to receive an early copy of a novel which represents a new departure for him, and which has now been published by Allison & Busby.

This is The Murder Planner, which is in roughly the same vein as Len's excellent series about Ethelred (a long-suffering writer) and Elsie (his often unsympathetic literary agent). This novel again revolves around the world of books. This time the protagonist is an editor, Sable Knight, who is in charge of an indie publisher called Day and Knight.

Sable has, we soon discover, taken on more than a business from her former colleague Joe. For the firm's orthodox offerings are supplemented by the creations of the fertile minds on Day and Knight's books: writers who aren't necessarily based with great literary gifts, but are very good at coming up with ideas for 'perfect murders'. And the company sells these plots to people who have someone they'd like to remove from their life...

This is a great concept and it's executed with Len's customary brio. Sable is a very entertaining character (as is her mother, a lady once on close terms with the Krays) who soon discovers that she's getting in too deep. Her attempts to extricate herself from disaster are presented with the humour that is Len's trademark. I'm keeping my fingers crossed that this will not be the last time we hear of Sable Knight.

Forgotten Book - Vertigo

Although Vertigo is very much not a forgotten film, I think it's not unreasonable to describe D'Entre Les Morts, the book on which Hitchcock's masterpiece was based, as somewhat forgotten. It was originally known in the UK as The Living and the Dead, although my copy, published in paperback for Sight and Sound almost thirty years ago, has the title Vertigo and Hitchcockian cover imagery.

The authors were Pierre Boileau and Thomas Narcejac, and the translator Geoffrey Sainsbury. Regular readers of this blog will know that I'm a long-time fan of Boileau and Narcejac and I find it amazing that some of their books still have not - yet - been translated into English. They were brilliant at coming up with memorable and often macabre ideas. 

They were also very economical writers. My copy, a small edition, runs to a mere 170 pages. No wasting of words with these two Frenchmen. The story is quite bleak, more so than the film in my opinion, and there are some differences. The changes Hitchcock and the screenwriters (Alec Coppel and Samuel W. Taylor) made to the narrative were highly effective, elevating it to the status of a screen classic.

That said, the book is a good read in its own right. The protagonist is Flavieres, a former police officer, and after his old pal Paul Gevigne asks him to keep an eye on his wife, the ex-cop gradually develops an obsession about the woman. But it's a destructive obsession. A dark story, then, but gripping from start to finish.

The Isles of Scilly

I've had a number of fantastic trips lately, and a couple of days before Death in the Dales, we returned from a visit to the south west and the Isles of Scilly. My original plan was to combine this return to the Isles of Scilly (which I last visited many moons ago) with my participation in the International Agatha Christie Festival. Unfortunately, a family funeral meant that was impossible, but I was able to rearrange things, and the trip proved to be a great experience before I get down to some serious writing (and believe me, there's a lot of that to be done!) 

As you may have guessed, I'm hoping to write a story set on the Isles of Scilly at some point in the future. It's a great setting and it has featured in books by writers such as Andrew Garve, W.J. Burley, Ann Cleeves, and Kate Rhodes. I'm hoping to put together a discussion of Scilly crime novels for The Life of Crime Premium before too long. 

When I go on a long drive in Britain, I like to try to break the journey at interesting places that might also prove inspirational in terms of story ideas. On this occasion I picked Newark Park (a fascinating former hunting lodge with very extensive grounds) and Croome (a grand estate with an intriguing history), both of which I can strongly recommend; there are photos of both Croome and Newark Park above. There was also a visit to Newquay, a resort I've never visited before.

The centrepiece of the trip, though, was the trip to the Isles of Scilly. That long ago visit was just a day trip, spend mainly on Tresco, but the memory of the Tresco Abbey Gardens (above photos) and indeed the amazing 'Valhalla', a collection of ships' figureheads, has stayed in my mind. This time we were staying on St Mary's, the biggest island (although it's still not all that big) and quietly charming.

Saturday was a wonderfully sunny day and we took full advantage by sailing to Tresco and then to the small but close-by island of Bryher. The gardens, even in mid-October, were stunning, and Valhalla is as fascinating as ever. This was a day which I'll long remember. The next day was a bit damp, but again there was a chance to explore St Mary's, with its formidable garrison, and quiet coves.

 

The journey back was also memorable, if not for the best reasons. Fog at Land's End meant that it wasn't possible to fly back as planned, and so it was a case of returning by ferry and then a long drive through the fog and dark to get to the hotel in Somerset where I'd booked; given that the main roads were completely shut for miles, there were endless detours, and all in all it was about the most challenging drive I've ever undertaken, arriving some time after midnight. But there's no doubt: it was definitely worth it.

Death in the Dales 2026

I'm just back from an exhilarating weekend in England's Book Town, Sedbergh, where the third Death in the Dales festival was a great success. Warm congratulations to my friend and fellow crime writer Jean Briggs, who was in charge of things, not forgetting the hard-working behind-the-scenes team who helped everything to run so smoothly, resulting in a glitch-free experience from start to finish.

The relatively short journey north from Lymm on Friday afternoon turned into a three-hour nightmare thanks to multiple roadworks, which made the title of the film which kicked off the festivities rather ironic: Detour. I've mentioned this film noir briefly on the blog in the past, but I plan to discuss it more fully in due course.

The first event the next morning was a conversation about puzzle mysteries between Antony Johnston and me; I always enjoy sharing a platform with Antony and an hour whizzed by. There was a good talk about true crime influences on fiction from Carrie de Silva, while in the afternoon there were entertaining panels featuring a variety of writers, including Tom Mead, who kindly signed a number of his books for me.

Saturday evening was devoted to a murder mystery play written by me and splendidly performed by Antony, Dea Parkin, Fiona Veitch Smith and Jason Monaghan. I very much enjoyed their lively interpretation of the script, and an excellent dinner followed to end a busy but very satisfying day.

Further panels on Sunday morning were followed by Matthew Booth's original and excellent presentation on the history of crime fiction. There was a delightful added dimension to the presentation, but I'll avoid spoilers. Suffice to say that a good time was had by all and I very much hope that Death in the Dales will return again next year. 

Forgotten Book - The Long Short Cut

Stories about confidence tricksters can be very appealing, and one of the best that I've read is The Long Short Cut, a 1968 novel by Andrew Garve. The protagonist is a conman called Anthony Bliss. He's running low on cash and looking around for his next cunning plan when he goes to a gambling den called The Queen of Hearts. Two things happen that night. He meets a glamorous young woman called Corinne Lake and he witnesses an armed robbery.

He becomes romantically (or at least sexually entangled, for he isn't really a romantic) with Corinne, and it turns out that they are well-suited. She too is one of life's chancers, looking for a way to get her share of the comfort and luxury she thinks she deserves. They make an amoral pair, and although I don't think their dialogue is entirely believable (dialogue wasn't Garve's greatest strength) at all times, Bliss comes up with an idea for making a fortune and Corinne falls in with it.

I don't want to say too much about the scam, because it unfolds gradually and has a number of very clever elements, although it is highly elaborate, perhaps excessively so, and does depend heavily on a number of things going exactly the way that Bliss hopes. But the central idea is pleasingly original, and an excellent example of Garve's inventiveness. There's a clever explanation of how to fake a passport - three years before Frederick Forsyth's much more famous The Day of the Jackal. Garve really was a varied and interesting writer.

He was also highly readable. This story, like almost all his work, moves quickly, and the pace helps to persuade the reader to suspend disbelief. It's hard, at times, not to start rooting for Bliss and Corinne, and although the complications keep coming, this is a story which entertains from a quiet start to a pleasingly ironic finale.   

Miss Winter in the Library with a Knife - paperback publication day!

 

Today I'm celebrating the UK paperback publication of Miss Winter in the Library with a Knife. This is a book that has been very good to me and I'm delighted to announce that Morrisons supermarket will be carrying copies - the first time a book of mine has ever appeared in Morrisons. Waterstones are being hugely supportive as are independent bookshops, while you can also, of course, find copies on Amazon

And if you'd like to know more, here are some comments and reviews:

The perfect way to unwind during the holidays. What a treat. -- SJ Bennett

Martin Edwards is a magician who conjures up a captivating crime story before your eyes. -- Janice Hallett

The king of the puzzle mystery novel. -- Alex Pavesi

Written with Edwards' usual wry elegance, it is a delight from the first page to the last. ― Daily Mail

A mystery-within-a-mystery you can play along with, all done in the best classic style. Nobody knows the game of murder like Martin Edwards. ― Antony Johnston

You can put down the Radio Times and highlighter pen, this book is all the entertainment you'll need this Christmas. Wonderful stuff. -- Ian Moore

Editor, aficionado, reviewer, collector - Martin Edwards must have crime fiction coursing through his veins. But it is as a writer that he is revealed at his best, synthesising all of that knowledge and love of the genre into work that is singularly his own. -- John Harvey

A classic murder mystery as fresh and sparkling as a snowy day. A perfect read for the long winter evenings. -- Kate Ellis

This year's must-read Christmas murder mystery. I absolutely loved it. -- Mary Grand

Fiendish, hilarious and utterly addictive, this belongs under every Christmas tree. -- Orlando Murrin

Miss Winter is an absolute treat for armchair detectives! With a cast of suspicious characters, a bleak, snow-bound location, and a plot full of unexpected twists and turns, it's a Christmas slay ride every murder mystery fan will enjoy. ― Fiona Leitch

Miss Winter in the Library with a Knife is a fiendishly clever murder mystery rooted in the traditions of the Golden Age but also fresh and innovative. Plot wrapped in plot, puzzle wrapped in puzzle - it's delicious fun to peel back the layers and see if you solved the mysteries of Midwinter before the hapless Harry Crystal and his fellow sleuths. ― Andreina Cordani

Brilliant ― The Courier, Dundee

Full of twists, red herrings and whodunnit fun, this is a treat for crime fans. ― Yours Magazine

A fabulously twisty and delightfully devious Christmas mystery beautifully contained within a snowed-in remote hamlet in North Yorkshire. ― LoveReading

An absolute treat. This is really clever, cosy, and full of delicious twists. The perfect winter read to curl up with - just not at a remote manor house. ― Twin Perspectives

Only a writer with Martin Edwards's knowledge of and feeling for British crime fiction in all its breadth and depth could have pulled off Miss Winter In The Library With A Knife such is its subtlety and ambition. ― Morning Star

A celebration of crime fiction... By mixing tradition with modern insight, Edwards presents a puzzle that's as thoughtful as it is fun ― Crime Fiction Lover

Hounded - 2022 film review

A popular sub-genre of horror films has emerged in recent years - films about people hunting other people for sport. The idea has a lot of potential for writers who want to explore the darker side of human nature. The recent TV version of Lord of the Flies shows not only that it isn't really a new idea (William Golding's brilliant novel was written more than sixty years ago), but also that it's capable of being developed in depth and with subtlety.

This is one of the reasons I was tempted to watch Hounded, a British film from four years ago. The other reason was the presence in the cast of Samantha Bond and James Faulkner, two high-calibre actors who have always seemed to me to be reliably entertaining. I was hopeful, but regrettably this is one that falls into the category of 'films I watched so that you don't have to'. 

The set-up is that a group of youthful burglars from Peckham target a posh mansion for what their leader wants to be their 'last job'. Unfortunately for them, they are caught by the owners, led by Bond (who demonstrates her quality in the sense that at least she seems to be having a lot of fun with the risible dialogue the scriptwriter inflicts on her) and Faulkner (who rather gives the impression that he wishes he was appearing in some other movie where his character was allowed more than one dimension). And because the posh people belong to the fox-hunting set, they decide that the burglars should be their prey.

You can figure out the rest without watching the film. The film was, apparently, retitled Hunted at some point, a change which, in its dismal lack of subtlety, is at least in keeping with the content. The screenplay is feeble: the satirical possibilities of the premise are squandered by the banality of the writing and the action is too often cartoonish. You could write a great film about the class divide in modern Britain. But this is not it.  

Normal - 2025 film review

Normal is a recent film which has been quite a hit, and it stars Bob Odenkirk, who co-wrote the story with Derek Kolstad on which Kolstad based his screenplay. If those names seem familiar to you, then you may recall that they featured in my recent review of Nobody, which also starred Odenkirk and was written by Kolstad. And there is a similarity in style between the two films, though the storyline is very different.

In a gruesome start to the film, a Japanese gang boss exacts a nasty revenge on three of his men who have messed up before announcing that the gang has to deal with a problem in Normal, Minnesota. We then move to that (fictitious but ironically and rather wonderfully named) small town. Of course, life there proves to be anything but normal.

Odenkirk plays Ulysses, an interim sheriff who has been sent to supervise law and order after the untimely and - Ulysses soon discovers - rather suspicious death of his predecessor. Normal seems quiet enough, and Ulysses isn't unduly stretched at first. The local mayor (nicely played, as ever, by the estimable Henry Winkler) suggests he might like to take the job on a permanent basis, but it's pretty clear that what the mayor really likes about Ulysses is his low-key approach to law enforcement. What is going on in the town?

The answer emerges after a young couple stage an inept robbery at the local bank. The central idea of the story is a neat one, although I'm not sure that Derek Kolstad made as much of it as he could. The screenplay is awash with the often cartoonish violence that was a weakness of Nobody, and here I think Kolstad overdoes it. Again, Odenkirk does well in the lead role, but the earlier film was more character-driven than this one, and I think the story was more effective as a result.