In the green and pleasant English countryside, someone is killing soldiers from a local military base in an especially gruesome way. Is a wild animal responsible, or is something even more sinister going on? This is the premise of a 1970 film written and directed by James Kelley, The Beast in the Cellar. The title is something of a plot giveaway, and needlessly unsophisticated given that Kelley was aiming for something relatively ambitious.
After the first killing, we're introduced to two elderly sisters who live together in a secluded old house, not far away from the base. They have connections with the military through their father, a former war hero. One of the sisters, played by Flora Robson, is the dominant one of the pair, looking after Beryl Reid, an affectionate but not very bright character, rather under her sister's thumb.
Robson and Reid were both very good actors, and one of the features of this film is that the cast is a cut above the average. Tessa Wyatt, hugely popular in those days, not least with me, plays a young nurse, and T.P, McKenna is the detective trying to solve the case. The body count begins to rise. But who has a grudge against the young soldiers?
The plot twists are fairly predictable. Kelley was, I feel sure, trying to combine suspense with a character-driven drama, but he falls rather between two stools. The film is certainly watchable, as you'd expect with such a cast, and a lively score by Tony Macaulay is a bonus - there's even a song performed by, believe it or not, Ediston Lighthouse. But it's a very talky piece of work, and more of a not very horrific horror film than a crime story. Rural Britain provides plenty of scope for dark drama, just as it does for traditional mysteries, but this film, although it has merits, is really a missed opportunity. .