A decade ago, we were both invited to speak at the Emirates Literary Festival in Dubai where the organisers took us out into the desert and mounted us atop camels for a photoshoot. I was newly published back then, while Martin was already eminent as the Chair of the UK Crime Writers’ Association (CWA). We became friends, discovering a mutual like of historical mystery fiction and cricket.
Wind the clock forward and, having followed in Martin’s footsteps and completed a stint as Chair of the CWA, we both find ourselves as stalwarts of the genre. The focus of this guest blog – which Martin has been kind enough to allow me to pen – is to entice you with the publication of my latest book, the first in a traditional mystery series featuring Q from the Bond franchise, whilst taking a whistle-stop detour through the annals of espionage fiction.
In Quantum of Menace, Q – aka Major Boothroyd – finds himself unceremoniously booted out of MI6. A man at sea, he decides to return to his small hometown – the fictional Wickstone-on-Water – to reinvestigate the mysterious death of his childhood friend, a quantum computer scientist.
Quantum of Menace is not a spy novel, though Q’s past remains a lurking presence. This is a book about a man who has lost his bearings, contemplating a lonely future where he has become superfluous to requirements. It’s also a book about what modern Britain stands for and what fighting the good fight now means. Q has fought that fight for more years than he cares to remember. Now he must call upon his intellect to solve a more local crime.
Whilst writing the book, I reflected on the history of spy fiction, ever since James Fenimore Cooper’s The Spy, published in 1821, (arguably) kickstarted the phenomenon. In the late 1800s, several Sherlock Holmes novels involved espionage-heavy plots, giving the genre a shot in the arm. In 1907, Joseph Conrad, of Heart of Darkness fame, penned The Secret Agent, an anarchist spy story heavily cited after the September 11 attacks in New York due to its terrorist theme. John Buchan’s The Thirty-nine Steps (1915) remains an enduring classic.
Spy fiction flowered during, between, and after the world wars. A standout offering: Eric Ambler who introduced gritty realism to his spy fiction, especially in Epitaph for a Spy (1938). The post-war period saw a battle between two giants: Fleming and John Le CarrĂ©. Fleming’s Bond was charismatic, ruthless, and more of an assassin than a spy. In the films, he behaves a tad eccentrically for a secret agent, routinely announcing his presence to those hellbent on rooting him out. In contrast, Le CarrĂ©’s characters were grounded, subtler in their assessments of self and others, and often struggling with the ethical dilemmas of their actions.
Quantum of Menace combines what we love about the Bond canon – for instance, the prickly relationship between Bond and Q – whilst bringing in everything a sophisticated traditional mystery audience has come to expect i.e. dry wit, quirky personas and an emphasis on the puzzle rather than, say, rocket launchers fired from the tops of speeding trains. We also, at long last, get to see the man behind the myth. The tone of the novel lies somewhere between Mick Herron’s Slow Horses and Richard Osman’s The Thursday Murder Club. There's real insight into Q's life at - and post - MI6, his messy past, and, yes, Commander Bond puts in an appearance. How could he not!
I would be delighted if you gave the book a go. In the meantime, Martin and I will ponder the future of the genre and England’s chances in this year’s cricket Ashes tour down in Australia…'
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