Bloodline

BBC 4 has resumed its series of the Swedish version of Wallander, starring gruff but appealing Krister Henriksson as the detective, and Johanna Sallstrom as his daughter. I’m not sure why the series, shown to considerable acclaim (not least among crime bloggers!) earlier this year, was interrupted – but then, the scheduling of television programmes is an arcane process, as difficult to fathom as the Duckworth-Lewis method of calculating victory targets in a rain-affected cricket match.

The latest episode, Bloodline, opens with a man and a woman quarrelling on board a boat. The man storms off, but some time later, a masked individual comes on board, and brutally murders the woman. It’s a dramatic beginning, very much in the style we associate with Wallander.

When the police investigate, their inquiries soon take them to a group of people at a farm commune. Needless to say, there are various secrets to be uncovered, and the mystery is satisfyingly done. As always, however, the interplay of the characters is the great strength of the show. The relationship between Wallander and his daughter is very well done indeed. In fact, I’m not sure if I can think of any detective-and-daughter relationship in the genre that is more compelling.