Showing posts with label Cheryl Campbell. Show all posts
Showing posts with label Cheryl Campbell. Show all posts

Monday, 11 September 2017

Malice Aforethought - BBC TV - 1979


Image result for hywel bennett malice aforethought



I was sorry to learn recently of the death of Hywel Bennett. I've mentioned him several times on this blog, and I always felt that he was a first-class actor, perhaps under-rated simply because in youth he was very good-looking. But he had tremendous range, and was equally good in Twisted Nerve and in Agatha Christie's Endless Night. He was also successful in comedy. But my favourite performance as his was his portrayal of Dr Bickleigh in Malice Aforethought.

I first watched that four-parter when it was screened originally in 1979. I was impressed then, and watching it again, in a grainy version on Youtube (there doesn't seem to be a DVD) I was equally impressed. Of course, it's a very fine story, which made the name of Francis Iles famous, even though nobody knew he was really Anthony Berkeley Cox, already a leading detective novelist. But Philip Mackie deserves much credit for an excellent screenplay which captures the essence of the book.

Mackie was an excellent television writer, whose other credits included The Rivals of Sherlock Holmes and Praying Mantis. I've often wished I could see the latter again; it's a gripping psychological chiller, - what a shame that it, too, isn't available on DVD. Mackie also wrote successful crime plays, but I've not seen them. His writing gave Bennett the chance to present Bickleigh ia a three-dimensional way. He's not a likeable man, the doctor, but his capacity for self-deception is quite fascinating.

The cast is excellent. Judy Parfitt plays the disagreeable Mrs Bickleigh, while Cheryl Campbell is the woman the doctor becomes obsessed with, and Harold Innocent is the vicar. I'd forgotten that the inspector was played by James Grout, who went on to become Superintendent Strange, John Thaw's boss in Inspector Morse; this role was almost a rehearsal for the later part. Overall, an excellent show, and a reminder of Bennett's charisma, even when playing someone unattractive.

Sunday, 3 January 2010

Agatha Christie's Poirot - Appointment with Death: review


Appointment with Death is one of my least favourite Poirot novels, but I’ve just caught up with the David Suchet version screened on Christmas Day and it made enjoyable viewing. This was the result of a number of pleasing ingredients, including good background music and excellent photography – the setting of the screenplay is Syria in 1937, and the programme was visually impressive.

The cast, needless to say, was of high quality. I’ve talked before about my admiration for Suchet’s interpretation of Poirot, but among the other performances I enjoyed was that of Paul Freeman as Colonel Carbury. I always associate Freeman with his role in The Long Good Friday, in which his unwise shady dealings lead to disaster for Harold Shand, played by Bob Hoskins. A very different role here, and he played it with gusto. Other notable cast members included Cheryl Campbell, Mark Gatiss, Tim Curry – and Beth Goddard, who is so attractive that the nun she played was instantly noticeable and therefore highly suspicious.

Guy Andrews’ screenplay took plenty of liberties with the original, but got away with it, because the criminal’s motivation in the book is profoundly unsatisfactory. I still remember being disappointed by it when, as a Christie addict, I first devoured the book as a teenager. In the tv version, the motivation is totally different, and there are two culprits working hand in glove rather than one, as well as new characters and (groan!) that now hoary old stand-by, child abuse.

Purists will say that the screenplay was wildly over the top, and this is certainly true of the climactic scene. But on the whole, this is surely forgivable in the case where the original book is very far from being a classic. Appointment with Death was fun to watch.