Friday, 13 January 2023
Forgotten Book - Mr Pottermack's Oversight
Saturday, 4 July 2020
Forgotten Book - Pontifex, Son and Thorndyke
The novel that I failed to persevere with was Pontifex, Son and Thorndyke, and I've finally got round to reading it. And guess what? This time, I rather enjoyed it. It's one of those books with two distinct plot strands which eventually come together. The early pages are narrated by a likeable young fellow called Jasper Grey who gets involved in some mysterious goings-on, while the puzzle put before Dr Thorndyke concerns the inexplicable disappearance of Sir Edward Hardcastle.
Austin Freeman is often described, and fairly, as a major figure of the Golden Age, but several factors differentiate his work from that of, say, Dorothy L. Sayers (who greatly admired him) and Agatha Christie. He was an older person who came to prominence as a writer in the Edwardian era, and there is an old-fashioned feel about his prose and dialogue. This is partly why I was deterred from reading this book originally, and helps to explain why Julian Symons famously (if too harshly) compared reading Freeman to "chewing dry straw". There's also a whiff of antisemitism about some of the language used; whether that reflects Freeman's thinking or simply the attitudes of his characters, I'm not sure, but I suspect the former. Another issue is that Freeman's great interest lay in the meticulous scientific and technical accuracy of his criminal and investigative schemes. So if you're looking for "least likely person" whodunits, you won't get much joy from a book like this. His ingenuity was of a very different sort to Christie's.
Yet despite these reservations, I found myself being more entertained by this book than I'd expected. It's not a masterpiece, and I don't even suggest that it's one of Freeman's best books. But it's a bit out of the ordinary and that's no bad thing. I'm glad that, after so many years, I finally got to the end of it.
Friday, 20 December 2019
Forgotten Book - Dr Thorndyke Intervenes
The novel was published in 1933 and is written in Freeman's characteristic leisurely, rather prolix style. But it begins with a vivid and memorable opening scene at Fenchurch Street Station when a man comes to reclaim some left luggage. What is found, however, is a trunk that contains a human head. The man immediately flees the scene, leaving bystanders with an inexplicable conundrum.
In typical Freeman style, the focus soon shifts to another plot strand. A likeable American called Pippet has come to England to pursue an unlikely-seeming claim to an inheritance. He has the misfortune to encounter a wily chap with an even wilier solicitor friend, and is naive enough to be induced to hire the lawyer to progress the claim. But they soon come up against Dr Thorndyke, who has been instructed by a rival claimant.
The plot thickens from there. The interest lies not so much in the machinations which resulted in the discovery of the human head (which involve a bunch of not very interesting villains) as in the neat way in which Freeman dovetails the various plot strands. It's quite a clever story, even if the behaviour of one or two of the characters does test one's suspension of disbelief. And, as is so often the case with Freeman, it has a rather unconventional structure and flavour which compensate for the sometimes portentous prose.
Wednesday, 24 February 2010
A Mystery of the Deep Sea
There is nothing new about the importance of forensic pathology in detective fiction, and I was reminded of this when watching the opening episode of The Rivals of Sherlock Holmes, a very enjoyable collection on DVD of the first series of this excellent TV show from the 1970s. The mystery in question was ‘A Message from the Deep Sea’, and the author of the original tale on which the episode was based was R. Austin Freeman.
Freeman’s detective was Dr John Thorndyke, and if you haven’t come across him, you have missed a giant of the Golden Age of detective fiction. Thorndyke specialised in what he liked to call ‘medical jurisprudence’, and – often assisted by his friend Jervis, he used his scientific expertise to unravel countless puzzles that defeated the hapless chaps from Scotland Yard and sundry rural forces.
In this episode, Dr Thorndyke was played by John Neville – a handsome actor, whose casting provides a reminder that Thorndyke was supposed to be a handsome man, though the emphasis was always on his detective skills, his personal life never intruding as it would be in the hands of a modern writer. The puzzle involved the throat-cutting of a young woman, and the police suspicion of a classic ‘obvious suspect’. In an inquest scene, Thorndyke establishes that the evidence proves the guilt of another – a chap who foolishly makes a run for it, only to be captured by the burly cops Thorndyke has arranged to be stationed in the makeshift courtroom.
I enjoyed this episode. Neville makes Thorndyke rather more charismatic than I remember him from my teenage years, when I read many of the Freeman short stories, plus several of the novels. Jervis was played by James Cossins, best remembered as a hotel inspector in an episode of ‘Fawlty Towers’, while one of the cops was played by Terence Rigby, better known in the 70s as P.C. Snow in Softly, Softly.
Friday, 30 January 2009
Forgotten Book - Gory Knight
Gory Knight, my latest contribution to Patti Abbott’s series of forgotten books, was published in 1937, not long after the appearance of Dorothy L. Sayers’ renowned Gaudy Night. It’s a parody, written by the partnership of Margaret Rivers Larminie and Jane Langslow.
The story parodies the celebrated detectives Hercule Poirot, Lord Peter Wimsey (and his manservant Bunter), Reggie Fortune, Dr Thorndyke and Inspector French – although the French character appears only in the final stages of the book .The sleuths gather, by improbable means, in an English country house, and are immediately greeted by the disappearance of the cook (the eponymous Ms Knight.)
It’s a fun book. The plot is slight, and perhaps stretched out too much, but there is much pleasure to be had in the rendering of the eccentricities of Poirot, Wimsey and Bunter in particular. I was glad to stumble across it – initially in the pages of Jamie Sturgeon’s catalogue. Jamie sold the book before I called him, but he referred me to another crime fan, the locked room expert Bob Adey, who was able to supply me with a copy.
There is an intriguing family connection between Larminie and a leading contemporary writer, Margaret Yorke. I hope to write an article about this aspect of the story at a future date. But I know nothing about Langslow. If anyone can tell me anything about her, or about how the book came to be written, I’d be very interested to hear it.