Cambridge

After a summer of disappointing weather, a promising forecast was enough to get me off on a trip down the motorway to a truly fascinating city I''ve only once visited in the past, in the long ago days when one of my brothers-in-law was a student there. Cambridge is not the most accessible place from the north west, but on a very sunny week-end, it was utterly charming and beautiful.

Highlights for my son and me included a river tour on a punt (courtesy of a current undergraduate - it's more than thirty years since I lasted punted and I suspect my technique hasn't improved in the intervening years) and a walk round the superb botanical gardens. We found countless attractive corners, and whilst a couple of days isn't enough to see everything - far from it - we packed a lot into the time available.

Cambridge isn't as well represented in crime fiction as Oxford, and, although I've never attempted a count, I'm sure there are, and have been fewer ex- Cambridge students who have written crime than is the case with Oxford. But this is irrelevant, really, because there are plenty of very good Cambridge-based books. Ostara Publishing (masterminded by Richard Reynolds of Heffers) has published a number of them,and this small press is well worth a look.

Perhaps my favourite Cambridge-based crime novel is a historical mystery, The Anatomy of Ghosts, by Andrew Taylor. Andrew is a gifted writer, one of the finest around, and is confident enough in his own skills to develop a story gradually, eschewing synthetic dramatic tricks that "up the stakes", and relying instead on craft and character (as well as a talent for unorthodoxl plotting) to draw his readers in. This is one of his very best books. Among other first-rate writers who use Cambridge as a setting, I'd highlight the talented and under-estimated Michelle Spring. I've not often mentioned Michelle in this blog, but although far from prolific, she is definitely worth of note.

After Cambridge, we had a fantastic day somewhere else that has occasionally featured in the genre. More of that tomorrow, if time permits....

Day Jobs

Mention of Andrew Garve and Cyril Hare naturally leads me to a subject of great personal interest – crime writers who combine their fiction with a day job. To illustrate my other life, you may be amused to read my legal reminiscences as an employment tribunal advocate on the BBC website, or even to watch my less than George Clooney like performance when they filmed me the other week. Or you may conclude you’d rather not know!

Apart from journalists and lawyers, police officers often turn to fictional crime. Maurice Procter was probably the first noteworthy example in the UK, and he has had many successors. Those whose main source of income was not obviously criminal include the man who wrote as George Bellairs, who was a bank manager. (On second thoughts, perhaps we do think of bankers as criminally inclined these days.)

At the CWA Daggers Dinner last year, I had the pleasure of meeting, and sitting next to, Elizabeth Corley, a successful businesswoman. Janet Neel shuttles between high finance and crime writing. Michelle Spring is an academic, and so is Christine Poulson. For as long as one can juggle two careers, it’s a fascinating thing to do.