The British LIbrary, Crime Classics, and the Series Consultant...

The British Library's Crime Classics series is going from strength to strength, and I'm delighted to make one or two personal announcements about it today. First let me mention that the first half of next year will see the appearance of two anthologies of Golden Age fiction edited and introduced by me and forming part of the series. Resorting to Murder focuses on holiday mysteries, while Capital Crimes is a collection of stories set in and around London. I'm hoping these books will introduce a new generation of readers to some of the marvellous short stories published between the wars. Each anthology will include one or two rare stories that I suspect will be unfamiliar to all but the most dedicated specialists.

The Crime Classics series are beautifully produced; even so, I must admit their success has taken my breath away. I've been writing intros for republished crime novels of the past for about twenty years - starting with the late lamented Black Dagger crime series - but there's never been anything remotely this popular until recently (and the success of the Detection Club reprints by Harper Collins, a couple of which feature intros of mine is another welcome sign of the times.)

Who would have thought that novels written by John Bude and J. Jefferson Farjeon would become bestsellers in the twenty-first century? Not me, to be honest. And yet this is the British Library's achievement. A few days ago, Farjeon's Mystery in White reached number 4 in the Waterstones fiction bestseller chart, having risen from number 6 the previous week (Donna Tartt's latest being one place higher) . In the space of two months, 20,000 plus copies have been sold, and I gather that about 95% of this figure is represented by the print edition, rather than ebooks, which in  this day and age is very, very striking. Bear in mind that there is no living author around to promote their work on tours and so on. As for Bude, The Cornish Coast Murder has become the British Library's all-time bestselling book published under its own imprint - remarkable, if one thinks about that.. As of today, I gather it's sold upwards of 40,000 copies in all in about eight months.

The British Library is now looking ahead, and giving careful thought as to how to sustain the remarkable popularity of the Crime Classics. For some time, I've been in discussion with them about possible future titles, and I've been commissioned to write introductions to recently published titles such as Charles Kingston's Murder in Piccadilly and John G. Brandon's A Scream in Soho. The aim of the intros is to offer readers some "added value", and the Library's view is that it's desirable to avoid duplication, so I write different intros for each book, even if the author has appeared in the series before, concentrating on fresh aspects of the author's work.

Other titles in the works include an excellent Bude book, The Sussex Downs Murder, and two particularly interesting novels The Hog's Back Mystery and Antidote to Venom, both by Freeman Wills Crofts. Five further  books are expected to appear in 2015, including a third anthology which I'm working on at present. Various factors (including availability of the rights) govern the actual choices made, but having suggested those two Crofts books, I'm delighted that they are to be republished.

I'm also thrilled to announce that the British Library has appointed me as Series Consultant to the Crime Classics series. It's a relationship which I'm really enjoying, and at long last, I no longer feel like a member of an endangered minority in my enthusiasm for these long-forgotten stories. Whilst I remain absolutely committed to my career as a contemporary novelist, I've been writing about Golden Age fiction for more than a quarter of a century (and reading it for much longer than that). I have never known a time when there was so much interest in the subject, not only in the UK, but much further afield, and this is also reflected in reaction to news of the forthcoming publication of The Golden Age of Murder (now available for pre-order on Amazon, by the way!) Long may it continue..

Forgotten Books - Forgotten No More?

Over the years that I've been writing this blog, many pleasurable things have happened as a result of my posts. The response to my snippets about "forgotten books" has been especially heartening. I've been a fan of Golden Age books - as well as contemporary mysteries, of course - for many years. Before the internet came along, however, I knew relatively few people who shared this fascination to anything like the same extent. Christie, Sayers, Allingham, Tey, and Marsh were consistently popular,but that was about it, in my experence. How things have changed. Now I am in touch with people all around the world who enjoy Golden Age fiction,and I've learned a great deal from them.

There's remarkable enthusiasm for the Golden Age in Britain right now. I know several people whose collections of rare titles make mine seem inconsequential by comparison, and in the past few years I've met scores of men and women whose delight in 'forgotten books' matches my own. Significantly, the 'Forgotten Authors' panel at Crimefest is so popular that it has become a very well attended annual event. Preparations for next year's session are already underway. There is a genuine appetite among readers across the UK, as well as further afield, for older books, including some that until recently were very obscure indeed. A number of publishers - Ostara and James Prichard's Langtail Press are admirable examples that spring to mind - have brought old books back into print at affordable prices. And the British Library has lately been doing absolutely sterling work in this field, with their Crime Classics series.

It's only eight months since I blogged about J. Jefferson Farjeon's Mystery in White, and since then, the BL has not only decided to publish it, but invited me to write an intro for the new edition. Now I've been told (and kindly permitted to share the news) that early sales have been so high that publication has been brought forward to this week. By the time you read this post, about five thousand copies of the book will have been sold in no time. I wonder if the original book sold as many in all the years it was available. (The answer may be yes, as Farjeon was a popular writer in his day, but many perfectly good contemporary novels fail to sell this many copies, let alone with such speed..)

Two highly successful titles in the series have been the first two crime novels written by John Bude. As a result, I was delighted to hear from the author's daughter, who has given me fresh information about her father, and about his involvement with the Crime Writers' Association in its early days. This will all help to bolster the material we have in the CWA archives - and the archives are a topic that I'll write about at greater length in the future. In a month's time copies of Bude's third book, The Sussex Downs Murder, will be available from Waterstones, who, I understand, have exclusive rights to sell it until mid-January. The fact that such a major bookshop is excited about a reissue of a book by John Bude is really pleasing. It wouldn't have happened ten, or even five years ago, I'm sure. Naturally, I was delighted when I was asked to write an intro to that book too.

And there's one more book from the BL that Golden Age fans can start looking forward to right now, again exclusively from Waterstones at first. This is Murder in Piccadily by Charles Kingston. I hadn't heard of either author or book until fairly recently, but plunged into research mode once the BL mooted its publication as a possibility and duly wrote another intro. All the indications at this stage are that this too will be a reissue that sells really well. Next year will see more titles in this series from the BL and I'm confident that the programme for 2015 (and for 2016, come to that) will, when public knowledge, appeal to a great many people, including those who in the past may not have been especially interested in period mysteries.

There are several reasons why these books are enjoying such success. The British Library takes a huge amount of credit, both for its enthusiastic marketing and its terrific cover artwork. But books don't sell unless readers want to buy them, and the excellent sales figures must be an accurate reflection of customer demand, primarily in Britain, but also overseas I'm also really pleased that my US publisher, the splendid Poisoned Pen Press, has recently become involved with distribution of titles in the States. And with The Golden Age of Murder due to be published next May, I'm daring to hope that, for once in my life, I've got my timing right...