Two men, each of them burdened by a wife who is no longer loved, but who refuses a divorce. How can they rid themselves of the inconvenience, and make the most of life. The two men do have a slight acquaintance, but it isn't widely known. They confide in each other, and one of them has an idea. Why don't they help each other out, by killing each other's wives?
Sounds familiar, doesn't it? This is an idea that has cropped up in crime stories time and again over the year. Of all the variations on the theme, Patricia Highsmith's Strangers on a Train is by far the most renowned, though other good examples have been produced by the late Sheila Radley and the American thriller writer Peter Swanson. The book I'm referring to, however, is Stalemate. It was written by Evelyn Berckman, an expatriate American based in London, and published here in 1966.
My interest in Berckman was fired when I watched a film based on one of her books, Do You Know this Voice? It prompted me to acquire some of her other novels. And although the premise of Stalemate isn't original, it's handled in a fairly original way. The key twist is foreseeable, but it becomes clear by the end of the book that Berckman's interest is in character rather than puzzling her readers. And she is pretty good at characterisation.
I was particularly impressed by the quality of the writing in the first half of the book. Berckman has a pleasing turn of phrase, and there's an intensity about her prose which is appealing. In the later stages, there are one or two scenes which are perhaps over-wrought, and I was slightly surprised by the way she shifts focus from the main actors in the drama to a member of the supporting cast. So despite its familiar premise, it' becomes quite an unusual story. Not a masterpiece in the Highsmith class, but interesting.
Showing posts with label Stalemate. Show all posts
Showing posts with label Stalemate. Show all posts
Friday, 28 June 2019
Wednesday, 4 December 2013
The Wallace Case - Alan Hamilton's perspective
My blog about P.D. James' essay on the legendary Wallace case prompted some very interesting comments and emails. One of them came from Alan Hamilton, who has just written a novel, Stalemate, which draws on the case (and which I very much look forward to reading.) Alan's research has been impressive, and I invited him to contribute a guest blog setting out some of his thoughts, which I hope will also whet readers' appetites for his novel.
"James Agate, a critic famous in his day, wrote,
‘either the murderer was Wallace or it wasn’t. If it wasn’t, then here at last
is the perfect murder.’
Let’s start with what we know.
We know that at the time of the murder Wallace was
terminally ill. He’d spent a month as an in-patient in a Liverpool hospital in
mid-1930 and had it made clear to him that his remaining kidney was diseased
and malfunctioning and that nothing could be done to reverse or even arrest
that. We also know he was a deeply introspective, introverted, and cerebral man.
Wholly self-taught, his interests covered chemistry, science in general,
philosophy, chess, music, and literature – interests that, together with his
psychological traits, tended to cut him off from those among whom he lived and
worked.
We know, and this knowledge is only about fifteen
years old, that Julia Wallace was nearly twenty years older than her husband
and yet had got away with claiming to be the same age as him. No one at the
time suspected it. She did not look her age. She had lied persistently on
official documents about her age, parentage, place of birth and even her first
name, and did so too with her marriage certificate. We know she rented and did not own the house
she lived in when she met Wallace. We know she had today’s equivalent of £2340
in her Post Office account and on the night she was killed about £40 in cash in
a pocket applied to the inside of her corset. She would have had to undress to
get at the money.
We know that when Wallace arrived home from his
wasted trip to Mossley Hill in pursuit of business from Mr Qualtrough, he was
able to enter his back yard through the door in the wall. He said he’d told his
wife to bolt it after him. If she had, he wouldn’t have been able, or expected,
to get in.
We know that Julia was killed around 8pm.
Professor McFall wrote that in the first report he made to the CID. He later
changed his mind although he had no better evidence than he had had when he
made that first report.
And finally we know that, contrary to PD James’s
theory, Wallace did not cost Parry his job by reporting him to the Pru for
paying-in less than he collected. It was more than a year after Wallace caught
Parry out that Parry left the Pru of his own accord. About a month before the
murder, Parry gave Wallace a calendar from his new employer. It was Wallace’s
supervisor who told him later that Parry’s father had made good shortages in
his son’s accounts.
So, given what we know, what might have happened?
Someone killed Julia and with a degree of violence of which Wallace, given his temperament
and physical condition, was probably incapable. What’s more, whoever it was did
it when Wallace was several miles from home. Someone who was let into the house
by Julia; someone she either knew or thought she knew. Someone who intended from
the start, or was provoked, to kill her. Someone from her distinctly strange
past, perhaps, or someone who wanted her out of the way? Or someone who was
persuaded, rewarded, or pressured to kill her so someone else could benefit?
Someone else who might then feel that at the end of a lifetime of frustration
and disappointment he (or she) had organised ‘the perfect murder’".
Labels:
Alan Hamilton,
Julia Wallace,
P.D.James,
Stalemate,
the Wallace case
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