DCI Banks: Strange Affair - review

DCI Banks' latest two-parter, Strange Affair, concluded unexpectedly yesterday. I say "unexpectedly", because for twenty minutes it seemed perfectly clear in which direction the story was heading, and the dialogue felt equally predictable. Yet, all of a sudden, the narrative motored off in a new direction, and I found myself enjoying it very much indeed.

This owes much, of course, to the strength of the plot in Peter Robinson's book on which the adaptation was based. But there was also fine work from a strong cast in which Stephen Tompkinson was at his most anguished and Caroline Catz at her spikiest, while Keith Barron was excellent as Banks's dad. In the end, the story posed a moral dilemma which I'd really not seen coming, and this device worked very well. Importantly, it didn't feel contrived.

Another pleasing feature, for me, of this episode was an element of nostalgia, in that I recognised a couple of locations. After I left law college, I spent a couple of years working in Leeds, a time when money was, to put it mildly, in short supply. I left Yorkshire to work in Liverpool, but I remain a great fan of the White Rose county, and DCI Banks makes good use of the Yorkshire setting, even though it is, admittedly, slightly less dramatic that that of, say, Lewis or Vera.

DCI Banks is, I think,starting to develop into a very good series, and it's reassuring to know that, because Peter Robinson has been so prolific and consistent over the years, there are plenty of story-lines to come. I look forward to the next instalment.

DCI Banks: Strange Affair - review

DCI Banks is back, with another two-parter, Strange Affair, the first episode of which I've just watched. I'm a long-time fan of the Peter Robinson books about Banks, but I haven't read this particular novel, which I suspect may be a good thing. The TV version featuring Stephen Tompkinson as Banks is perfectly watchable, but so far hasn't risen to the heights of the books. However, it's early days, and this story made a decent, if slightly slow, start.

Banks' brother Roy leaves Banks an anguished phone message, and it seems he may have something to do with the murder of a woman, who shortly afterwards is found shot to death. By this time, Banks himself has gone missing and the investigation is led at very short notice by DI Helen Morton, newly returned from maternity leave. Morton is played by Caroline Catz, a very appealing actor, who played a likeable DI in Murder in Suburbia. But Morton is very different - and much more serious.

So serious, in fact, that she treats Banks as a highly suspicious character, creating a bit of conflict, but (I felt) in a way that felt rather laboured and contrived. The screenplay writer might have done better to focus more on the whodunit side of the story, which didn't get going for a long time. The episode ended bleakly, though, with the discovery of Roy's body. He too had been shot.

The test of a two-parter is whether I want to watch the second episode, and the answer is that I do. My impression is that Tompkinson has toughened up his portrayal of Banks, and that's a sound move. He, like Catz, is a very engaging actor, and as the cast find their feet, it is possible that DCI Banks will turn into a staple of the schedules. At present, however, the jury is still out.

DCI Banks - review of Aftermath, part 2

DCI Banks – Aftermath concluded last night and having had a look at other reviews, I’m a bit worried that I seem to be in something of a minority in having enjoyed the opener for this new series starring Stephen Tompkinson as Banks and Andrea Lowe as Annie Cabot. But despite widespread reservations about the portrayal of Banks as a bit of a wimp, I found the second and concluding episode fairly entertaining and a bit different from many TV cop shows.

However, there was a heavily melodramatic element to the material and its presentation, and here perhaps there were too many concessions in the script to the perceived requirements of a TV audience. I’ve read many of the Banks books, but not Aftermath, so I can’t comment with authority, but even so I’m confident the novel is a good deal subtler than the screenplay.

Of course, it is in the nature of TV adaptations that they lose something of the flavour of the original. If the writer is lucky – think Colin Dexter – they add a lot, too. But Liza Cody, Tim Heald and Marjorie Eccles are among those who arguably were not well served when their books made the transition to the small screen. And even Reg Hill had to endure Hale and Pace as the original Dalziel and Pascoe, before his work moved to the BBC.

John Harvey, in a rather scathing assessment of the first episode of Aftermath, mentioned that Tompkinson was once briefly considered for the role of Charlie Resnick. It’s also the case that he was mooted for a TV version of Harry Devlin, and a script of All the Lonely People was written by one of the scriptwriters for Taggart. Alas, it never got made. Would I have minded liberties being taken with my masterpiece? Believe me, I could have coped!!

DCI Banks: Aftermath - review

Aftermath, the first DCI Banks story to be televised, was on tonight, and I’d been looking forward to the first episode of this two-parter eagerly. As I’ve mentioned before, I’m a long-time fan of the books by Peter Robinson, having come across his work shortly after Banks made his debut. Books like Gallows View and The Hanging Valley were early favourites, along with the non-series, and quite excellent, Caedmon’s Song.

DCI Alan Banks is played on TV by Stephen Tompkinson, a reliable actor who strikes me as very well cast as the Yorkshire cop. You can, of course, argue that there has been a surfeit of crime shows featuring a somewhat world-weary lead character with a troubled personal life, but the fact is that Banks first appeared in 1987, the same year Inspector Morse turned up on TV. So he isn’t a derivative of Morse, even if plenty of other detectives have been cut from similar cloth in the intervening years.

What sets the Robinson books apart, though, is ultimately the author’s story-telling skills rather than Banks, likeable though the guy is. Aftermath is a good story, out of the ordinary run and the adaptation was well done. The set-up is gripping. The police stumble upon the lair of an apparent serial killer when investigating a 'domestic'. There are four girls’ bodies in his cellar – but five girls fitting the same profile have gone missing, so where is the fifth girl, Leanne? I felt this episode got the character, and the series, off to a cracking start. In the early part of the story, Banks came over as something of a wimp (he isn’t in the books) but he toughened up a bit later on, and I thought the chemistry between him and Annie Cabot was terrific. You can bet I’ll be tuning in for the second part of the story next week.

Incidentally, a short time ago I came across the typescript of an article I wrote in the late 80s, for a countryside magazine. It featured crime fiction with rural settings, and never got published, but it highlighted the merits of two new writers I had recently read and admired, and whom, at that time, I’d never met in person. One was Robinson, the other was Ann Cleeves, whose own books about Vera Stanhope will soon appear on the small screen. Now that’s what I call talent spotting!