The Judas Tree - a Jonathan Creek review

The Judas Tree was both written and directed by David Renwick, and for me, it was ninety minutes of TV heaven. A marvellously entertaining Jonathan Creek story, with that combination of wit and ingenious plotting which has become Renwick’s hallmark. John Dickson Carr would surely have loved it, and I think that any fan of classic ‘impossible crime’ mysteries would love it.

The opening is gripping – in 1988, two young women are driving in the windswept countryside, when one of them, Emily, sees a strange house in the fields. The house suddently disappears, and when she goes to investigate, she is almost seized by a mysterious old man who emerges from the undergrowth. But she fights him off and escapes.

Fast forward to the present day, and Emily takes a job in the household of a detective story writer with a glamorous wife and an enigmatic housekeeper. The wife tells her a story about a seemingly impossible crime, committed in the grounds of their house, Green Lanterns, in the nineteenth century. The timing of the victim’s death was foretold, to the very minute. And soon the wife receives a message, apparently in Emily’s hand, warning of her forthcoming death….

Jonathan investigates with his customary mixture of bewilderment and brilliance, aided by Sheridan Smith, from whom Emily has sought help. The initial mystery of the vanishing house is easily explained, but the crimes at Green Lantern, both ancient and modern, prove rather more complex. Quite a bit of information is concealed from the viewer until a late stage, which might have some purists shaking their heads. I was left with one or two unanswered questions (a second viewing might resolve them) but, most of all, with renewed admiration for Renwick’s gifts.

Alan Davies is excellent, as ever, as Jonathan Creek, while Sheridan Smith, Paul McGann and Ian McNiece (who has appeared in countless TV mysteries over the years) are also well cast. Natalie Walter, who plays Emily, is so very attractive that she can’t possibly be guilty – can she? And a special word for Doreen Mantle, who plays a key part in the story-line as the housekeeper at Green Lanterns. She appeared regularly as Mrs Worboys in Renwick’s One Foot in the Grave, and her interaction with McNiece is one of the many joys of this terrific mystery.

How does it compare to last year's enjoyable special, The Grinning Man? My instant reaction is - even better.

Jonathan Creek and David Renwick

It’s hard to believe, but Jonathan Creek first aired as long ago as 1997. I watched that initial episode, and soon the series took over from Taggart as my favourite television crime show. The way in which classic ‘impossible crime’ plots were blended with humour and contemporary characterisation struck me as quite splendid.

And now there is to be a new episode, fifteen months after the last (The Grinning Man, which I thought was excellent.)  The Judas Tree is to be screened tomorrow, and I shall do a review. The only question is whether my expectations are so high that I’m likely to be disappointed. I hope not.

Jonathan Creek was created by David Renwick, who is also celebrated as the writer of One Foot in the Grave, and the creator of that grumpiest of old men, Victor (‘I don’t believe it!’) Meldrew. There are occasional references to detective fiction in One Foot in the Grave, and Renwick’s other works include some adaptations for Agatha Christie’s Poirot.

I’ve never met David Renwick, and the only slight link between us is that he wrote the introduction to Mike Ashley’s collection, The Mammoth Book of Locked-Room Mysteries and Impossible Crimes, in which my story ‘Waiting for Godstow’ appeared. ‘Waiting for Godstow’ was an enormously enjoyable story to write, and I’m rather sorry that it’s never attracted as much attention as some of my other work.

Here’s the closing sentence of that Renwick intro: ‘Like the spectral assassin who has miraculously vanished from the scene of the crime it’s comforting occasionally to give reality the slip and retreat into the more fantastical world of our imagination’.

 Couldn’t agree more!