Short Stories and the CWA Dagger

I wasn’t able to attend the CWA Dagger Awards last Thursday, for pleasant reasons I’ll describe in my next post. I was, however, thrilled to learn that the CWA Short Story Dagger was shared between Cath Staincliffe and Margaret Murphy for their stories from our Murder Squad anthology, Best Eaten Cold and Other Stories, published by The Mystery Press.

Over the years, I’ve had the great fortune to edit books in which a good many stories have appeared which went on to be shortlisted, and quite often to win, awards both here and overseas. This year was, though, the first time that four stories appearing in books I’d edited had featured on the same shortlist. Very nice to get a bit of vicarious glory, and even nicer to have a hand in bringing some fine stories to the attention of readers.

It isn’t easy to persuade publishers to take short stories or anthologies. They do not often sell well. I’m not really sure why. It has never been easy – it’s not just a new phenomenon. And at least the internet is making some short stories more accessible than ever before.

A final word about Murder Squad. The group came into being back in 2000, and despite a few personnel changes, remains highly cohesive. I’m glad to be associated with writers of distinction who also happen to be, without exception, delightful people.

Dead Image and Avon Street

The combination of history with mystery is a beguiling one. It's hard to believe now, but when Agaaha Christie wrote a whodunit set in Ancient Egypt, Death Comes as the End, it was an unusual - and rather brave - thing to do. Now, historical mysteries abound, and a number of authors have carved terrific reputations in the field.

I first came across The History Press when they agreed to publish last year's Murder Squad anthology, Best Eaten Cold. The book appeared under a new imprint, The Mystery Press, and this is a brand which seems to be going from strength to strength.

Two recent titles from this stable deserve particular mention. Dead Image, by Joan Lock, is a paperback edition of a book which first appeared more than a decade ago. Joan Lock is a former police officer (so was her late husband Bob, a chap with a delightful sense of humour whom I first met, with Joan, at CWA conferences more than 20 years ago.) She has a great deal of expertise in the field of police history, and this book, featuring Detective Sergeant Best, is a typically well-researched and entertaining novel. Joan is definitely an author to check out, and an acknowledged expert in her field.

Paul Emanuelli, in contrast, is a new name to me. His book Avon Street, is a tale of murder in Victorian Bath. As Peter Lovesey has shown, Bath is a fascinating setting for a mystery, and Emanuelli has produced an adventure story with its roots - as a short afterword explains - in reality. There's some good stuff here, but the book is twice as long as Dead Image, and I think Joan Lock's book shows that there is often a great deal of merit in concision, even if it means excluding some interesting research material.