Friday, 13 March 2026

Forgotten Book - Death in a Domino



Death in a Domino is the American title of a novel originally published in the UK and US in 1932 and now reprinted in the excellent series Stark House Crime Classics. In Britain, the title of the book was It Means Mischief , but there was a more curious change between the British and American editions. Originally, the screenwriter and playwright John Hastings Turner was credited as co-author. But in the American edition, as in the reprint, the sole author named is Roland Pertwee; Turner had to be content with a prefatory note in which Pertwee expressed his gratitude to Turner, 'whose ingenuity helped me over several difficult stiles'. 

This isn't the only example of collaborators in novels of the 1930s finding their role minimised at a later stage; it happened to Robert Eustace and Henry Jellett, who collaborated on novels with high profile detective novelists, Dorothy L. Sayers and Ngaio Marsh respectively. Pertwee (1885-1963) wasn't in the same league as Sayers or Marsh, and he only dabbled in the writing of crime novels for a short time, but he enjoyed a long career as an actor, playwright, and screenwriter, and other family members (Bill, Sean, and above all Jon) also achieved success as actors, while his son Michael was a writer.

The story makes use of three classic ingredients of Golden Age detective fiction. The victim is an unpleasant newspaper baron; such characters can be found in quite a few books, among them the Detection Club's Ask a Policeman. There is also a 'murder game', during the course of which an actual murder is committed. And finally, there is a significant false confession.

There are some amusing moments, especially when an elderly general witters on about his passion for fishing. The plot also twists quite nicely, if improbably. I was rather startled by one scene, in which a young woman is persuaded to sniff cocaine; there are plenty of Golden Age stories in which drugs play a part, but I can't immediately recall a scene quite like that. 

The writing style, as befits two screenwriters, is extremely economical. Sometimes the concision comes at the cost of character development, but the pace of the story is, overall, a strong point. The book was filmed (by the great Michael Powell at the start of his career) in 1934 as The Night of the Party, starring Leslie Banks - and both Pertwee and Turner were credited as the writers.
 

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