British folk-horror appeals to me, although it will probably be a long time before anyone tops the film that really catapulted this type of storytelling into the public eye, The Wicker Man. Men, a 2022 film written and directed by the very talented Alex Garland, is at the surreal end of the spectrum. It opens with a favourite song of mine, 'Love Song', performed by Lesley Duncan, and this is a clue to the central theme.
Jessie Buckley, who can do nothing wrong on the screen, is impressive in the role of Harper Marlowe, who has been traumatised by the apparent suicide of her husband James, after a row when he struck her after she made it clear she was going to divorce him. He'd tried emotional blackmail, threatening to end his life, reflecting a controlling attitude that, the film suggests, is a masculine characteristic. I don't go along with the generalisation, but the story is well made.
In the hope of getting over the tragedy, Harper rents a lovely country house for a fortnight, in a village called Cotson in the west country. The owner, Geoffrey, is an oddball, although apparently harmless. He's played by Rory Kinnear, and it soon becomes clear that all the men in the village are played by him. What's it all about?
I don't want to give too many spoilers, but it's fair to say that this is not a film for the squeamish. Harper finds herself stalked by a naked man, taunted by a youth, and fondled by the vicar as events build towards a tumultuous climax. This film isn't a masterpiece, but if you like folk horror, it's definitely one to watch. If only for the excellent acting of both Jessie Buckley and Rory Kinnear.
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