Showing posts with label Donald E. Westlake. Show all posts
Showing posts with label Donald E. Westlake. Show all posts

Wednesday, 26 February 2014

Point Blank - film review

I've mentioned that excellent movie Point Blank a couple of times before on this blog, but only in passing. I first saw it as a student, and I've watched it twice since. Each time,I enjoy it all over again, quite a tribute to director John Boorman and a very good cast led by Lee Marvin, at his very best, and Angie Dickinson, in surely her most appealing film role.

There's a surreal quality about the film, right from the start, and this had sparked continuing debate about how best to interpret the story. I don't want to say too much on this topic, for fear of spoilers - and anyway, I enjoy the film as a gangster movie, as well as a study of character, obsession and revenge. To put it simply, Walker (Marvin) was involved in a heist, but his friend stole both his share of the money and his wife, leaving Walker for dead. Later, Walker seeks revenge - and also the return of his money.

Unusual as it is, the film offers enough conventional excitement to appeal to anyone who is simply looking for a good thriller. Boorman uses Alcatraz as a background for several key scenes, and this is absolutely fascinating. I've never been to San Francisco, far less Alcatraz, but every time I see the city in a film, I am reminded how much I'd like to go there. And every time I watch Point Blank, I wish Angie Dickinson had appeared in more films of similar calibre.

The use of stark, brilliant colours and spare, dramatic settings enhances the strangeness of the film, and helps to make it memorable. No wonder it's a classic. The screenplay is based on a novel by Donald E. Westlake, who was a talented and prolific writer. I've read some of his books, and have seen another film based on his work, but for me, Point Blank is the stand-out. Highly recommended.

Monday, 27 January 2014

The return of The Red Right Hand

The Red Right Hand is a remarkable American crime novel that I've mentioned fleetingly on this blog in the past. It was written by Joel Townsley Rogers, and the reaction of many modern readers may well be: "Joel Townsley who?" His name is not especially well known these days, and the main reason for this is that he wrote very few novels, although he was a prolific writer for pulp magazines. Of his novels, only The Red Right Hand earned lasting acclaim, and its fans include such terrific writers as Donald E. Westlake and Ed Gorman. But copies of even that book have proved quite hard to find in recent years.

Thanks to digital publishing, and the enterprise of an outfit called 280 Steps, that has changed. A new ebook version of The Red Right Hand is available - and it includes an introduction written by me. I was gratified when 280 Steps made contact and commissioned the introduction, not least because it gave me an excuse to read once again a book that I loved when I first encountered it.

I enjoyed it at least as much the second time around, even though I remembered vividly the twist in the story that helps to make it memorable. But this is much more than a book with a single gimmick. Rogers' prose is very appealing, and this story has often been justly described as "hallucinatory". Its weird, dream-like quality is enhanced by a compelling literary style. It's no surprise to learn that Rogers wrote poetry as well as prose.

Rogers was born in 1896,and lived until 1984. The Red Right Hand was published in 1945, and was based on a novella that he'd written for a magazine. I've never sought out his other work, but re-reading this book made me want to do so. I found 280 Steps excellent and highly professional to deal with, and I'm also tempted by a number of other titles on their list, which range from noir classics to non-fiction, notably three books written by Woody Haut. Definitely worth a look.

Wednesday, 14 August 2013

Do Not Cross by Paul Clarke - review

By a series of strange coincidences, this year I've had a number of reminders of the past which I've found these both unexpected and welcome. A library talk in Winsford, for instance, led to my hearing from a contemporary who grew up with many of my friends. An interview that Leigh Russell conducted with me for Mystery People led to my hearing from someone with whom I was at university, but later lost touch. Very enjoyable discussions and catching-up have ensued.

And a few days ago, I received a mysterious parcel from France. It turned out to contain a nicely produced paperback book, a novel called Do Not Cross by Paul Clarke. Paul was a partner in my firm for a good many years, and definitely one of the good guys (not absolutely everyone else qualified for that description, but that's another story!) I used to enjoy chatting to Paul, and he was kind enough to read and comment on a couple of my early Harry Devlin books.

However, a decade or so ago, Paul decided to turn his back on the law, and emigrate to France with his teacher wife Sue. I was sorry to see him go, although I could easily see the attraction of giving up work for a more relaxing way of life. I suppose that in those days, I was personally very driven, not least for financial reasons, and although I dreamed of giving up work to write, I never got close to it. But I'm edging a bit closer now, and the example set by people like Paul is definitely encouraging.

Paul was kind enough to say that our conversations all those years ago had encouraged him to start writing himself, and I'm really delighted about this. So what of Do Not Cross? Well, it's an enjoyable light thriller, set in Liverpool, and the wry tone is set in the very first line: "He was born unlucky; his father died during childbirth."Paul's model is Donald E. Westlake, and Liverpool night life collides with Bin Laden-style terrorism in a lively read. Paul has published his novel both as an ebook and in print, and I hope that reader response encourages him to keep writing. In the meantime, I'm very glad to have read his story, and to have my own signed copy.