Showing posts with label Elliot Gould. Show all posts
Showing posts with label Elliot Gould. Show all posts

Wednesday, 24 February 2021

The Silent Partner - 1978 film review

The Silent Partner is a Canadian film from 1978 based on a Danish novel, Think of a Number, by Anders Bodelsen. The script was an early work of Curtis Hanson, whose later screenplays included L.A. Confidential. The score was written by Oscar Peterson and the lead roles were taken by Elliot Gould, Susannah York, and Christopher Plummer. In other words, there was a lot of talent at work here, and it shows.

Gould plays Miles Cullen, a bank teller who works alongside Julie Carver (York). Unsurprisingly, he fancies Julie, but she is having a rather desultory affair with the bank manager. When Miles realises that someone dressed up as Santa Claus is planning to rob the bank, he craftily arranges things so that the robber gets away with small change, while he keeps the money supposedly stolen. The snag is that the villain he has cheated (Harry Reikle, played by Plummer) is a violent psychopath, who is determined to take revenge on Miles as well as getting his money back.

Miles contrives Reikle's arrest on another charge, and although his attempt to seduce Julie doesn't end well, he finds comfort in the company of another beautiful and adoring young woman, Elaine (Celine Lomez). But is Elaine all that she seems?

Although Julie's part is under-written, with the result that York, a terrific actor, is given some rather banal dialogue, this is a twisty and entertaining film, with one or two shocking moments of violence. Plummer is excellent - as usual - and Gould, an actor whom I find a bit erratic, is on good form here. I'm surprised this film isn't better known. I enjoyed it, and I'm keen to read the book to see how different (or similar) it is. 

Saturday, 1 May 2010

Capricorn One


Really good conspiracy thrillers are not common. One of my favourites is The Parallax View, but I also like Capricorn One, which I’ve just watched again, after such a long gap that I’d forgotten most of the detail of the story.

The idea is very appealing. NASA is about to send a rocket to Mars for a manned landing. But just before take-off, the astronauts are taken away to a secret hideaway, although the rocket goes off into space and the watching world is led to believe that the astronauts are on board. The explanation is that, due to an equipment malfunction, the trip became unsafe, but the authorities (led by the apparently pleasant but in truth fanatical Hal Holbrook) are determined to fake a landing on the Red Planet.

Elliot Gould plays a reporter who gets wind that something is amiss with Capricorn One, and although there are various (rather sporadic, I have to say) attempts to silence him, he pursues the truth against the odds. Meanwhile, the hoax goes wrong when the rocket crashes on its return to Earth – so the astronauts (with James Brolin to the fore) have to be dispensed with. They escape, but only into the unforgiving desert.

The action sequences in the film are terrific, and Peter Hyams, the director, ensures the story moves along with gusto, so that one is inclined to forgive most if not all of the implausibilities in the plot – after all, how many thrillers are totally plausible in every respect?

One bit of trivia that intrigued me – the two stars, Gould and Brolin, have both been married to Barbra Streisand.