Double Confession is a British post-war film which is sometimes described as a film noir, despite the fact that the action mostly takes place on a bright summer day at the seaside. In fact, the basis for the screenplay was a novel called All on a Summer's Day, written by John Garden (a title and author name which seem distinctly non-noir). The Garden name was actually a pseudonym for Harry Liff Verne Fletcher (1902-74), whose day job was as a schoolteacher in Llandridnod Wells.
The story begins with Jim Medway (Derek Farr) turning up at a remote coastal house at four in the morning, apparently to visit a woman. He passes a mysterious man who is leaving the house, whom Doctor Who fans will instantly recognise as the first Doctor, William Hartnell. A scream is heard...
The following day, it turns out that the woman is dead and so is a mysterious man who has plunged from the dangerous cliff path. Medway calls on Charlie Durham (Hartnell), a local entrepreneur who has been having an affair with the dead woman - who proves to be Medway's estranged wife. The plot complications thicken from there.
The quality of the cast lifts this film out of the ordinary. We have Naunton Wayne as an affable police inspector, and Peter Lorre as Durham's psychopathic sidekick. Medway manages to spend his day blackmailing Durham while getting friendly with an attractive woman (Joan Hopkins) who has personal problems of her own. The seaside locations help to make the implausibilities of the plot bearable, and Ken Annakin directs intelligently, even though the story meanders around quite a lot. It's not exactly Body Heat, far less Double Indemnity, but I enjoyed it.
Showing posts with label Peter Lorre. Show all posts
Showing posts with label Peter Lorre. Show all posts
Wednesday, 11 July 2018
Monday, 19 September 2016
The Maltese Falcon
It's been many years since I last watched John Huston's legendary private eye movie, The Maltese Falcon, so when I came across it again on TV recently, I thought it was worth giving it another go and see how it's standing up to scrutiny after all these years. The short answer is: very well.
Dashiell Hammett's novel, on which the film is based, first appeared in 1930. The film came out eleven years later, and was, in fact, by then the third movie version. It was nominated for three Academy Awards, and I suppose it's best remembered for the performance of Humphrey Bogart as shamus Sam Spade. But there are equally splendid performances from Sydney Greenstreet, as Kasper Guttmann, and Peter Lorre as Joel Cairo - two of the most distinctive villains to have appeared on the big screen, it's safe to say.
The story begins, as so many private eye stories do, with an attractive woman (played by Mary Astor in this case) coming to the P.I.'s office and seeking his help. As usual, the woman in question - who calls herself Miss Wonderly - has something to hide. She wants a man called Thursby followed, for trumped-up reasons, but when Spade's partner Miles Archer goes out to do the job that night, he is shot. For good measure, Thursby is killed too.
The pace doesn't slacken as Spade finds himself caught up in a tangle that involves Archer's wife (with whom he's having an affair) and a small group of bad guys who are in search of the legendary Maltese Falcon. Miss Wonderly, whose real name is Brigid O'Shaughnessy, is evidently also mixed up in the business, somehow. Even if you're not a paid-up member of the Bogart Fan Club, there's enough here to keep you entertained on more than one viewing. Great stuff.
Dashiell Hammett's novel, on which the film is based, first appeared in 1930. The film came out eleven years later, and was, in fact, by then the third movie version. It was nominated for three Academy Awards, and I suppose it's best remembered for the performance of Humphrey Bogart as shamus Sam Spade. But there are equally splendid performances from Sydney Greenstreet, as Kasper Guttmann, and Peter Lorre as Joel Cairo - two of the most distinctive villains to have appeared on the big screen, it's safe to say.
The story begins, as so many private eye stories do, with an attractive woman (played by Mary Astor in this case) coming to the P.I.'s office and seeking his help. As usual, the woman in question - who calls herself Miss Wonderly - has something to hide. She wants a man called Thursby followed, for trumped-up reasons, but when Spade's partner Miles Archer goes out to do the job that night, he is shot. For good measure, Thursby is killed too.
The pace doesn't slacken as Spade finds himself caught up in a tangle that involves Archer's wife (with whom he's having an affair) and a small group of bad guys who are in search of the legendary Maltese Falcon. Miss Wonderly, whose real name is Brigid O'Shaughnessy, is evidently also mixed up in the business, somehow. Even if you're not a paid-up member of the Bogart Fan Club, there's enough here to keep you entertained on more than one viewing. Great stuff.
Monday, 5 January 2009
Quantum of Solace
I watched the new James Bond film several days ago, but I only just got my breath back. Talk about action-packed, it’s a thriller with non-stop car chases, boat chases, plane chases, killings, beatings and attempts to hold heads of state to ransom. Most people say that Casino Royale is a better movie than its successor, but I felt Quantum of Solace held its own, despite the dodgy title and even dodgier soundtrack and theme song (bizarrely, the classic 007 theme is held back until the end.) The success of the film is thanks in the main to Daniel Craig’s mesmeric performance as an agent bent on revenge and almost out of control, but Judi Dench is at her best as M, who has a larger role in events than usual.
Bond is still hurting after the murder of Vesper Lynd in the last film, and the action gets off to a flying start with a dramatic car chase followed by the discovery that M’s bodyguard is in the pay of the mysterious Quantum organisation. It turns out that one of the top dogs in Quantum is supposed eco-campaigner and front man of Greene Planet, Dominic Greene. The ruthless Greene is played by Mathieu Amalric, whose performance is terrifically creepy – in the style of a sort of eco-friendly Peter Lorre. Amalric apparently claims to have based his portrayal on a combination of Tony Blair and Nicolas Sarkozy. Presumably we must await the next film in the franchise for a villain with an outlandish plan for saving the world, inspired by Gordon Brown, (though it may be too scary to get away with a 12A certificate.)
To be honest, though, it’s best to forget the political edge to Amalric’s performance and the screenplay. Quantum of Solace is very good escapism. And we can all do with a dose of that, every now and then.
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