Maigret's Dead Man - ITV and book review

Maigret's Dead Man was ITV's big Christmas Day production, marking a return to the screen for Rowan Atkinson as Jules Maigret. The screenplay by Stewart Harcourt was based on Georges Simenon's novel, a new edition of which I've just received for review from Penguin, who are steadily bringing back all the Maigret novels into print. (A big project - there are more than seventy of them...)

Atkinson's first outing as Maigret, Maigret Sets a Trap was screened at Easter. I rather enjoyed it, as I wrote on this blog, but overall, reaction was rather mixed. There will be some who feel that Maigret's Dead Man was not obvious seasonal fare, but I thought it was well done, and rather more compelling than the earlier adaptation. This is partly because Atkinson is growing into the role, partly because the storyline was more compelling.

A number of very violent robberies and murders are taking place at farms in Picardie. Maigret's assistance is sought, but he is distracted by the mysterious beating and murder of a man who has been trying to contact him by phone. The dead man said that Maigret knew his wife Nina, but the name rings no bells with the detective. We see some of the events of the dead man's last day - he is being pursued by two toughs, but we don't know why. Maigret is told not to waste his time on a gangland killing, but of course he is too persistent to let the matter slide.

When I first read Simenon as a teenager, I was disappointed that the Maigret stories weren't classic twisty whodunits. Nowadays I appreciate their virtues - in particular their glances at character, and their humanity. At the end of the TV programme, the adoption of a young child is proposed, and I was curious to see whether this was something just tacked on for the benefit of telly audiences (I wasn't sure the adoption was such a great idea, I must admit; to say why would be a spoiler). It turns out that that this strand of the finale is replicated, more or less, in the novel. Interesting. Overall, a good programme (although 90 minutes would have been a better length than 2 hours), and a good book.

Maigret Sets a Trap - ITV review

Maigret Sets a Trap, starring Rowan Atkinson as the legendary French cop, aired on ITV this evening. Many eyebrows were raised by the casting of Atkinson as Georges Simenon's Chief Inspector Maigret, but John Simenon expressed his delight with the performance when we discussed Golden Age fiction on stage at the Essex Book Festival a fortnight ago, and having seen the show, I can see why. Atkinson, I felt, did a pretty good job. There's more to him as an actor than Blackadder and Mr Bean.

I never saw the famous Maigret series starring Rupert Davies, for which I was too young, but I did enjoy one of John's anecdotes about it - apparently his father taught Rupert Davies how to use a pipe. Wisely, the pipe was retained for the new show: Maigret without his pipe would be rather like Morse without opera or Marple without her knitting - somehow incomplete. Maigret doesn't drive, and Atkinson - a car obsessive - wanted to change that, but wisely, the temptation was again resisted.

I did see the series in which Michael Gambon played Maigret,and I quite liked it, but felt that it lacked excitement. Some aspects of the Maigret stories are low-key (and when I first read them as a teenager, I was slightly underwhelmed, although with hindsight I feel that this was perhaps due to the nature of the translations) but a crime story that doesn't grip and, in some way, excite doesn't have much of a future. The Maigret books are short and snappy, and I worried that a two-hour version might drag.

Stewart Harcourt's script set out to solve that problem with sparse dialogue, and a concentration on mood rather than plot twists. Watching Maigret Sets a Trap was a very different experience from watching Morse, Lewis or Endeavour, but a capable supporting cast, including Fiona Shaw, Aidan McCardle, and Lucy Cohu - very good as Madame Maigret - helped to make it enjoyable viewing. (And did I spot John Simenon making a cameo appearance at the end of the story? I think so.)

Coincidentally, I embarked on a Simenon reading binge a little while ago, and the republication of his work by Penguin, with excellent fresh translations, has re-ignited my enthusiasm for this remarkable author. So has hearing John speak about his father, with insight and affection. I'm hoping to review a number of Simenon books in the coming months - not just Maigrets, but also some of his non-series work. In the meantime, I look forward to the next TV adaptation.