Versatility

When I reviewed recently, for that splendid site Tangled Web UK, Michael Gilbert’s The Murder of Diana Devon, I reflected – not for the first time – on Gilbert’s remarkable versatility. That volume alone includes short stories, magazine competition puzzles, radio plays and a poem. Gilbert’s novels were many and various, and he also wrote for television, as well as creating four stage plays. He even found time to build a successful legal practice, his clients including Raymond Chandler.

There are some other writers of roughly comparable versatility. Francis Durbridge is a name that springs to mind. He achieved great success with his Paul Temple stories on the radio, and his television serials were hugely popular in their day (I’ve posted previously about my admiration for Bat out of Hell in particular.) He wrote numerous plays which had outings in the West End, and he was a prolific novelist – although oddly, I’d suggest, his novels tended to be less effective than his other work, because dialogue was his forte and characterisation and setting mattered much less to him.

Then there was Nigel Balchin, a fine novelist, who also wrote for stage and television, and had considerable success in the film world. He adapted Philip Macdonald’s The Nursemaid Who Disappeared for the silver screen, and arguably improved upon it. He even wrote, as I discovered recently, what Clive James describes as ‘the ur-text’ for Cleopatra.

But how many writers of today (especially in Britain) demonstrate comparable versatility? I’d love to write for radio, tv, film and stage, but unfortunately, I can’t see it happening in the near future. Producing novels and short stories is challenge enough (though I have bought a book on screenwriting, so who knows?). Has writing become more specialised – or am I simply overlooking the achievements of some great all-rounders of the present day?

Anticipating Diana Devon

I’ve never had any dealings with the publishers Robert Hale, but I am full of admiration for the way in which they have achieved the publication of all the previously uncollected short stories by that wonderful writer Michael Gilbert.

The latest book of Gilbert stories has just landed on my doorstep, courtesy of Tangled Web UK, for whom I shall be reviewing the collection. It’s called The Murder of Diana Devon and Other Mysteries, and it’s been edited by John Cooper (co-author of a wonderful book about collecting detective fiction which I’d love to see reissued and brought up to date.)

Cooper says in his introduction that Gilbert ‘was one of the greatest crime writers to emerge after World War II’. He was awarded the CWA’s Cartier Diamond Dagger and both the Mystery Writers of America and the Swedish Academy of Detection honoured him as a Grand Master. He published 30 novels and no fewer than 185 short stories, all of which have now been gathered together in 14 volumes.

Gilbert was a fluent and varied writer, and although Smallbone Deceased is widely regarded as his masterpiece, many of his other novels can still be read with enormous pleasure. I’ve mentioned some of them on this blog over the last couple of years. He was equally adept at the short form, and I’m anticipating The Murder of Diana Devon with a great deal of pleasure.