Showing posts with label Vanessa Redgrave. Show all posts
Showing posts with label Vanessa Redgrave. Show all posts

Wednesday, 12 November 2014

Bear Island - film review

Bear Island is a 1979 film based on book by Alistair MacLean that I read when it first appeared as a paperback. As a teenager, I was a huge MacLean fan, and devoured all his novels, including a couple written under the name of Ian Stuart. Although he was an action thriller writer, he often used devices familiar to whodunit fans, above all "the least likely suspect", and this is why I preferred his books to those written by other thriller writers of the time such as Desmond Bagley (though I really did like Bagley), Duncan Kyle and so on.

I also watched several of the films based on MacLean's books, such as Ice Station Zebra, Where Eagles Dare, When Eight Bells Tolls and Puppet on a Chain. Some were relatively faithful to the source, whereas others (notably Ice Station Zebra) were not. The problem I began to find with MacLean was that the quality of his work began to deteriorate, and Bear Island was the last of his novels that I really enjoyed. By the time I got into student life, my reading tastes had shifted, and I didn't bother to watch the film of Bear Island.

Had I done so, I would have found that, once again, the screenplay bore little resemblance to the book. There's a starry cast, led by Donald Sutherland as the daring hero, joining up with an expedition to a remote frozen island in the North Atlantic Unfortunately, Vanessa Redgrave, cast as the love interest, is wholly wasted as a Norwegian medic, and her accent is as dodgy as Richard Widmark's attempted German accent. Christopher Lee, who is rarely less than excellent, is not at his best, either, while Lloyd Bridges takes the role of Sutherland's trusted friend (and regular readers of MacLean will know what that means....)

The action scenes are very well done, but the story is laboured and over-long. I wanted to see what the landscape of Bear Island really looks like, and felt cheated when I learned that the film was shot in Canada and Alaska, because the landscape there is more photogenic. All in all, this film is a decent time-passer, but not as good as, say, Where Eagles Dare. Watching it has, however, reminded me of my long ago enthusiasm for MacLean, and I'm tempted to write more about him in the future.


Thursday, 2 January 2014

The Thirteenth Tale - BBC TV review

The Thirteenth Tale, a BBC adaptation of a best-seller by Diane Setterfield (which I haven't read) proved to be one of the stand-out dramas of the festive season. Screenplay by Christopher Hampton, lead roles played by Vanessa Redgrave and Olivia Coleman - what could possibly go wrong with this gothic tale? Not much. I really enjoyed it.

The opening was spookily (sorry, couldn't resist it0 reminiscent of the preamble to The Tractate Middoth on Christmas Day. A woman arrives at an impressive but rather forbidding country house by an enigmatic housekeeper, and is ushered into the presence of an elderly person who is close to death but has something important to say. But from that point, the two stories diverged. Redgrave plays a famous writer who wants Coleman to write her biography. Her story proves to be compelling, but deeply disturbing.

That story is (or seems to be - I'm trying to avoid spoilers here) about twins who grow up in a strange and almost surreal environment. Ronald Knox famously urged mystery writers to exercise restraint in the use of twins as a plot device, but The Thirteenth Tale is not really a detective story, although there is a puzzle to be solved. And more importantly, there is to my mind something deeply fascinating about twins. Perhaps it's because I'm an only child that I find the nature of the twin relationship especially mysterious, yet very intriguing. The experience of being a twin is so very different from my own experience. I've never written a story about twins, but one of these days, I'd like to have a go.

If I did, I'd be very happy if it was anything like as good as The Thirteenth Tale. The weird old houses, the slightly sinister family retainers, the entrancing gardens complete with topiary, and the frequent hints that something sexually illicit was going on, all these elements were mixed skilfully by Hampton to provide first rate entertainment. A gripping story, well told.

No Forgotten Book tomorrow, by the way. But there will be a post about a good and little known Golden Age novel in a week's time.