Whilst on holiday, I read a number of ebooks published by Bello, who have managed to resurrect some very interesting titles, long unavailable. Two were early works by Nina Bawden, indicative of her strong interest in crime and mystery during her apprenticeship as a novelist.
Of the two, I felt The Solitary Child was the stronger. It has distinct echoes of Rebecca, and whilst it certainly does not rank with the Daphne du Maurier masterpiece, it's sufficiently enjoyable for me to recommend it. A young and rather naive woman has a whirlwind romance with an older man and marries him. However, he has recently been acquitted of murdering his first wife, and suspicion continues to cloud his life. Soon it becomes clear that he has a number of enemies, and his bride begins to doubt his innocence.The story is neatly worked out and, I felt, psychologically plausible.
At that early stage of her writing career, it seems to me, Nina Bawden was sometimes tempted to try to increase mystification by withholding information. This is a device that can work exceptionally well, as Agatha Christie showed so many times, but I'm not sure the young Bawden was especially good at playing tricks on her readers. As a result, I felt Who Calls the Tune was a little frustrating, even though the storyline, about a troubled family in a remote part of Wales, was full of interest and kept me reading the pages. But I wasn't too happy about the ending. Christie did the same thing so much better.
Anyone who is a fan of Bawden ought to give at least one of these books a try, because they contain plenty of good, crisp writing, and some good evocations of life in rural Wales, with which she was obviously very familiar. Children who are, or claim to be, being poisoned, feature in both stories, an odd coincidence. In later life, she wrote more famous books, but these early works show a young writer of real talent and potential, a potential that was happily fulfilled. How splendid that they are now there to entertain a new generation of readers.
Showing posts with label Who Calls the Tune. Show all posts
Showing posts with label Who Calls the Tune. Show all posts
Wednesday, 20 March 2013
Thursday, 23 August 2012
NIna Bawden R.I.P.
I was sorry to learn of the death of Nina Bawden, at the age of 87. She was a gifted writer, and although I never got the chance to meet her, everything I've read about her suggests a charismatic and admirable person, who had perhaps more than her fair share of tragedies to face in life. What is not so well known about her is that she began her career as a crime writer.
Her first book, Who Calls the Tune, was published by Collins Crime Club, and coincidentally I managed to purchase a copy recently, though I haven't read it as yet. I have, however, read her second novel, The Odd Flamingo, a couple of times. Some of you may recall that I chose it as a Forgotten Book worth remembering in this blog a couple of years ago. It was first published in 1954, and twenty-six years later that excellent critic and crime novelist Julian Symons chose it for inclusion in an excellent series of a dozen books to celebrate the Crime Club's Golden Jubilee.
In a typically pithy and insightful introduction, Symons says that her crime novels were "plotted with outstanding cleverness, but they are much more than five-finger exercises if considered as novels - that is, in terms of characterisation and emotional impact."The mystery concerns the apparently nefarious activities of a seemingly respectable head teacher, and the eponymous Odd Flamingo turns out to be a drinking club that is vividly evoked.
Back in the early 80s, I was initially drawn to the book not only because I trusted Symons' judgment but also, as a newly qualified solicitor, by the fact that the narrator is a lawyer. In fact, Will Hunt's legal life is not in fact the focus of the story, but that didn't matter at all. It is a very readable book and, when I returned to it a few years ago, both I and someone to whom I recommended it enjoyed it all over again.
After The Odd Flamingo, Bawden abandoned crime fiction - a shame,because she might have written some remarkable books within the genre. But she went on to write fine books of other kinds, and I agree with Symons that her criminal apprenticeship stood her in good stead. There is, as he says, often some sort of quest or mystery at the heart of her better known stories. Her death is a loss, but I'm sure her reputation will endure.
Her first book, Who Calls the Tune, was published by Collins Crime Club, and coincidentally I managed to purchase a copy recently, though I haven't read it as yet. I have, however, read her second novel, The Odd Flamingo, a couple of times. Some of you may recall that I chose it as a Forgotten Book worth remembering in this blog a couple of years ago. It was first published in 1954, and twenty-six years later that excellent critic and crime novelist Julian Symons chose it for inclusion in an excellent series of a dozen books to celebrate the Crime Club's Golden Jubilee.
In a typically pithy and insightful introduction, Symons says that her crime novels were "plotted with outstanding cleverness, but they are much more than five-finger exercises if considered as novels - that is, in terms of characterisation and emotional impact."The mystery concerns the apparently nefarious activities of a seemingly respectable head teacher, and the eponymous Odd Flamingo turns out to be a drinking club that is vividly evoked.
Back in the early 80s, I was initially drawn to the book not only because I trusted Symons' judgment but also, as a newly qualified solicitor, by the fact that the narrator is a lawyer. In fact, Will Hunt's legal life is not in fact the focus of the story, but that didn't matter at all. It is a very readable book and, when I returned to it a few years ago, both I and someone to whom I recommended it enjoyed it all over again.
After The Odd Flamingo, Bawden abandoned crime fiction - a shame,because she might have written some remarkable books within the genre. But she went on to write fine books of other kinds, and I agree with Symons that her criminal apprenticeship stood her in good stead. There is, as he says, often some sort of quest or mystery at the heart of her better known stories. Her death is a loss, but I'm sure her reputation will endure.
Subscribe to:
Posts (Atom)