Showing posts with label C. Daly King. Show all posts
Showing posts with label C. Daly King. Show all posts

Friday, 5 May 2023

Forgotten Book - Obelists at Sea



A forgotten book with a difference today, since this week sees a new edition of C. Daly King's Obelists at Sea, published by Otto Penzler's Mysterious Press in its American Mystery Classics series, and with an introduction by me. I'm very glad to say that it's already received a coveted starred review in Booklist.

The review said: '"Ingenious … A satisfyingly complex solution to both crimes; sometimes brilliant and sometimes hilarious applications from psychology; and a 'clue-finder' at mystery’s end―all of this makes for a delightful Golden Age return. With an engrossing introduction by novelist-critic Martin Edwards, who also edits the British Library’s Crime Classics series.' A really good start!

I've always enjoyed Daly King's flights of literary fancy. His writing is sometimes flawed, often a guilty pleasure, always 'different'. I first read this novel many moons ago and before I reread it for the purposes of writing the intro, I thought it the weakest of the three 'Obelist' novels. This was a good example of a situation where I enjoyed the story more the second time around, partly perhaps because my expectations were different.

My writing is very different from Daly King's, but there are occasional nods to him in my Rachel Savernake novels, especially in my use of Clue Finders, a device which he did not invent but of which he demonstrated true mastery. His books are sometimes a bit crazy, generally a lot of fun, and this is a commission from Otto which gave me a great deal of pleasure.

Friday, 21 June 2019

Forgotten Book - Obelists Fly High


Image result for obelists fly high

I first came across the name of C. Daly King in Julian Symons' Bloody Murder. Symons was notoriously dismissive of many Golden Age writers, although he admired Anthony Berkeley and Agatha Christie, and he clearly had a sneaking affection for King's work. I think he recognised that although King's stories were usually quite barmy and riddled with flaws of various kinds, there was something breathtaking and at times admirable about the sheer outrageousness of his use of the tropes of the classic whodunit. My feelings are much the same.

Symons felt, and again I agree, that King's most notable novel was Obelists Fly High. When introducing a 1980 reprint for Collins Crime Club (which had published several of King's books - first editions are rare and much sought-after by collectors; the jacket image comes from Mark Sutcliffe's site), he summed it up as "one of the most extraordinary detective puzzles of the twentieth century". It was the third of the "obelist" books, each of which involved a bizarre killing aboard a particular form of transportation: the first as on board ship, the second on a transcontinental express, and this one on an aeroplane.

There are three diagrams, one of them a plan of the plane. Then comes a "schedule of reported movements" of the passengers, because this is one of those books where timings and whereabouts of suspects are key. And finally there is a "schedule of actual movements", whose contents are naturally rather different. But there is more. The book begins with an epilogue. And it ends with a prologue. King was one of those writers who played games with the structure of the whodunit, and I'm sure Borges would have approved.

There is also a "cluefinder", a device I really love. Basically, it ties in with the idea of "fair play" in detection, and highlights clues in the text that the reader may have missed. It's sometimes been said that King originated the "cluefinder", which isn't the case, although the example in this book is my favourite. J.J. Connington came up with one before King turned to fiction, and his example was followed by others, including Freeman Wills Crofts. If there was an earlier pioneer of this device than Connington, I'd be interested to know, but I'm not aware of one. (Similarly, whilst other writers have begun their books with an epilogue, has anyone else ended with a prologue as well?)

What of the story? Well, it involves a threat to kill a famous surgeon. Michael Lord, King's series cop, is tasked with guarding the surgeon, but suffice to say that he doesn't make a good fist of it. There is plenty to cringe about in the story, quite apart from Lord's bungling, and King's habit of giving his characters jokey names is especially irksome. He doesn't ramble quite as much as in some other books, but his habit of inserting his own idiosyncratic opinions in his stories is also rather challenging to a modern reader. So it is undeniably a flawed novel. But if you are fascinated by the structure and techniques of the Golden Age mystery, as I am, it is a must-read.

Monday, 3 August 2015

100 American Crime Writers - Steven Powell

Palgrave Macmillan publish an interesting list of academic books on a variety of crime fiction topics. One gripe - common, alas, to almost all academic publishers - is that the books are very pricey. This means that, for the overwhelming majority of individual readers who don't have the book-buying budget of some institution, they will be out of reach in terms of a personal purchase. But they are often worth tracking down via a library.

I mention this because 100 American Writers is a book that I think will appeal to a significant number of readers. The writers are discussed in short, snappy summaries by a range of writers, and the book doesn't become bogged down by academic jargon, footnotes or endless appendices, although there is a bibliography and a useful list of suggested further reading.

I came across the book a few weeks ago by chance, as it is edited by Steven Powell, who organised Liverpool University's recent conference about James Ellroy. Steven has provided introductory editorial material, and also gathered together a pleasing range of contributors, including among many others J.Kingston Pierce of the Rap Sheet, one of the best crime blogs around. Steven's wife Diana, a fellow Liverpool academic, but originally from the US, is another, and I was glad to find that she was the author of the section on that fascinating Golden Age writer C. Daly King., Another contributor is Chris Routledge, whose guest blog here about a British novelist in the Golden Age tradition, Simon Nash, attracted a good deal of interest.

The authors covered are predominantly more modern than King (for instance, Diana also covers Megan Abbott), but there were several names from the past that I was glad to see featured, including Melville Davisson Post and the brilliant Fredric Brown. For anyone seeking an introduction to American crime fiction, this book will make a very good choice.


Friday, 27 December 2013

Forgotten Book - Arrogant Alibi

Is there any Golden Age novelist whose work is as fascinating and yet as frustrating as C. Daly King's? If so, I've yet to find him or her. My Forgotten Book for today is Arrogant Alibi, first published in 1939, and it's a case in point. Nowadays it's incredibly scarce. It took me years to track it down, and when eventually I got hold of a poor copy, I fell on it with delight.

And there are some superb elements in the story. A terrible flood in the vicinity of the crime scene lends atmosphere, while Eygptology and a mysterious mummy and other ancient artefacts play a part in the story. There's lot of complex plot material concerning alibis and the apparent impossibility of certain events. There's a neat double twist ending. Michael Lord, the cop who stars in King's books, and his pal Dr L. Rees Pons are on the scene as well. What's not to like?

The famous critics and Golden Age fans Barzun and Taylor really liked this book Since they could be very harsh judges, that's quite something. But I'm afraid I didn't get on with Arrogant Alibi. It's one thing to have all the right ingredients for a whodunit, quite another to make best use of them. And I'm afraid I felt that this is the sort of book that justifies people who don't like Golden Age novels in saying that they are boring. King spends pages, for instance, on explaining a telephone system that is connected to the storyline. I'm afraid this went so far beyond pleasingly authentic detail as to cause me to lose the will to live. And the characters didn't come to life at all as far as I was concerned. I wasn't expecting Sophie Hannah or Nicci French, but this wasn't even Freeman Wills Crofts.

Because my hopes had been high, I ended the book feeling disappointed, but not surprised that Arrogant Alibi hasn't been reprinted, as far as I know, in the intervening years. Yet this experience simply reinforces my curiosity about King, and the way he could veer from excellence, for instance in Obelists Fly High and The Curious Mr Tarrant, to tedium (and Obelists En Route shows both his best and his worst sides.) Dorothy L. Sayers admired some of his work, and so do I. And if you are lucky enough to find a first edition of this book in a fine dust jacket, it will no doubt be a good investment, even if not the best whodunit you'll ever read!

Friday, 16 December 2011

Forgotten Book - Careless Corpse

My forgotten book today is an obscure but extraordinary novel written by a fascinating, idiosyncratic and sometimes maddening American Golden Age storyteller. The book is Careless Corpse, first published in 1937, and the author C. Daly King. And it included that odd paragraph on economics that I teased you with yesterday.

I’ve mentioned King before in this blog. He was a psychologist who wrote books on the subject, and he drew from his professional expertise for his novels. But this did not take him down the road of “psychological suspense” – his fiction bears no resemblance to that of Francis Iles, say, or C.S. Forester. On the contrary, he specialised in elaborate puzzles, often weighed down by strange digressions into academic debates. An example is the passage I quoted in my quiz question.

In this novel, a series of deaths occur among members of a party of celebrities – including a concert pianist, a violinist, a dancer, a composer, and a musical critic. The party is organised by a wealthy scientist, and the setting is an island amid the ice-floes of the Hudson River.

As so often, King provides helpful diagrams – no fewer than five – and arranges the text in a series of “movements” to underline the musical aspects of the story. The plot is elaborate and wildly ingenious (and, of course, improbable) and there is some entertaining writing mixed in with a bit of padding here and there. I don’t claim this book is great literature, but I really did enjoy it as a light, escapist read.

Friday, 8 October 2010

Forgotten Book - The Complete Curious Mr Tarrant


My entry today for Patti Abbott’s series of Forgotten Books is a collection that updates a book of short stories that is fondly remembered, I think, by a fair number of Golden Age fans. This is The Complete Curious Mr Tarrant, a Crippen & Landru ‘lost classsic’ which expands The Curious Mr Tarrant, first published in 1935.

The author, C. Daly King, was a psychologist, who wrote on his professional subject as well as venturing into detective fiction in half a dozen novels, some of them now fabulously rare in first edition. I’m still trying to trace Careless Corpse – in any edition. His plotting was labyrinthine, and occasionally eccentric. Obelists Fly High, which I’ve discussed before, is a truly remarkable mystery novel, well worth seeking out.

The original book of stories about Trevis Tarrant were not published in King’s native US until the 70s, but they deserved a better fate, and the expanded book, dating from 2003, contains four additional tales – fascinating finds, making the collection a true cabinet of curiosities. There is a nice introduction by the late Edward D. Hoch, who speaks fondly of King’s ingenuity, and his penchant for impossible crime stories.

The book offers ‘headless torsos, a haunted house, a vanishing harp, a museum mystery and other delights’, as Hoch says, along with a story about a murder solved only by the absence of a fish. ‘The Episode of the Nail and the Requiem’ was admired and anthologised by Dorothy L. Sayers, who knew a clever writer when she saw one. These stories are dated and sometimes quite barmy, but for me they have an irresistible appeal. What a shame that King’s one and only novel about Tarrant never saw the light of day.

Friday, 14 August 2009

Forgotten Book - The Lucky Policeman


Although I didn’t contribute to Patti Abbott’s series of Forgotten Books when I was sailing in the Med last Friday, I was busy at the time sitting in the sun and devouring a minor classic of the past which deserves to be highlighted this week.

Rupert Penny is a British writer who flourished briefly just before, and at the start of, the Second World War. He wrote convoluted puzzle stories in the best traditions of classic Golden Age detective fiction – and then he disappeared from sight (at least as a crime writer – a lover of flowers as well as ciphers and puzzles, he spent time working in Bletchley and he later became a doyen of the British Iris Society.)

Penny’s books were published in the UK by Collins Crime Club, but have become very scarce and expensive. Happily, that excellent publisher Ramble House has brought out several of his books, and supplied my copy of The Lucky Policeman. Suffice to say that it is the most enjoyable Penny novel I have read so far.

The set-up is excellent. An American shrink, Hilary Peake, has come to England and set up a private asylum (oddly, to my mind, it only has two patients, one of whom plays no effective part in the mystery, rather dashing one of my own theories about the puzzle.) When Simon Selby escapes from his quarters and disappears, we are presented with a variant on the ‘locked room’ concept, but matters take a more serious turn when a series of murders take place in the New Forest nearby. The local police are duly baffled, and send for Penny’s regular detective, the likeable Inspector Beale. Beale, as usual (although inexplicably) is accompanied by his pal and personal Watson, Tony Purdon, though Tony doesn’t play much of a part in the story.

There is a direct challenge to the reader to guess what has happened – shades of Ellery Queen and C.Daly King. I confess that I fell for Penny’s red herrings and got the solution wrong .The explanation for the mystery is cunning, if inevitably far-fetched and all in all this was wonderful holiday reading. Ramble House deserve heartfelt congratulations for making this lost classic available to modern puzzle fans at a very reasonable price.