Newcastle

I’m just back from a delightful week-end taking part in the Newcastle Winter Books Festival. It’s really only in the past three or four years that I’ve started to get to know the North East, and I must say that Newcastle grows on me each time I visit the city.

I took part in two events, both of them held at a wonderfully atmospheric venue. The Lit and Phil is a fascinating library and great gathering place for people keen on the arts right in the centre of the city. Kay Easson of the Lit and Phil is very welcoming, and if you live in the area, and you aren’t a member, it’s surely worth considering. 

I gave a talk on Agatha Christie on Saturday afternoon, and this was followed by the premiere of my latest murder mystery event, this time set in the 1920s. Both were very well attended, and I was really pleased to be part of the Festival.

On Friday evening I stayed with Ann and Tim Cleeves in Whitley Bay, and on Saturday evening I had a meal with Jean and Roger from Cornwell Internet, an excellent website business. Great mates and great company, all combining to make a memorable couple of days.  

Back where it all began

Yesterday I made the three and a half hour round trip to Boroughbridge in North Yorkshire. Quite a long way to go for a lunch (and if the traffic is bad, it can be a five-hour plus trip) but definitely worth while. For this was the autumn lunch of the Northern Chapter of the Crime Writers’ Association, and the venue was the Crown Hotel, where I attended the Chapter’s inaugural lunch, more than twenty years ago.

At that time, I didn’t know any crime writers, but I was immediately made to feel at home by the convenor Peter Walker, who was there again yesterday. Peter is best known these days as author of the books on which the massively successful TV series ‘Heartbeat’ is based. He was one of three people at the lunch who have chaired the CWA – Lesley Horton and Margaret Murphy being the others.

Among those attending that inaugural lunch were Peter and Margaret Lewis, two academics who have written successful non-fiction books about the genre, as well as some good fiction. They have also set up that much-acclaimed small press, Flambard Press, publisher of Dancing for the Hangman. The three of us dined at the same table, accompanied (among others) by Roger and Jean from Cornwell Internet, who are responsible for the CWA’s website, and those of many leading crime writers.

There is always a ‘feelgood’ factor about these lunches, and this continues with Roger Forsdyke as convenor in succession to Peter Walker. Roger has just published a novel which benefits from his many years of experience in the police. There was an excellent turn-out of 37 people, a sure sign, as Roger said, that the Northern Chapter is the best supported of all the regional branches of the CWA. I enjoyed meeting up with friends old and new (the latter group includes Frances Brody and the historical novelist Karen Maitland). And on the drive back home, I reflected on how very glad I am that I accepted Peter’s original invitation to the Crown, all those years ago.

Before the Frost

Swedish television adapted Henning Mankell’s Kurt Wallander books for the small screen before the BBC got there with the recent series starring Kenneth Branagh. Thanks to Roger Cornwell of Cornwell Internet, I’ve just watched one of the shows, Before The Frost.

I haven’t read the book which sourced the tv programme, but I did find it enjoyable viewing. The actor who plays Wallander, Krister Henriksson, is less obviously charismatic than Branagh, but I liked his rather shambolic interpretation. The story features the cop’s daughter, Linda, who joins her father’s police force only to become personally involved in a bizarre mystery with origins in a horrific real-life event.

Like a number of other Mankells, this one opens with a vivid, horrific and baffling scene – an attack on swans. This is witnessed by an elderly woman who is out mapping abandoned pathways through the woodland. She suffers an accident and is incapacitated, making her easy prey for the villain of the piece. When her daughter reports her missing, Wallander comes on to the scene.

It’s a dark story, but compelling, and as usual insight is offered into a particular aspect of society of which Mankell disapproves – to say more would be giving too much away. I’m glad to have seen it – thanks, Roger.