Forgotten Book - Enter Sir John

Enter Sir John was the first joint novel authored by two friends, the playwright Clemence Dane, and Helen Simpson. A brief foreword credits the publisher C.S. Evans for coming up with the idea of the collaboration and the story, which introduces the egocentric but appealing actor-manager Sir John Samaurez (real name Johnnie Simmonds). He appeared in two later novels by the pair before their literary partnership came to an end.

The story is set in the theatrical world that both authors, and in particular Dane, knew very well. Martella Baring is accused of murdering her unpleasant colleague Magda Druce, and the evidence against her seems to be damning. She is tried, found guilty, and sentenced to death, having done nothing to help herself when appearing in the witness box.

Sir John, who had previously met Martella and taken a shine to her, attends the trial and becomes convinced of her innocence. She continues to be reluctant to co-operate, in the gallant yet infuriating way of so many Golden Age suspects. But Sir John is undaunted, and eventually uncovers the truth. it has to be said that, as a detective story, this one is nothing special; the puzzle is perfunctory. The writing and characterisation (by the standards of the time) are what lift it out of the ordinary. The question of racism is also addressed,in a way that - again by the standards of 1929 - is quite thought-provoking.

The story was vivid enough to appeal to Hitchcock, who filmed it as Murder!, a movie I reviewed here more than four years ago. There are also elements which, as Liz Gilbey noted in a an excellent article for CADS a while back, anticipate a much better known book by a friend and Detection Club colleague of the authors - Dorothy L. Sayers, whose Strong Poison offers a cunning howdunit puzzle. Enter Sir John isn't as good as the Sayers novel, but it's interesting, nonetheless.

Murder! - review

I have just watched a DVD of an Alfred Hitchcock rarity - a whodunit, rather than a thriller. Murder! was an early talkie from 1930, and it was based on a novel by Detection Club members Clemence Dane and Helen Simpson, Enter Sir John. In the film, Sir John Samaurez, an actor-manager, is renamed Sir John Menier, and is played by Herbert Marshall.

Sir John is a member of a jury which convicts an actress of murdering a colleague. However, he repents of his part in the verdict and sets about finding out what really happened. Suffice to say that the mystery is easily solved, but that there is a memorable finale involving a half-caste transvestite trapeze artist, the kind of character you don't find everyday in crime stories.

Marshall's performance is not very compelling, but the film, despite creakiness, does show us some of the Master's touches at a formative stage in his career. He didn't really care for whodunits, reasoning that they didn't work as well in film as thrillers, and probably he was right.

I haven't read the book, so I'm not sure how faithful the film was to the plot. But Dane and Simpson were interesting characters and I hope to write some more about them in the future. Simpson, by the way, was a very glamorous woman who also became a close friend of Dorothy L. Sayers before her death at a young age from cancer.

Helen Simpson

One of the articles in the new issue of CADS, from regular contributor Liz Gilbey, provides a very interesting account of the Australian born Golden Age crime writer Helen Simpson, whose first detective story appeared in 1925, when she was just 28.

I learned a lot about Simpson from this article that I didn’t know before. She was an early, and youthful, member of the Detection Club, and contributed to The Floating Admiral, Ask a Policeman and Anatomy of Murder. But she did a good deal more. In 1926 she contributed dialogue to the Hitchcock film Sabotage, and a book she co-authored, Enter Sir John, was filmed by Hitchcock as Murder! After her death, Hitchcock also made a movie from her book Under Capricorn.

Enter Sir John was the firs of three novels she co-wrote with Clemence Dane (who, I was startled to learn, ‘was Britain’s most successful writer’between the wars. A year after the novel was published, Dorothy L. Sayers published Strong Poison, which had some similarities. Sayers was, in fact, one of her closest friends.

Sadly, Simpson died of cancer in 1940, at the age of 43. As Liz Gilbey says, she was ‘on the brink of greater writing success and a new political career’ – she was a Liberal parliamentary candidate from 1938. Her premature death no doubt helps explain why she is now seldom mentioned by crime fans, but this first class article made me want to read more of her work.