When I blogged about Richard Wiseman's unusual first novel, First Person Plural I knew nothing about the author. Thanks to Jamie Sturgeon, I learned that this was a pen-name of Nick Bartlett, who had written two mainstream novels before trying his hand at crime fiction. Thanks again to Jamie, I have obtained a copy of his second and final crime novel, Duncan Is In His Grave.
First Person Plural was published by Macmillan - a good start for a new crime novelist, but the book never appeared in paperback. Perhaps sales were poor, perhaps reviews were few. It's certainly a little-known book, though I think that it is a compelling if uncomfortable read. Duncan Is In His Grave was published by Robert Hale, who were library publishers and, to be honest, a step down from Macmillan. A step down taken by many good writers, admittedly, but either Macmillan didn't like this book or felt disappointed by reaction to the first one.
Like First Person Plural, which otherwise it doesn't resemble in terms of storyline, this is a mystery which revolves around warped sexual feelings. It was published in 1978, a year after Jacqueline Wilson's Making Hate, which was a similarly interesting (but flawed) attempt to explore sexual psychology in the crime novel.
The narrator is Stephen Inglis, an advertising copywriter (as Bartlett had been). He falls out with a client called Frimley and embarks on a childish campaign of revenge. In so doing, he's encouraged by discussions with a character called Duncan, and it soon becomes clear that Duncan is imaginary. What follows is a crisply related descent into madness. The author was no doubt influenced by the work of writers such as Symons, Highsmith, and Rendell, and he could certainly write well. This is a very readable story, and it's a shame that Bartlett-Wiseman gave up on the genre. I can only surmise that he was disappointed by lack of success.
Showing posts with label Jacqueline Wilson. Show all posts
Showing posts with label Jacqueline Wilson. Show all posts
Friday, 18 September 2020
Friday, 17 July 2020
Forgotten Book - Making Hate
I've discussed a couple of Jacqueline Wilson's taut psychological thrillers on this blog in the past - the fairly distant past, admittedly. She made a splash in the 70s as a crime novelist before turning with huge success to children's fiction. I was impressed with her books when they came out and, although inevitably dated, they still show what a readable writer she has always been.
I've only just come across her fifth and final crime novel, Making Hate. Her earlier books were published in paperback by Penguin, but I'm not sure that this one was - certainly I've found it elusive. And now I've read it, I wonder if I have a clearer idea of why she gave up the genre. This is without doubt an admirably ambitious book, and again it's a good, fluent read, but it's also rather flawed.
She decided to tackle a story about a rapist, and to present it from two contrasting viewpoints. The main character is Simon Shaw, a divorced man in his thirties who has two children but is much closer to his daughter than his son. He works as civilian SOCO and fantasises about being a detective. He's lacking confidence, but when he picks up a pretty young girl, he doesn't seem to take any interest in how old she is. After they part, she is raped. It turns out that she is only fourteen and Simon is briefly a suspect.
Simon is cleared, but wants to bring the rapist to justice. Meanwhile, we are given an insight into the rapist's psyche in a series of short sections which reveal his troubled upbringing. Wilson is aiming here for psychological depth, but overall I felt that her attempts to get into the minds of Simon and the rapist weren't successful. This is an uncomfortable book for a number of reasons, and I can see why it made little impact. Yet I remain of the view that even a flawed book of the past may be of great interest if the author is trying to do something worthwhile and inventive with the story, and Making Hate fits the bill. It's no masterpiece, but you can tell that Wilson, even more than forty years ago, was a storyteller of high calibre.
Friday, 1 February 2013
Forgotten Book - Snap
My Forgotten Book for today is another from that very fine writer Jacqueline Wilson, one more of that sadly all too short sequence of crime novels she wrote in the 70s.Snap was published in 1974, when she was just 29 years old. In some ways, it reminds me of the books that Margaret Yorke started writing at around the same time - stories about very ordinary people who find themselves caught up in events that lead to murder.
There are three connected storylines in Snap. Katy is a 14 year old girl (and Wilson excels at depicting teenage girls) who has a crush on her schoolteacher. Unfortunately, it's a relationship that he encourages. It's easy to foresee that it will end badly - but how, exactly?
Meanwhile, Katy's mother, Frances (a very likeable woman) is a widow who writes romantic stories for magazines. She comes to the attention of George, a literary agent who is recently bereaved. His wife was someone he never loved, and who made his life a misery. When he meets Frances for lunch, the attraction is mutual.
Unknown to George, his secretary, Ellen,is secretly infatuated with him. When George invites her out for a drink, she seizes her chance to develop the relationship, with disastrous consequences. Wilson manages the different narratives with considerable expertise,and springs one particularly good surprise close to the end. When I looked back at the earlier chapters, I found myself admiring the skilful and subtle way she had planted the clues to that particular twist.
This is a good example of how a very short novel can be intensely gripping. One can only guess at how prominent Wilson would have become as a crime writer, had she not changed course and become a stellar children's writer instead. I think she might have given even the great Ruth Rendell a run for her money.
There are three connected storylines in Snap. Katy is a 14 year old girl (and Wilson excels at depicting teenage girls) who has a crush on her schoolteacher. Unfortunately, it's a relationship that he encourages. It's easy to foresee that it will end badly - but how, exactly?
Meanwhile, Katy's mother, Frances (a very likeable woman) is a widow who writes romantic stories for magazines. She comes to the attention of George, a literary agent who is recently bereaved. His wife was someone he never loved, and who made his life a misery. When he meets Frances for lunch, the attraction is mutual.
Unknown to George, his secretary, Ellen,is secretly infatuated with him. When George invites her out for a drink, she seizes her chance to develop the relationship, with disastrous consequences. Wilson manages the different narratives with considerable expertise,and springs one particularly good surprise close to the end. When I looked back at the earlier chapters, I found myself admiring the skilful and subtle way she had planted the clues to that particular twist.
This is a good example of how a very short novel can be intensely gripping. One can only guess at how prominent Wilson would have become as a crime writer, had she not changed course and become a stellar children's writer instead. I think she might have given even the great Ruth Rendell a run for her money.
Friday, 30 November 2012
Forgotten Book - Let's Pretend
Jacqueline Wilson has become such a huge success as a children's writer that it's easy to forget that she started out as a novelist by writing a handful of rather good crime novels. I remember haunting Blackwell's Paperback Shop when I was a student and there were always a couple of her books in the green Penguin series on the shelves.In those days I yearned to be a published crime writer, and I was impressed that someone who was only about ten years older than me had already established herself in the genre. I read some of her books at the time, and certainly enjoyed them.
My choice for today's Forgotten Book is Let's Pretend, first published in 1976, At the time the book came out, she was only 31, but already an accomplished writer of straightforward and highly readable prose, telling stories about extraordinary things happening to ordinary people - an approach which she maintained when turning to her first love, writing for children.
This book shows very clearly that interest in children and their perspective on the world. The events of the story are seen through the eyes of 13 year old Emily Barrett, whose mother has recently remarried. When her mother goes missing, Emily, who lives very much in her imagination, immediately suspects her seemingly amiable stepfather of having killed her. But nobody believes her.
I found this story gripping as well as attractively written. It has a modern feel, with only a few small things (like a reference to student grants!) dating it. Most of the action is concentrated in the last few scenes, and I felt that the key plot twist was not foreshadowed as much as I would have liked. But this didn't detract from my enjoyment of a very entertaining story. When Wilson abandoned crime fiction, the genre lost a potential superstar. Happily, children's fiction gained one.
My choice for today's Forgotten Book is Let's Pretend, first published in 1976, At the time the book came out, she was only 31, but already an accomplished writer of straightforward and highly readable prose, telling stories about extraordinary things happening to ordinary people - an approach which she maintained when turning to her first love, writing for children.
This book shows very clearly that interest in children and their perspective on the world. The events of the story are seen through the eyes of 13 year old Emily Barrett, whose mother has recently remarried. When her mother goes missing, Emily, who lives very much in her imagination, immediately suspects her seemingly amiable stepfather of having killed her. But nobody believes her.
I found this story gripping as well as attractively written. It has a modern feel, with only a few small things (like a reference to student grants!) dating it. Most of the action is concentrated in the last few scenes, and I felt that the key plot twist was not foreshadowed as much as I would have liked. But this didn't detract from my enjoyment of a very entertaining story. When Wilson abandoned crime fiction, the genre lost a potential superstar. Happily, children's fiction gained one.
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