Announcing The Traitor - a new Bibliomystery

This summer I undertook an interesting project, commissioned by Otto Penzler of The Mysterious Bookshop in New York City. For the past few years, Otto has been publishing a series of limited edition stories which are 'Bibliomysteries' - concerned, in one way or another, with the world of books. A number of wonderful authors - the likes of Ian Rankin, Denise Mina, R. L. Stine, Jeffrey Deaver, Megan Abbott, and Joyce Carol Oates - have featured in the series, so I was flattered to be invited to join them. And as luck would have it, within hours of Otto putting the proposal to me, an idea flitted into my head...

The stories are short, but not very short. The requirement is that they must be at least 10,000 words long and to do with books, but otherwise, the author has free rein. This is liberating. I was conscious that I'd never written a story of this length - almost a novella, you might say - and so here was another interesting challenge. I realised that the story would need to be different from a conventional short story as well as from a novel. The story concept needed to have enough meat in it to justify the length. Luckily, the idea that had sprung to mind fitted the bill.

Otto sent me some illustrative examples of stories in the series, including an Edgar winner from John Connolly and Andrew Taylor's The Long Sonata of the Dead, which supplies a pleasing coda to his wonderful Roth Trilogy. The idea of the series is that they are only available from Otto's bookshop, and that there are limited signed editions as well as paperbacks. The pressure, of course, is to write something good enough to stand in such company...

The result of my labours was The Traitor. This introduces a new character, the 'book detective' Benny Morgan. When lockdown came to an end, my first trips included visits to Llandudno and Shropshire, and both settings feature in the story. It's a mystery concerned with obsessive book-collecting and I really did enjoy writing it. Publication is in September and further details may be found  here

 

 

Following in the Footsteps of the Great...

Reports that Sophie Hannah has been commissioned to write a second Hercule Poirot novel have provoked plenty of interest and comment. There are conflicting views on whether "continuation novels", where present day writers produce new stories featuring long-established characters, are a Good Thing, so I thought I'd contribute a few observations to the debate.

The first thing to say is that there's  nothing new about the idea of continuation stories. People other than Conan Doyle started writing about Sherlock Holmes a very long time ago. But it's fair to say that continuation novels have become much more popular, and common, in recent years. So we have new James Bond stories, written by a variety of very distinguished writers, new Hercule Poirot stories from Sophie, new Wimsey stories from Jill Paton Walsh, new Albert Campion stories by Mike Ripley, and so on.

Some readers take the view that they want to stick with the original stories by the original authors, and that is, of course, a perfectly understandable and reasonable choice. It is also occasionally suggested that there's something inappropriate about present day writers writing new stories about characters created by others. This is a viewpoint I understand, but do not share.

There's nothing at all wrong, in my opinion, in writers - regardless of whether or not they are already bestsellers- being paid to produce stories that people want to read. Those writers still produce books about their own characters, but I am pretty sure that their attitude towards writing about other characters is much the same as mine, when I wrote the stories in The New Mysteries of Sherlock Holmes: there is something very pleasurable about soaking oneself in a fine writer's work, and seeking to give it new life. It's a challenge to one's professional skills as an author. My guess is that this, coupled with the sheer fun of it, is why the likes of Jeffrey Deaver, William Boyd, Sebastian Faulks, Anthony Horowitz, Sophie, Mike, Jill, and company relish tackling continuation fiction.

For me, the real issue - as with any piece of writing - is whether the story is well done. A poor continuation novel is at least as disappointing as any other poor novel. There are, for instance, some rather laboured Sherlockian pastiches around, though there are many good ones. But some continuation stories are highly enjoyable. The fact that continuations are becoming more commonplace suggests that there is a significant demand for such books, and if this trend continues, I wouldn't be surprised if more detectives from the past are given a fresh incarnation in the 21st century.

The Interrogator

What do the following crime writers have in common? Lee Chld, Michael Connelly, Joyce Carol Oates, Laura Lippman, David Morrell, Jeffrey Deaver, Mickey Spillane, and Martin Edwards? One thing's for sure, it's not the fact that they are all best-sellers, since I'm certainly not in that league. But I'm pleased to say that, along with those other, much bigger names, I have a story in a new anthology, The Interrogator, published by Cemetery Dance in the US. Quite an honour.

The book is edited by Ed Gorman and Martin H. Greenberg, and a sad note is that Marty Greenberg, the doyen of anthologists, died not long after this book was first put together. I never met or talked to him, but I have had stories in a few of the colossal number of books of stories that he either edited or co-edited. Ed has dedicated this collection to Marty, and it's a fitting tribute, given the calibre of the other contributors.

The story of mine that is included is "Clutter", which previously appeared in Original Sins, the CWA anthology of 2010. I'm absolutely delighted to say that, although there was no CWA anthology last year, there should be a new collection later in 2013, to celebrate the CWA's Diamond Jubilee. Suffice to say the stories I've received are of a very high calibre, and there are some major names among the contributors..

The same is true of those in The Interrogator, and I'd also like to mention the extremely informative introduction by Jon L. Breen. As with Ed Gorman, he's someone I've never met, but have admired for a long time. Undoubtedly, he's one of the leading crime fiction critics of the past 30 years, and everything he writes is well worth reading. He's also produced a handful of enjoyable novels of his own. They are worth a look and so too, regardless of my own contribution, is The Interrogator.

Twisted - movie review

Twisted is a title I came up with for the novel that later became Take My Breath Away (though it also had a brief incarnation as Guilty Creatures). The feeling was that Twisted wouldn't work, because there was another book - not crime of that title. I felt a bit surprised about that at the time, and my belief that it was a decent title was reinforced when Jeffrey Deaver used it as the title for a collection of his short stories, and then for a follow-up volume. And now I've watched a film with the same title. So one thing is for sure, it's not a title I can now use any time soon! No matter - but what about the movie?

Twisted didn't enjoy critical success - quite the reverse, I'm afraid. I've read one review describing it as a "career killer" for Ashley Judd, the star, and it's fair to say that this very appealing actor hasn't been quite as prominent in subsequent movies as her gifts deserve. But Samuel L. Jackson and Andy Garcia haven't done too badly. And I do not think the film is anything like as unsatisfactory as many of its detractors suggest.

The premise is that Ashley is a cop whose father, also a cop, went on a killing spree when he learned of the infidelity of his wife  who was one of her victims. Jackson plays her dad's partner, who has taken her under his wing. When she is promoted, she starts working with Garcia, with whom she has an equivocal relationship. Things go rapidly downhill when a man with whom she had a one-night stand is found brutally murdered. The pattern of Ashley's lovers meeting bloody ends then begins to repeat itself. Is Ashley so troubled that she has turned into a deranged killer?

We can all, perhaps, guess the answer to that, but despite weaknesses in the plot, I thought this was a reasonably watchable thriller. I'd bracket it with another Ashley Judd film, Double Jeopardy, which had similar failings, but passed the time pretty well. What I'd really like to see is a crime movie that made the most of Ashley Judd's vulnerable quality. Twisted failed to do so, but the setting in San Francisco is quite nicely evoked, and reminded me how keen I am to visit that city one day.

You Can Jump

Mat Coward is someone I've never met, but we've corresponded with each other for years, and I've included several of his short stories in anthologies that I've edited. He's a man of many accomplshments, an occasional novelist, and involved with that intriguing TV programme QI. But arguably, his stand-out achievements are in the field of short stories. He's original and witty, a real master of the form.

His new collection,You Can Jump, is now available. Four of the dozen stories that it contains have featured in anthologies I've edited, so naturally I think they are good, but suffice to say that the standard doesn't falter in the other entries, which have previously appeared in a range of good homes,including books edited by Anne Perry and Jeffrey Deaver.

I asked Mat what appealed to him about the short form and found his answer interesting:

'Someone asked me the other day "Why are writers so keen on writing short stories?" Her puzzlement was genuine; if she was a writer, her frown said clearly, she'd be getting on with the real work - the novels, the stuff that people actually read, and review, and that might even make some money.

But it's true: most writers - or at least, most crime writers of my acquaintance - love writing shorts, and will take any opportunity to do so, even stealing time from their book schedules, despite the numerous disadvantages of the form: not the least of which is that hardly anyone publishes short stories. Which, you know, is quite a significant drawback.

There are lots of answers I could have given to the question - and I'm sure you'd collect more answers the more writers you asked - but there is one obvious reason which is not often mentioned.

Short stories are short.

I like writing short stories because I can complete more of them, in a given lifespan, than I can novels. There is a type of short story which is really just a pre-edited novel; it's all there, it's just shorter, which means you can do more of them.

So, that' s one answer: I like writing short stories because I like finishing things.'

The paperback is available from his website (or on order from bookshops and libraries, of course) and the ebook is at available here.

Blood Law and Thriller 2

One of the people I met at Crimefest was Steven Hague, who was a member of a panel I moderated. I felt extremely guilty because any moderator worth his or her salt should study the work of their panel members in some depth before the panel takes place. But I was moderating two panels and, although I worked painstakingly through the books of the various other members of the panels (as well as the work of the ‘forgotten authors’ who were the focus of the other panel), to my dismay, I simply ran out of time before being able to do more than quickly skim Steven’s debut novel Justice for All.

Fortunately, Steven proved to be an affable and forgiving guy, and also an articulate and easy-going panel member. The quality of his contribution to the panel was all the more striking, since he’d never been involved in a crime convention panel prior to that day.

So I’m all the more pleased to have received a copy of his new thriller Blood Law, which is published on 31 July. I’ve been reading a few thrillers in recent months, when time permits, and it’s interesting to study the way that different writers tackle the ratcheting-up of suspense. Maybe one of these days I might try my hand at a thriller myself.

This is a book featuring ex-LAPD cop Zac Hunter. Angel Cortez needs his help because her daughter has gone missing – and Zac finds himself pitched into gang warfare among other tribulations.

Steven’s book is published by Mira, an interesting company which has carved a niche in the thriller genre very quickly. They focus on paperback originals – a sign of the publishing times. Another new Mira title is Thriller 2, a bulky short story collection edited by Clive Cussler, and including stories from such notables as Jeffrey Deaver and Ridley Pearson.