Top Agatha Christies

I've been interested in two discussions in recent days on that perenially entertaining (if subjective and inconclusive) topic of "favourite books". Those excellent bloggers Christine Poulson and Clothes in Books started a thoughtful discussion about five favourite Agatha Christies, while Mike Linane, a very knowledgable Golden Age fan, drew attention on Facebook to the thoughts of yet another leading blogger, Crimeficlover, on "top ten Golden Age novels." I couldn't resist the temptation to join in. So today I'll focus on Christie. Thoughts on ten favourites from the Golden Age will follow on Wednesday. As Christine and others have said, however, not only do different people make different choices, one's own views tend to shift on these selections. And I expect mine will before long!

With Christie, however, I'm going to vary things a bit. I really want to choose six titles, rather than five (and I was very tempted to go for ten.) In reverse order, then:

6. Five Little Pigs - this is a Christie that I first read when I was young, and it didn't work especially well for me at the tender age of about nine. I was persuaded by the late Robert Barnard to revise my opinions, and I now think that the image of the murderer watching the victim die is one of the most chilling in  Golden Age literature.

5. Cards on the Table - this is a very clever story, and it's one of those Christies (Three-Act Tragedy, Why Didn't They Ask Evans? and The Sittaford Mystery are others) which strike me as surprisingly under-rated. The idea of confining the suspects to just four is a good one, and the detective work is very nicely done. Even though I don't like bridge, I've always enjoyed this book.

4. Peril at End House - a brilliant spin on a device that is now rather familiar. The clueing is excellent, and the way that suspicion shifts from one person to another - for me, that's one of the tests of a Golden Age classic - is splendidly done. I like the seaside setting, and Poirot and Hastings are in great form.

3. Curtain - because this book was posthumously published at a time when "mere ingenuity" was unfashionable, its cleverness has, I think, generally been under-rated. The central idea is fantastic and it influenced my otherwise very different book, Take My Breath Away. An extraordinary book in many ways, not least because of what Poirot does near the end.

2. The ABC Murders - the best Golden Age serial killer whodunit, and a book whose plot twist has inspired many other wirters, past and present. A gripping mystery, with neat clues and a level of tension and suspense that Christie surpassed only once, in my number one choice.

1. And Then There Were None - I've written several times about my admiration for this book. It is in many ways the ultimate Golden Age whodunit, and yet neither Poirot nor Marple appear. It was one of the first adult novels I ever read, and it made a lasting impression on me.

Yet somehow I've omitted The Murder of Roger Ackroyd, Murder is Easy, Murder at the Vicarage, and Murder on the Orient Express. And... well, go on, then - what are your favourites?

Headhunters - film review

Headhunters is a 2011 film based on a novel written three years earlier by the prolific and much acclaimed Jo Nesbo. I've read two or three of Nesbo's books about Harry Hole, but this novel is a stand-alone, and makes a very interesting movie. At first, I thought the tone was uneven and unsatisfactory, but before long I warmed to the story, which proved to be much twistier than first appeared likely. The way that expectations are set up, only to be confounded, is one of the film's real strengths.

The protagonist (I can't bring myself to call him a hero) is Roger Brown, an ace recruitment consultant, or headhunter.He is married to a very attractive, if high-maintenance, woman, and lives far beyond his means. His wife wants to have a child, but he doesn't. He's too busy resorting to art theft as a means of supplementing his sizeable, yet still inadequate, income.

When I thought the film might be a comedy thriller about bungled art thefts, I wasn't too excited, but the action soon warms up, when Roger discovers that his wife is having an affair with a rather mysterious chap who hopes that Roger will find him a plum job. Before long, things turn very nasty indeed, and the fast-paced story wanders all over the place as, reluctantly, the audience starts to root for Roger to get out of the very deep hole he has dug himself into.

I've known, quite a number of headhunters in my working life, and members of that profession featured in my novel Take My Breath Away.In real life, I've found headhunters very good company - the nature of the job tends to make them very convivial. And suffice to say that, although recruitment consultants as a breed can definitely show plenty of imagination, and not always in a good way (charming though they invariably are), I've never met anyone in the least like Roger Brown. Just as well, really....

A New Life for Take My Breath Away

Take My Breath Away is a novel of psychological suspense that means a great deal to me, and I'm delighted that at long last, it's beginning a new life as an ebook, published by Allison & Busby. This was the novel that brought me to A&B, when David Shelley, the then editor, took a shine to my work. It was after this stand-alone book appeared that David suggested I write a new series with a rural setting. The result was the Lake District Mysteries, so I'll always be grateful to him. And he's now the editor of a promising writer called J.K. Rowling, so I hope he does as much for her career!!

The background to Take My Breath Away is that, after seven Harry Devlin novels, I was ready for a change, and to stretch my writing in a fresh direction. I wasn't (and still am not) fed up with Harry - I'd love to continue writing about him in the future, no question. But I had an idea for a one-off book that really excited me, and I was desperate to write it up.

I knew that executing the story idea would be a challenge, because of its unusual and ambitious nature, but I didn't realise quite how much of a challenge it would prove to be. The book was harder to get right than any other that I've produced, and it went through many revisions, and much cutting. David was keen that I make the story crisper and more accessible, and though this took time to achieve, I am sure his editorial advice was spot on.

The novel is set in London, and I still think the tantalising opening scenes are among the best I've written. Two storylines gradually converge, and there's a sub-text that (to my surprise) few reviewers spotted, though I was, and am, pleased with it. I hoped that this would be my "breakthrough" novel, but it wasn't to be. Reviews were very good, but sales weren't as high as for the Harry Devlin books, and certainly far below those for my Lake District Mysteries. I must admit I was disappointed, because I feel that it's at least as good as my series novels, and despite the many differences, it does have a whodunit aspect.

To this day, I remain proud of the book, and I like to think it has aged well. And you never know - perhaps its time has finally come, and lots of ebook fans will take it to their hearts! I'd love it if that happened. Take My Breath Away is certainly different from my other novels, and if any of you do give it a go, I hope you'll find it a satisfying and intriguing read.

Twisted - movie review

Twisted is a title I came up with for the novel that later became Take My Breath Away (though it also had a brief incarnation as Guilty Creatures). The feeling was that Twisted wouldn't work, because there was another book - not crime of that title. I felt a bit surprised about that at the time, and my belief that it was a decent title was reinforced when Jeffrey Deaver used it as the title for a collection of his short stories, and then for a follow-up volume. And now I've watched a film with the same title. So one thing is for sure, it's not a title I can now use any time soon! No matter - but what about the movie?

Twisted didn't enjoy critical success - quite the reverse, I'm afraid. I've read one review describing it as a "career killer" for Ashley Judd, the star, and it's fair to say that this very appealing actor hasn't been quite as prominent in subsequent movies as her gifts deserve. But Samuel L. Jackson and Andy Garcia haven't done too badly. And I do not think the film is anything like as unsatisfactory as many of its detractors suggest.

The premise is that Ashley is a cop whose father, also a cop, went on a killing spree when he learned of the infidelity of his wife  who was one of her victims. Jackson plays her dad's partner, who has taken her under his wing. When she is promoted, she starts working with Garcia, with whom she has an equivocal relationship. Things go rapidly downhill when a man with whom she had a one-night stand is found brutally murdered. The pattern of Ashley's lovers meeting bloody ends then begins to repeat itself. Is Ashley so troubled that she has turned into a deranged killer?

We can all, perhaps, guess the answer to that, but despite weaknesses in the plot, I thought this was a reasonably watchable thriller. I'd bracket it with another Ashley Judd film, Double Jeopardy, which had similar failings, but passed the time pretty well. What I'd really like to see is a crime movie that made the most of Ashley Judd's vulnerable quality. Twisted failed to do so, but the setting in San Francisco is quite nicely evoked, and reminded me how keen I am to visit that city one day.

Oxford Today and Crime Fiction Reviews

Why is it that some books attract more attention than others? I’m not sure there’s a definitive answer. I’ve written at least one book – Take My Breath Away – that I thought was good but which made little impression on reviewers. But, thankfully, the Lake District Mysteries have done better. And, when you’ve been around for a long time, it is often hard to get attention for your  work.

The Hanging Wood has now become one of my more successful books in terms of reviews. It’s attracted favourable attention in The Times and The Literary Review, a column in The Guardian, and pleasing comments elsewhere, here, in the US, and on Amazon. And now it’s been highlighted in Oxford Today, a glossy magazine with a big readership: “stylish writing and a gripping plot make the perfect crime thriller.”

I’m very gratified, since reviews do matter. And the merit of positive reviews is that they are good for morale and motivation. There’s no doubt that, this week-end, I’ll write with greater zest because of this latest review.

And this is something I bear in mind when reviewing the books of others, especially those of living writers. It’s not about offering constant praise without a single caveat, because that tends to devalue the review. But I do like to look for the positives, especially with writers who aren’t best-sellers, and who deserve to be better known. Above all, I think it’s right to try to review a book on the basis of what it is trying to achieve, rather than what it isn’t.

Curtain and Take My Breath Away

Kerrie Smith, of Mysteries in Paradise, whom I was so pleased to meet at Crimefest, suggested I contribute to the celebrations of the anniversary of Agatha Christie's birth 121 years ago, and I'm very glad to do so.

Curtain, the last Hercule Poirot novel, boasts a fascinating modus operandi. Agatha Christie explicitly gives a nod of gratitude to a play by Shakespeare and another by the rather less celebrated St John Ervine. In both plays, the same pattern of murderous behaviour is deployed. She had briefly toyed with the idea earlier, in the excellent Peril at End House. Its sheer cleverness has always appealed to me, but I agree with Robert Barnard’s verdict on Curtain. ‘For a long-cherished idea…this is oddly perfunctory in execution’. In particular, the murdererer’s character, crucial to the whole concept, is inadequately portrayed.

For years, I thought about reviving the idea. But how to do it? In the end, I decided that the secret lay in a combination of a law firm setting and a dose of political satire. The result was Take My Breath Away, published in the UK some years ago but only just now published in the US by Five Star. It marked a complete departure from my earlier books about the lawyer-detective Harry Devlin. Given that I was building upon foundations laid by Christie and the Bard, I am ashamed to say that it took me two and a half years, and endless re-writing, to produce the book. But I like to think that at least the effort was worth it.

And an odd thing happened while I was writing the novel; I received a book which featured Ellery Queen’s plot outline for a novel never actually published, The Tragedy of Errors. It boasts the same central concept. Like Christie and like me, Ellery Queen makes due acknowledgment to the inspiration that he drew from the Bard. As I understand it, Curtain was written before, but not published until after, The Tragedy of Errors plot was concocted. Great criminal minds thinking alike? I'm sure it wasn't plagiarism on Queen's part.

Hidden - TV review

A downmarket, dogged criminal lawyer called Harry works in a scruffy city backstreet. Harry has been damaged by the death of someone very close to him and has a troubled love life, as well as an eye for a pretty woman. When he gets dragged into a murky case involving the murder of an attractive woman, he visits a gym as part of his enquiries, and runs into more trouble for his pains.

These were all elements of my first novel, All the Lonely People, so I was intrigued to see them reprised in the new four part BBC TV thriller Hidden, by Ronan Bennett. Hey, I knew my story-line was a good one! Joking apart, I won't be sueing for plagiarism, because in fact what Bennett has written is not a whodunit but a conspiracy thriller, with a political dimension (a bit like Take My Breath Away!) And Bennett's Harry is known to some of his mates as 'H', which reminded me of Harold Shand in The Long Good Friday.

All this shows, of course, is that there's nothing new in the world. Bennett has, however, tried to give the material a fresh feel by interweaving several convoluted plot elements, with copious flashbacks. A great deal of suspension of disbelief is required, especially when a mystery woman claiming improbably to be a lawyer offers Harry a large sum of money to find a man. In the Google era, it takes seconds to discover that she is not who she claims to be. As for the political storyline (is the Prime Minister the victim of a plot orchestrated by his smug colleague?), it struck me as not much more authentic than the portrayal of legal life.

And yet there's something about Hidden that encourages me to watch episode 2. That something is the presence of Philip Glenister, a very enjoyable actor, in the role of Harry. He carries the whole thing along with his usual rugged charm. I'm not sure I care much about the various mysteries, but I'll be interested to see how Bennett weaves all the strands together.

World Book Day and a review

On Saturday evening, I took part in the nationwide celebrations of World Book Day, giving a talk and hosting a performance of my Victorian murder mystery event at Timperley library in the borough of Trafford. And it was all very enjoyable.

There was a very good audience and I like to think that it was not just on account of the book giveaways that were part of the event this year! I have written before about the valuable part that libraries play in their local communities, and this was very evident on Saturday, as the library also hosted a talk and film show about the history of Trafford. The film was fascinating, and although it only dated back 80 years, it seemed to portray a totally different world.

I know there is a lot of debate about whether it is a good idea for vast numbers of books to be given away free. Most readers are surely bound to welcome this kind of initiative, but some booksellers worry about it, while some writers may fret that it keeps the spotlight was on the bestsellers who do not really need publicity as much as new and mid-list writers. The concerns strike me as reasonable, but on the whole it seems to me that any initiative that encourages readers, and fosters an interest in books has to be a good thing.

On Saturday also I was pleased to see the first advance review of the forthcoming US edition of Take My Breath Away. Kirkus said "Edwards spins a rattling good yarn, rich in incident and plot twists", and who am I to argue?

Take My Breath Away

I'm very pleased to confirm that Take My Breath Away, a stand-alone novel of psychological suspense set in London, will be published in the US by Five Star in June. This is a book I'm proud of having written, though its publication in the UK a few years back didn't attract as much attention as I had perhaps naively hoped. Some of those who read it loved it, and there ware no negative reviews, just not very many in all! But Priscilla Masters did feature it in one of her own novels, which really did gratify me.

Here is the cover of the ARC, which has just been sent out to reviewers. I will be fascinated to see the reaction to the book in the States. Five Star published my novel about Crippen, Dancing for the Hangman, a couple of years ago, and the response was very pleasing. They have also published the first two Harry Devlins.

I owe a debt of thanks here to Ed Gorman, whose support for the book helped me to achieve my ambition of an American edition. Ed is a great friend to many crime writers, not least myself, and I'm truly grateful to him.

New books in 2011

I’m looking forward rather eagerly to a number of publications next year. When I first became a published author, I got a real kick out of seeing my manuscript turned into a ‘proper book’, and I’ve not lost the thrill of the experience, thank goodness. It really is exhilarating. The Serpent Pool appears in paperback in the UK early in January, and given the extensive and favourable reviews of the hardback edition, I’m hoping that reaction will again be very positive.

The Hanging Wood will appear, at least in the US, under the Poisoned Press imprint. I’m not yet sure what is likely to happen in the UK. Around the same time, my German publishers will bring out The Serpent Pool. Here is the proposed cover. The title, in translation, is ‘To Dust and Ashes’.

Take My Breath Away will be published by Five Star in the US in June, and although the book was written eight years ago, I’m absolutely delighted it’s having a fresh life. Of all my novels, it’s the one which I think was the most under-rated. Of course, it may be that authors are not the best judges of their own work. But even so...

On the anthology front, there should be a limited collectors’ edition of the CWA anthology, Original Sins. And the follow up to that collection, Guilty Consciences, may be out in May. I hope so, as it would mean we could launch it at Crimefest. But there’s still some work to be done before we can know for sure....

Revising a Manuscript

I raised the question a while back as to when you can draw the line with a book, and send it off to a publisher. But of course, there is a question that needs to be dealt with earlier – how much time and effort should I devote to revising?

The short answer, alas, is usually ‘a lot, and rather more than you would have hoped’. I readily confess that I need – always – to do a lot of revising. Take My Breath Away remains the book that I revised most heavily – cutting it from 150,000 words to 85,000 in the process. I still feel a bit faint when I remember that agonising process...

How to go about revising? Well, there is no all-encompassing answer – there are various possible approaches. I think it is easier to cut than to expand. If a story is wordy, it can be trimmed. But if it’s anorexic, it may require significant additional plotting and development, which is harder to achieve. I don’t worry too much if my initial writing is a bit wordy, but I do try to remedy this at re-write time.

There are other things to do, as well. Ensuring consistency of theme and mood is often important. So is eliminating inconsistencies of style, and repetitions. But I don’t, personally, find revision too boring (unlike proof checking, which is incredibly tedious). It offers a chance to make a book much better. And I am firmly of the view that a few relatively limited changes can often make a disproportionately significant difference to the quality of a book.

Authors who skimp on revision do so at their peril. Many years ago, I met a writer who announced she never revised. I felt this was a mistake. And it may not be a coincidence that she has more or less disappeared from sight since then. A pity, since she was a nice person and a good writer. But even a good book can be improved by revision.

The Murder and Mr Akroyd

Last Monday evening, I hosted my Victorian murder mystery at Akryod Library, Halifax. It was an enjoyable occasion, and I found the venue especially fascinating. The library shares premises with Bankfield Museum, and the building is in a park – unfortunately, it was too dark for me to look around much outside.

But there were some treasures inside, including information about the long defunct Halifax Literary and Philosophical Society – a name that greatly appealed to me. The exhibits included the Halifax Gibbet, a truly fearsome means of execution. I was told it was a precursor to the guillotine. I’m not sure about the historic details, but I did wonder if gibbets had featured much in detective fiction – I imagine so, but can’t call any example to mind.

Bankfield Mansion was once home to a leading Yorkshire worsted and wooleen manufacturer – Edward Akroyd. He developed it into a palatial Italianate-style home. The original Library is one of the most impressive of the rooms. It still retains original oak bookcases, and a great marble fireplace. At one time Akroyd had a staff of 25 servants working at the house. But business problems forced him to sell Bankfield, and the Halifax Corporation took it over, creating the public museum and library. I’d never have gone to Bankfield had I not been invited to host the mystery evening. Yet another example of the unexpected pleasures that can come a writer’s way.

One more bit of news, by the way. Take My Breath Away will make its appearance in a US edition, published by Five Star, next June. I’m really pleased, as it is a book I remain proud of.

Seaside Crime

Last Sunday was the hottest day of the year so far, and I was due to travel from Middlesbrough to Boroughbridge for the CWA lunch. It seemed a shame to waste such glorious weather. So I decided to take a quick look at a seaside resort I’ve never visited before. This was Saltburn by the Sea, some miles north of Whitby (a resort I know quite well) and lacking Whitby’s Dracula connection, but nevertheless, as I found, a place of real charm.

Saltburn has a pleasant-looking beach, a historic furnicular cliff railway, a pier, and a lovely glen. I took plenty of photos, but although Blogger has today permitted me to upload one, that seems to be the limit! I enjoyed wandering around for an hour or so before it was time to leave. There’s something about seaside resorts that I find quite entrancing. In summer, that is. I’ve visited them often in winter, and of course they can sometimes have a melancholic atmosphere.

Seaside settings do, I think, work very well in crime fiction. Examples of books with a seaside backdrop that I’ve enjoyed are the very different Sunspot by Desmond Lowden, and Light Reading by Aliya Whiteley. Both are entertaining and deserve to be better known. And there are many others that one might name. I’d be interested to know of any particular favourites of readers of this blog.

I’ve never had a seaside setting in my novels (apart from one scene in Take My Breath Away, with a fictional place based on North Yorkshire’s forgotten village, Ravenscar) but the seaside has cropped up in one or two of my short stories. I was especially happy with one called ‘Diminished Responsibility’, which did not attract a great deal of attention at the time – but it’s a story that will, I hope, find a fresh life in some future anthology.

Take My Breath Away

I’m truly thrilled to have received a contract for the publication in the United States of Take My Breath Away, which appeared in the UK back in 2002. It’s a book which I’m very proud of, although it’s only fair to admit that it attracted much less attention than my other books.

The idea behind the story was one I was (and am) truly passionate about. It represents a complete break from the Harry Devlin series, even though the setting is a law firm – a glitzy outfit called Creed, based in the heart of London. The first chapter is set at a posh reception organised by a headhunter, and the opening line is: ‘The dead woman smiled.’ Some people whose judgement I respect have said the first chapter is one of the best things I’ve ever written, and the story that develops from there is quite elaborate, following the twin journeys of true crime writer Nic Gabriel, and a mysterious young woman who calls herself Roxanne Wake.

One of the background elements of the book is that there is a vein of political satire. Creed is a very ‘New Labour’ firm, and some of the dialogue of the senior partner, Will Janus, owes much to the inspiration of Tony Blair. I was pleased with the way this worked, but it didn’t seem to be noticed by the critics (except the perceptive Mat Coward, who has long been very supportive of my work – perhaps his insight into left-wing politics explains how he latched on to the political bits more readily than others.) Maybe it was too deeply buried in the text for most people to see it, I’m not sure. But I still think it works, although of course the story can be read as a psychological suspense novel, with various elements of mystery, without any regard to the political dimension.

I left open the possibility that Nic Gabriel might one day return. This may still happen, though I decided to strike out in a new direction with the Lake District Mysteries, and their much greater success means I’ll be sticking with them for the foreseeable future. Oddly enough, those people who did read Take My Breath Away tended to like it a lot. Trouble was, there weren’t enough of them! They included Priscilla Masters, who was kind enough to feature the book in a novel of her own. I’m absolutely delighted the book is to have a new lease of life.

The Timeless Question

Ed Gorman, one of the wisest people in the world of crime fiction (read his superb blog and you’ll see why I say that), described it in a recent comment as a ‘timeless question’. Is it a good idea to plan, or outline, one’s crime novel in detail before starting to write it? Or should one just start with a gripping idea, and see where it leads?

Rob Kitchin (who also has a very interesting blog) commented that he is not a planner, and that he takes a different approach with his fiction compared to his academic writing. Having written eight non-fiction books myself, I can empathise with that. When writing a non-fiction book, it’s (usually) imperative to know where you are going. And publishers tend to want to know too, before they commit to commissioning you.

I participated in a panel some time back where a gifted author proclaimed that he didn’t plan at all. A few days later, I had a chat with him and his wife at another function – and his wife reckoned he did plan in quite a lot of detail! So you never know.

The extent to which I plan does vary from book to book. So does the extent to which I stick to my original plan once I’ve started writing. Take My Breath Away was 150,000 words in its first incarnation, but the published version was 85,000 words long. I certainly didn’t plan that.

The most interesting exercise I had in dealing with unplanned fiction was when I completed The Lazarus Widow by the late Bill Knox. Bill didn’t plan at all. But it did leave everyone in a quandary when he died tragically and unexpectedly in the middle of writing the book. Though, I hasten to add, that sad story isn’t in itself a reason to start planning if it is not the writing method that works for you. The answer to the timeless question is, I think, that there is no right answer – it really is a question of what suits the individual.

In the Lords

I spent a chunk of Thursday attending a reception at the House of Lords to celebrate the 35th anniversary of the establishment of Local Solutions, a Merseyside social enterprise that does wonderful work in caring for vulnerable members of our society. The event was hosted by Lord Alton, maybe better known as the former Liberal MP David Alton, who is a previous chair of Local Solutions. The speakers included two people who spoke very movingly of how Local Solutions had changed their lives for the better – one the mother and carer of a severely disabled woman, and the other a former refugee from Rwanda who fled from genocide and is now herself a trained, and, I have no doubt, highly compassionate carer.

I’ve visited the Lords once before, to attend a Crime Writers Association Diamond Dagger ceremony – the recipient that day being a terrific writer, Margaret Yorke. I was so impressed by the setting, with its wonderful views up and down the Thames, that I used it as a backdrop for the first chapter of my London based novel of psychological suspense, Take My Breath Away. The book was not a massive commercial success, but I'm fond of it, and some people whose judgment I respect reckon that first chapter is one of the best things I’ve written.

After the reception, I went with a colleague and the rector of Liverpool Parish Church (which itself featured in Waterloo Sunset) to look round Westminster Hall and sit in on a debate. A number of famous faces were there to be seen, although the debate – on defence – lacked obvious drama. I wondered about looking in on the House of Commons debate on MPs’ expenses, which by all accounts was a bizarre affair, but decided against. Though perhaps I could have learned something - some of the expenses claims we have been reading about recently suggest that our elected representatives are accomplished exponents of creative fiction