Tideline is a first novel, by Penny Hancock, that has quickly achieved a great reputation. I met Penny at Crimefest in May, when we were on the same panel, moderated by Peter Guttridge. What she had to say about her debut sounded interesting, and at last I've caught up with it. Suffice to say that the accolades are well-earned - this is going to be the rave review I promised yesterday!
The story-line interweaves two connected narratives. Sonia tells her story in the first person, and it soon becomes clear that she is rather disturbed, possibly as a result of a tragic incident in her past involving somone called Seb. A 15 year old boy comes to visit her in her intriguing home on the banks of the River Thames - and Sonia decides that she doesn't want to let him leave.
An alternative perspective is provided by a third person narrative featuring Helen, the aunt of the missing boy. Helen has her own problems, compounded by a taste for alcohol, and her life disintegrates as the police investigate the boy's disappearance, and suspicion grows that she may have had a hand in it.
Years ago, I talked to a literary agent about the success of Minette Walters; she attributed it to a combination of excellent plotting and excellent writing. The same can be said of Ruth Rendell/Barbara Vne, and with Penny Hancock's debut, the blend of story and style is again very impressive. The setting is superbly evoked, and though the plot has some echoes of The Collector and Misery, this is not a weakness, for the author has a very different approach from that of John Fowles and Stephen King, and the result is a very different book. I really enjoyed this one - it's the best recent debut I've read since Belinda Bauer's Blacklands.
Showing posts with label Penny Hancock. Show all posts
Showing posts with label Penny Hancock. Show all posts
Wednesday, 3 October 2012
Wednesday, 30 May 2012
Crimefest 2012
I’m just back from a
few days away, spent in a very sunny Bristol. The main focus of the trip was
Crimefest 2012, and the organisers did an excellent job, as ever, with the
result that this year’s convention was perhaps the best so far – and I’ve
enjoyed them all.
On Thursday I moderated
, once again, the panel on Forgotten Authors. Peter Guttridge, Caroline Todd,
John Curran and Dolores Gordon-Smith did a great job in enthusing the audience
for a range of writers, including Helen McCloy (who is definitely on my
must-read list), Ira Levin and R.Austin Freeman. I’m really pleased this panel
is so popular - in fact, I’ve been asked
to moderate it yet again next year...
My second panel was on
Sunday. This time Peter was the moderator and our theme was “past and present”.
Tom Harper, Penny Hancock (whom I hadn’t met before, a very pleasant lady who
has made a big splash with her debut novel) and Kate Ellis were my fellow
panellists. Great fun.
Peter featured yet
again in the Mastermind quiz – and this year, he was the winner, pipping Peter
Rozovsky by the narrowest of margins. Rhian Davies, a blogger of note, and Jake Kerridge, one of our most knowledgeable reviewers, were the
other contestants, and all of them deserve congratulation: sitting in that
black chair can be a real ordeal, believe me.
On a personal level, I
was thrilled that no fewer than four stories which have appeared in books I
have edited were short-listed for the CWA Short Story Dagger. My warmest congratulations
to Cath Staincliffe, Margaret Murphy, Claire Seeber and Bernie Crosthwaite. Of
course, the greatest joy was to meet old friends and make new ones, and my
abiding memories will include a host of fascinating conversations with people
who –whatever their differences of background – share a love of crime fiction.
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