I’ve just finished reading the new Jimmy Perez mystery, set in Shetland, by Ann Cleeves. It’s called Red Bones and it’s set in spring – each of the Shetland Quarter is set in a different season of the year. I’m planning to review the book for Tangled Web UK, but suffice to say that I very much enjoyed the fluency of the writing, as well as the wonderful way in which Ann evokes the setting. A gift for evoking place - above all, for portraying rural communities in depth – is one of Ann’s great strengths as a writer.
I’ve mentioned before that Ann is a friend of long-standing and one point that sometimes crosses my mind is whether it’s legitimate to review books written by personal friends. I began reviewing crime fiction, for a magazine called ‘The Criminologist’, back in 1987 – having learned, from reviewing legal books, that it was a good way of expanding one’s library at little or no cost. I enjoyed reviewing, and in those days I was not a published novelist. But of course, as one publishes more and more, inevitably (and happily) one gets to know more and more fellow writers. Does this mean that one should stop reviewing their work?
I don’t think so. Where practical, it’s a good idea to flag up to readers of the review that the author of the book is someone known to the reviewer. This is what I try, in most cases, to do. But to do it every single time would become wearisome for readers – it would seem as if the reviewer were showing off how many people he or she is acquainted with.
I’m not sure there’s a perfect answer to this sort of dilemma. My own approach is to try to be both honest and positive, whether or not I know the writer in question. I would not wish to hurt anyone’s feelings. But where I sense weaknesses in a book, even one written by a good friend, I would be likely to allude to them in a review, whilst striving to highlight the positive aspects of the book. And if I really did not like a book, then almost certainly I would not review it. This approach suits me, not least because I’m a passionate crime fan, and I’m naturally predisposed to enjoy crime novels - whether or not the writer has ever crossed my path.
Thursday, 2 April 2009
Red Bones
Saturday, 31 January 2009
Saturday Selection - Taylor, Cleeves, Kelly and co.
I’ve mentioned Andrew Taylor’s marvellous Bleeding Heart Square more than once in this blog, and on Thursday the Penguin paperback edition appeared. The story is set in the 1930s, and is a really good read. The paperback includes an afterword by Andrew which I found very interesting – to my mind, the trend for including supplementary material in books is certainly a Good Thing.
I’ve just received from Macmillan a proof copy of Ann Cleeves’ Red Bones, the third entry in her Shetland series – it’s been described as the Shetland Quartet, but who knows? Maybe the success of the books will prompt Ann to keep the series going, along with her novels featuring Vera Stanhope.
To be published this week, again by Penguin (and I think as a paperback original) is the latest novel by Jim Kelly. It’s called Death Wore White, and represents a departure from his previous books; I haven’t read him previously, but a number of friends whose judgement I respect enjoy his work. This is an ‘impossible crime’ story – according to the publicity, the killer ‘struck without being seen, and without leaving a single footprint in the snow’. I look forward very much to sampling this one.
A couple of weeks ago, Bantam brought out Breaking Point by John Macken. This one features a forensic scientist who was once fired by the CID. Here he is involved in a case where the GeneCrime police unit ‘is frantically trying to stop a seemingly invisible killer who strikes in the middle of the day on busy Tube lines.’ I was on a panel with John Macken (the name’s a pseudonym) at Crimefest in Bristol last year, and his books are developing a following.
Soon to appear in paperback is the intriguingly titled The Risk of Infidelity Index by Christopher Moore, published by Atlantic. Moore is a Canadian who has published nine novels, but this is the first to appear in the UK. It’s set in Bangkok and features a private eye called Vincent Calvino.
The end of February sees the appearance of The Fifth Floor by Michael Harvey (Quercus). Harvey (no relation to John) is an American television writer, and his novel features ‘a tough-talking Irish cop turned private investigator’, Michael Kelly. Kelly investigates ‘a web of corruption and intrigue’ in Chicago. A very good critic, Marcel Berlins, has applauded Harvey’s writing, so I shall be interested to have a look at it.
Finally, a book from the writer and director of the film ‘I’ve Loved You So Long’ – Brodeck’s Report by Philippe Claudel. It’s translated from the French by John Cullen, who has himself been short-listed for several awards, and is published by Maclehose Press (a division of Quercus.) It’s described as ‘an immensely powerful chronicle of a community’s fear and loathing of what is strange, unknown, and from the Outside’.
Tuesday, 6 January 2009
Vaila's Fund
Today, I’m glad to hand over the blog to my Murder Squad colleague Ann Cleeves, for a very worthwhile cause. Here’s Ann’s message:
‘I sometimes use real people's names in the Shetland books - a bit of fun and occasionally a way of thanking friends and people who've helped. In Raven Black, I mention the Harvey girls; one of the lead characters goes to their party. Appropriate I thought, because whenever we visited Liz and Paul and their daughters were home the house was full of people and laughter. Last year the youngest Harvey girl, Vaila, was diagnosed with cancer. It seemed that the illness had been treated and when I visited Shetland for Up Helly Aa, she was there watching the parade, cheerful and energetic. But on my next trip in May she was desperately ill in hospital in Aberdeen. It seemed that the whole of Shetland was holding its breath, willing her to get well. Unfortunately she died soon after. She was sixteen years old.
Her parents have decided to set up a fund in her memory, to allow Shetland young people to have the adventures Vaila would have enjoyed. Travel from Shetland can be complicated and expensive. Vaila's Fund would make it possible for a student of Vaila’s age to explore the world away from the islands. The fund will be administered by teachers from the Shetland High Schools and will be the best possible memorial for the young woman we, who knew her, already remember so fondly. To support the fund, I'm offering you the chance to have your name (or that of your friend or relative) in the fourth book in the Shetland quartet. Of course you'd get a signed first edition and an invitation to the launch party! The book will be published in the US and probably be translated into a dozen languages. Take part in the online auction and become a character in this popular series.
To take part in the auction, check out existing offers on my website: www.anncleeves.com, then email your bid to me using the form on Vaila's page. The website will be updated regularly. The auction closes at midnight on Sunday March 8th and the winning name will be announced at the Shetland launch of Red Bones in Lerwick Library on Tuesday March 10th.’