I first became aware of Robert Player's debut novel The Ingenious Mr Stone thanks to Julian Symons' Bloody Murder, a book which introduced me to many fine writers and novels (if The Golden Age of Murder does as much for others as Symons' book did for me, I'll be more than satisfied!)) Symons included the novel in a disparate collection of "curiosities and singletons" whose very randomness was, for me, part of its appeal. He said the book "is notable for the evident enjoyment with which it is written, its humour, and the outrageous (as late as 1945) use of more than one disguise."
When I first read the novel, I enjoyed it, but not in fact as much as I did when I went back to it, having allowed enough time to have elapsed to have forgotten most of the story. Perhaps I'm better able to appreciate it now. As Symons noted, the structure is reminiscent of that of The Moonstone, and two of Player's three narrators are, if not totally unreliable, at least not to be trusted in all their judgements.
The story is sub-titled "The Documents in the Langdon-Miles case", and it tells, or purports to tell, a tale dating back a decade or so, to 1931, and begins with a foreword written by Adam Muir, a crusty old Scottish lawyer, speaking about the deaths, in quick succession, of two sisters. Almost half the story is told by Sophie Coppock, secretary and bursar of a girls' school, and a fervent admirer of the head teacher who was the first of the women to die. Her account is full of tantalising clue which makes little sense to begin with, until an explanation is forthcoming.
That explanation is given by an elderly woman who is Sophie's aunt, and who "describes the methods used by Lysander Stone in solving the Langdon-Miles problem". We are not, in fact, introduced to Lysander Stone until the book is half way through, and this is just one of many unusual features of a remarkably enjoyable story. Julian Symons was a good judge, and this one is definitely recommended. It's odd that Player did not return to crime fiction until the Seventies - not long before his death - but even if his other work did not quite match the brilliance of his debut, The Ingenious Mr Stone is a great example of a very clever and entertaining whodunit..
Showing posts with label Robert Player. Show all posts
Showing posts with label Robert Player. Show all posts
Friday, 10 July 2015
Monday, 1 June 2015
All the Fun of the Book Fairs
One of the sub-plots, so to speak, of The Golden Age of Murder concerns the stories that are evident, or implicit, in some of the inscriptions by authors in their Golden Age whodunits. This is a subject that has intrigued me for a number of years, and in the book,I've discussed inscriptions by Agatha Christie, Henry Wade, and others that I find appealing. But of course, it is rather hard to track down such books.
I succumbed to temptation, therefore, when down in London on Friday..For the first time,two major book fairs, one run by the PBFA, the other a major international event, were run in tandem, with a shuttle bus linking the two events. I met up with a couple of friends, including the doyen of Golden Age commentators, Barry Pike, and set about haunting the bookstalls.
There were many fascinating books on display. Some of them would have been totally irresistible had they been affordable. But I did pick up a number of titles. Most of these come from the collection of the late Bob Adey, who assembled many treasures over the course of about fifty years. I've never seen such a remarkable collection, and I'm glad that I've been able to acquire just a few of them. Among those that were out of reach,by the way, were two editions of the famously rare The Curious Mr Tarrant, by C. Daly King. One of them had an ownership signature of Ellery Queen - wow...
My haul was more modest, but I was very pleased with it nonetheless, and I did find some very interesting inscriptions. One example is to be found in a copy of Robert Player's first book, The Ingenious Mr Stone, and another in John Dickson Carr's Fire, Burn! - Carr often wrote lengthy inscriptions, and this is a good one, though not easy to read! The Evelyn Elder novel in the picture above is not inscribed, but it was such a lovely copy that I couldn't resist it, knowing that I'm never likely to see another.
I'll be talking more about the inscribed books on another occasion, but suffice to say that it was a thoroughly satisfying pair of events. And it was rounded off by most enjoyable dinner with Barry Pike and a notable collector, my friend and fellow employment lawyer Nigel Moss. Barry has, by the way, already written his talk on Allingham and Sayers for the Bodies from the Library conference on 20 June, and I'm sure fans of those two writers would love to hear it. Book now while a few tickets remain available - the event is expected to sell out.
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