In Praise of Spooks

Five years ago, I gave a favourable review to the film which was a spin-off from the long-running TV series Spooks, which I somehow managed to miss when it was first screened (my excuse is that in those days I was a full-time lawyer as well as a novelist). I was encouraged to indulge in a binge-watch but the fact that there are no fewer than 86 episodes of the TV show was a deterrent. Things changed, however, during lockdown and it became one of my viewing treats.

Thanks to good old Iplayer, I've now watched Spooks from start to finish and I must say that although it wasn't meant as pandemic-escapism, it worked brilliantly as far as I was concerned. Even the weakest episodes make for acceptable viewing, while at their best the scripts are razor-sharp. One thing that is very striking is the extent to which global geopolitics have changed in the years since Spooks, which was created by David Wolstencroft, first aired almost 20 years ago - long before Brexit, the withdrawal from Afghanistan, and the Aukus defence pact. It's been suggested that one or two of the writers let their anti-Israel feelings get the better of them, but in general I thought the political material was well handled, although there were various incredible features (not least the emphasis in later series on a Home Secretary who seems responsible for everything, with the Prime Minister remaining invisible). 

The stellar cast is superb. Peter Firth appears in every episode as Harry (later Sir Harry) Pearce, while the wonderful performers who work alongside him at different times include Matthew Macfadyen, Keeley Hawes, David Oyelowo, Nicola Walker, Rupert Penry-Jones, Gemma Jones, Hermione Norris, Miranda Raison, and Lara Pulver. The supporting cast, including the data analysts, were just as good and the fate of Colin (Rory MacGregor) was one of the darkest and most poignant moments of the series. But right from the start, the writers were ruthless about disposing of characters. One can only ever be confident that Harry, the lynchpin, will survive.

Some critics detected a falling-off in quality in the tenth and final series. I don't agree. The negativity probably just reflects the fact that Spooks was no longer new. With few exceptions, the episodes have tremendous pace, and although the attempts to humanise the spies with soap opera type backstories weren't entirely successful, the overall standard of writing was very good. Watching this show (along with Bleak House) has been a delight. If you haven't seen it, don't leave it as long as I did before you repair the omission.

Spooks: The Greater Good - film review

I've managed somehow never to be drawn into the long-running hit TV spy show Spooks. I say 'somehow', but in fact what happened is that I missed the first couple of series, and then felt disinclined to try to catch up. So when the film released last year based on the show, rather clumsily titled Spooks: the Greater Good turned up on the schedules, I decided to watch it to see what the fuss is about.

It's often the case that, when a popular TV show is adapted for the big screen, things go awry. This is especially disappointing for those who have long been fans of the series. I wondered if the fact I'd not seen the series would be a disadvantage or, alternatively, give me the chance to assess it without preconceptions. As things turned out, I'd say it wasn't really a disadvantage not to have seen the series on TV. Did I enjoy the film? Yes, certainly.

It begins in a blaze of action as terrorist Qasim is helped to escape from custody by armed terrorists in a shoot-out. Has a mole assisted Qasim? Peter Firth, playing top spy Sir Harry Pearce, thinks so. He's the fall-guy for the disaster, and he responds by faking his own suicide. What is he up to? Among those wanting to find out are the Director General of the Secret Service, played by Tim McInnerny, and his deputy, Geraldine, played with icy calm by Jennifer Ehle. Suffice to say that I thought McInnerny's performance was a hundred times better than it was in Houdini & Doyle.

Among those who become embroiled in Pearce's cunning plans is the brilliant Tuppence Middleton, once again demonstrating her versatility as an actor. The plot complications come thick and fast, and this is not a story that has quite the relentless grip of The Night Manager,because there is less space for characterisation. But it's an enjoyable action thriller. I'd be interested to know how fans of the TV show rate it.

Hunted - TV review

Hunted, a new BBC TV drama, the first episode of which I've just watched, is described in some quarters as being in the same vein as the long-running series Spooks. But I never saw Spooks - combining writing with working full time as a lawyer meant something must give, and for me that has usually been television series. But life is changing for me, and I thought I'd watch the start of this new series, on the basis that I might just manage to keep tuned if it proved entertaining.

I'm glad I did, because I enjoyed the first episode a good deal. It's pacy, action-packed stuff, and if you like James Bond, you'll probably like Hunted. The story began in Tangier, and within a very short time, an exceptionally attractive woman had killed an assortment of bad guys and apparently (but not actually) killed by a rooftop sniper. You don't mess with Sam Hunter, that is for sure. The part is played by Melissa George, and she turns out to work for a private security firm that involves itself in a variety of murky dealings.

Sam's whereabouts are betrayed to yet more bad guys, and she is again apparently killed, but - guess what! - she survives miraculously. Not so fortunate is her unborn child - the father is one of her colleagues, whom she suspects of being the traitor. A year or so later, and physically recovered, but scarred both in body and mind, she returns to her job, and becomes involved in a a case involving a wealthy gangster (played as creepily as ever by the splendid Patrick Malahide - how on earth was this born villain ever cast as that toff of a cop, Roderick Alleyn?).

Sam cunningly infiltrates the gangster's household, posing as a young American (apart from her lovely looks, amazing combat skills, and mastery of languages, she is also brilliant at acting and probably everything else you could imagine) but her secret is uncovered - again, the question arises: which of her colleagues is a double agent? - and the episode ended with her coming face to face with a sinister assassin. Did I mention, by the way, that Sam experienced a terrible trauma in her childhood? Yep, all the ingredients have been thrown into the mix. Hokum, perhaps, but very well done, and I shall make a point of tuning in next week. Thank goodness for part-time working....