A Touch of Larceny

A Touch of Larceny is a 1959 movie which remains hugely enjoyable and entertaining to this day. It is based on Andrew Garve's novel The Megstone Plot, but in the film the emphasis is on comedy  rather than suspense, although there is some of the small boat sailing that features so often in Garve's work. The director was Guy Hamilton, whose later work included Goldfinger, and the cast is superb. James Mason, Vera Miles and George Sanders take the lead roles, but the minor charactes are played by such notables as John Le Mesurier, Harry Andrews and a very young Peter Barkworth.

Mason, an actor I always enjoy watching, plays a rakish ex-submariner who is idling his time away in peacetime, working in the Admiralty and chasing pretty women. He bumps into an old acquaintance, played by Sanders (have there ever been two actors as suave as Mason and Sanders? I doubt it) and instantly falls for Sanders' American lady friend, played by Miles (who came to Hitchcock's attention, and had a role in Psycho).

Mason wants to get rich quick, and to get Miles, and so he conjures up a scheme whereby he will appear to be a traitor, causing the newspapers to libel him. He will then reappear and cash in with compensation claims. But of course, things do not turn out to be straightforward.

Amazingly, this is all still rather topical, given current debates about press freedom, and the ways in which reputations can be damaged (nowadays it's not just newspapers in the firing line, but bloggers and tweeters too.) As a lawyer, I'm fascinated by the law of libel. It does worry me that libel can be unintentional, and some compensation awards seem excessive. Equally, it's wrong to destroy people's reputations, and the law does need to protect individuals, not least those who don't have deep pockets enabling them to hire expensive lawyers. Any reform of the law needs to be focused on achieving quick solutions and the containment of cost.

Anyway, back to the film. The decision to concentrate on the comedy element of the storyline is extremely successful. The story moves along at a fast pace, and there are some very nice plot twists. The actors do a great job of making the most of the material. Heartily recommended.

Andrew Garve

Andrew Garve was one of the pen-names used by a left-leaning journalist called Paul Winterton. His early publications included A Student in Russia and Eye-Witness on the Soviet War-front, but he became one of the most reliable purveyors of mysteries and thrillers in the immediate post-war era. A founder member of the CWA, he was also its first secretary, holding the office jointly with Elizabeth Ferrars. He also used the pseudonyms of Roger Bax and, later, Paul Somers. But Garve is the name associated with his most successful work.

This includes the first Garve book I ever read (because his friend, that great judge Julian Symons, rated it highly), The Megstone Plot. This story, with a nice fake-blackmail plan, was filmed as A Touch of Larceny, a movie that crops up on television from time to time, although I have never managed to see it.

In 1997, I was commissioned by Chivers to write an introduction for their reissue of Prisoner’s Friend, a lively if straightforward thriller Garve wrote 35 years earlier, in their excellent Black Dagger series. It was no masterpiece, but still a book that exemplified Garve’s competence as a story-teller.

When I attended the Las Vegas Bouchercon, a few years back, someone on a panel concerning the collecting of crime fiction suggested that Garve would become increasingly collectible in years to come. As far as I can tell from internet book prices, this has yet to happen. But Garve, who died in 2001 but gave up writing long before then, was a capable practitioner and I’ve bought a few more of his paperbacks to check him out in more detail.