Showing posts with label Chris Chibnall. Show all posts
Showing posts with label Chris Chibnall. Show all posts

Monday, 23 February 2015

Broadchurch - series 2 (no spoilers)

Broadchurch was the best TV crime drama of 2013, on that I think there is a widespread consensus. The screenplay by Chris Chibnall did something relatively fresh and certainly impressive with the whodunit concept. As a result, there was a massive commercial imperative to make a second series, and I was one of millions of people looking forward to it. After tonight's final episode, how do I feel about it?

The first thing to say is that expectations often shape our reactions in a very unfortunate way. Many fans of the first series have found the follow-up deeply disappointing. And to an extent, I am among them. What I find more difficult to figure out, at least in terms of my instant reaction now that I know the outcome, is the extent to which this is because I admired the first series so much. The second series was bound to be different - did I give it enough credit on its own terms?

There were undeniably positives to take from the second series (sorry, the temptation to slip into footballer jargon proved irresistible.) The acting was very good, the new murder plot intriguing, and the setting visually compelling. Chris Chibnall worked hard to make sure that something gripping was always happening, or about to happen. And that's why I kept watching. But the screenplay achieved its grip at a price.

The first series was subtly written, but I felt the second went "over the top" too often for comfort. I didn't dislike it (some good judges did) but I felt that plausibility was sacrificed, and as a result I cared much less about the characters this time around. The murder trial plot seemed contrived and the lawyers' behaviour simply incredible. It's right to make allowances for fiction, but I found myself unable to suspend disbelief. Too often the storyline veered deep into soap opera territory. Now, soap operas can make compelling viewing, but I think it's a pity that Broadchurch moved so far in the direction of the wildly melodramatic. I definitely don't regret watching it, but something has changed. When I learned there was going to be a second series, I felt I must make sure that I saw it. There is to be a third series, but even with such a good writer, and fine actors, I no longer feel that it's a must-watch. I just hope series three confounds expectations in a very different way..

Monday, 5 January 2015

Broadchurch - season 2, episode 1, ITV 1 review

Broadchurch is back. The stand-out television crime drama of 2013 returned this evening, the storyline of season 2 a secret that writer Chris Chibnall has maintained as a closely guarded secret. The first question, of course, is whether revisiting such a superb show, is a good idea. How can it live up to the standards already set? I suppose that, in this day and age (and probably in any day and age) the crucial factor was public demand. Just as fans wouldn't let Conan Doyle kill off Holmes, so people clamoured for more of Broadchurch.

Holmes was never, though , quite the same man after he returned from the Reichenbach Falls, and the need to do something fresh but equally gripping supplied Chibnall with a huge challenge. During the first few minutes of this episode, it crossed my mind that anyone who hadn't seen season 1 would probably be feeling dissatisfied. I recall watching seasoon 2 of The Killing and, to be honest, wondering what all the fuss was about. It was okay, but didn't seem to me to be remotely close to a masterpiece.I felt missing season 1 was a definite disadvantage.

Broadchurch, however, benefits from great writing, from exceptional acting, and a compelling locale. You can't go far wrong with David Tennant and Olivia Coleman, but now we have new characters thrown into the mix, most notably Charlotte Rampling, playing a senior barrister who just happens to have retired to Broadchurch. When the presumed killer from season 1 decides to plead not guilty to murder, will Charlotte agree to the parents' request for help? We can guess the answer...

There is also a new plot strand, reaching back to the last disastrous case of Tennant's character. This seems to me to be a clever development, a really good way of refreshing interest. There were moments of improbable melodrama at the end, with an exhumation attended, bizarrely, by almost all the main characters in the story. And the defence barristers' chambers seemed pretty unrealistic to me, too. But I loved the mysterious "bluebell" clue - reminscent of Francis Durbridge! All in all, the story buzzed along, and despite some reservations, I'll certainly be watching episode two.

Sunday, 28 April 2013

Broadchurch: the final episode (no spoilers)

Broadchurch hooked me right from the early minutes of episode one, and as I've been away for a few days, I've only just caught up with the finale, which aired on Monday evening. Luckily, I've managed to avoid reviews of the final episode, so my enjoyment wasn't in any way spoiled. And I did enjoy the final episode, just as much as I've enjoyed all the others.

It's interesting to reflect on why this series has been such a huge success - and it has been so successful that it's scarcely an exaggeration to say that Broadchurch gripped the nation. The acting of David Tennant, Olivia Colman and the other key members of the cast was excellent, and Colman in particular was superb in the final episode. A hugely talented performer. The setting, on Dorset's Jurassic coast, was beautiful and atmospheric, and that certainly helped. But the greatest credit must go to Chris Chibnall, who devised and wrote the series. I would agree with those who have pointed out that there were some aspects of the story which tested one's suspension of disbelief. For me, the lack of forewarning about the culprit's fatal personality flaw was the most questionable part of the story. But never mind the quibbles. This was a superbly entertaining piece of television drama.

Some critics have felt that the marriage of a portrait of a community torn apart by grief and suspicion with a classic whodunit boasting a wide range of suspects whose secrets were gradually uncovered, was an uneasy one. I don't agree. The nature of crime fiction is that, however hard one strives for realism, there is bound to be a gap between the story and what actually happens in the real world. But despite this, it's perfectly reasonable to strive for realism, and Chibnall did a really fine job in capturing the devastating effect of murder on people's lives.

Broadchurch has shown that whodunits have an enduring appeal - provided, of course, that they are well done. We're told that "Broadchurch will return", but Chibnall will need to do remarkably well to top this series. It will be fun to see whether he can manage it. Waiting to find out will be almost as tense as waiting to find out who did kill Danny Latimer.