Announcing 'Howdunit'

Front page news on The Bookseller on Friday was the announcement of a deal to publish an exciting new book written by members of the Detection Club. Howdunit, which I've compiled and edited, is about the art and craft of crime writing and it will be published by HarperCollins in June next year.

The contributors will include almost all the current members of the Detection Club, including Ian Rankin, Val McDermid, Ann Cleeves, Mick Herron, James Runcie, Peter James, Sophie Hannah, Peter Robinson, Felix Francis, Elly Griffiths, Peter Lovesey, Mark Billingham, and Len Deighton, to whom the book is dedicated - given that this year, Len celebrates 50 years as an enthusiastic member of the Club. They will offer a marvellous range of insights into the writing life, including personal reminiscences, practical tips for aspiring writers, and an insight into the realities of being a writer - there are terrific pieces, for instance, about "imposter syndrome" and "improvisation techniques" as well as thoughts on social media, writing for radio, and the experience of having your work adapted for TV and film.

And that's not all. The book will also include shorter pieces by a number of illustrious Detection Club members of the past, from G.K. Chesterton onwards. So readers will have a chance to compare the approaches of luminaries of the Golden Age, for instance, with those of their present day successors. It will, I think, be quite a book. I've been working hard on it for much of this year - since Club members decided at our AGM in February that they wanted to put together a book to raise funds for the Club.

And that's another remarkable and highly gratifying feature of this book - the lovely people who are contributing to it are donating all the proceeds to Club funds, to ensure that as it celebrates its 90th anniversary next year, it continues to thrive for the foreseeable future. I'm enormously grateful to each and every one of them for their wholehearted support, as well as for the wonderful pieces they are contributing.

More about this book before long. But in the meantime, there's still work to be done... 

Anthony, Ambler, and Words in the Square

A quick trip to London for two contrasting events began brilliantly, when I received an email telling me that The Golden Age of Murder has been shortlisted for an Anthony award, at the New Orleans Bouchercon this September. The shortlist includes, as well as Kate White's popular MWA cookbook, and two other highly informative and interesting books, Val McDermid's book on Forensics, which I rushed out to purchase shortly after its original publication.

So The Golden Age of Murder has won two awards and been shortlisted for two others; three of my novels have, over the years, been shortlisted for major awards (one of which, the Theakston's award for best crime novel of the year, for which The Coffin Trail was a contender, was actually won by Val) but I've never had an experience like this. It's a once in a lifetime thing, and to say I'm delighted is a massive under-statement.

On Friday evening, I was one of no fewer than eight speakers at the British Library, talking about Eric Ambler. Three of Ambler's post-war novels have just been reissued in the BL's Classic Thrillers series, and I wrote introductions for each of them. I'm an Ambler fan - my favourite is his masterpiece, The Mask of Dimitrios - and it was a pleasure to chat about his work. I particularly liked Stav Sherez' suggestion that Ambler's work has something in common with that of the noir writers. A thoughtful and persuasive observation, I think.

The next day, I headed for St James's Square (pictured above) for the London Library's celebration of its 175th anniversary, Words in the Square. There was a glittering cast of speakers, so I felt honoured to be included among the invitees. Last year, Golden Age expert and commentator Helen Szamuely took me on a guided tour of the Library, and I thought it a fantastic place, full of atmosphere and history.

The panellists whom I was moderating were James Runcie (son of the Archbishop, literary curator, documentary producer and author of the books on which the highly successful TV series Grantchester is based), Simon Brett, and Kate Summerscale, author of The Suspicions of Mr Whicher, one of the most successful books about real life crime in living memory. Simon told the story of the creation of The Sinking Admiral, which is due to be published next month - something that I hope all crime fans who like a bit of fun with their fiction will anticipate eagerly. With writers of such pedigree, moderating is an easy task, and the hour sped by. The audience seemed to enjoy it, and I certainly did.

2015 - The People

A crime writing friend sent me an email the other day in which she said that 2015 had, for me, been something of an annus mirabilis. Shortly afterwards, a second email from another friend said exactly the same thing. Well, each year has its ups and downs, but they are right; I'll be very lucky indeed if any other twelve month period matches this one for pleasurable experiences. Over the next three days I'll reflect on the people, places and publications that have made this year such a special one for me, and it seems right to start with what always matters most - people.

In 2015, I was doubly honoured. Members of the Detection Club elected me as their President, and I owe them a great debt. Above all, I'm grateful to Simon Brett, the outgoing President, who has given me tremendous support. My number one aim is to make sure that the Club continues to flourish, and I have plenty of ideas about how to achieve that. One great pleasure has been taking part in meetings with those Club members who have been co-writing The Sinking Admiral, due to be published next year. Most of the meetings took place in London hostelries, but Simon also organised an unforgettable Whodunit Dinner at the Groucho Club (above photo) when we figured out the solution to our own mystery.

This year I was also elected Vice Chair of the Crime Writers' Association, during an excellent conference in Lincoln. Among those present at Lincoln was Tim Heald, who unfortunately is in very poor health these days. I asked if he thought he'd be able to make it to the Detection Club dinner later in the year, and he said he doubted it - but with a characteristic grin, added: "But I'll be there in spirit." He certainly was. I've enjoyed working with the excellent CWA committee led by Len Tyler - who happens to be one of the contributors to The Sinking Admiral.

Two lunches stand out in my memory because they were spent in the company of two men I admired as a teenager and have continued to admire ever since. The legendary Len Deighton invited me to Koffman's, and treated me to three hours of fascinating anecdotes about his life and career. Incredibly kind and truly unforgettable. The photo above shows Len in the process of inscribing his first four books to me. Peter Gibbs, playwright, novelist, and former Derbyshire cricketer took me to Vincent's Club in Oxford, and we spent the day together, revisiting  old haunts. I also had the pleasure of meeting for the first time Simon Curtis, director of My Week with Marilyn, who invited me for coffee at the Ivy Club - my first visit there - and a chat about Golden Age books..

I work with several lovely publishers, and two of my editors, David Brawn of Harper Collins, and Rob Davies of the British Library, took part in the Bodies in the Library conference in June. Jake Kerridge interviewed me about the Golden Age, and Simon and I talked about the Detection Club. The event provided a great opportunity to meet several readers of this blog for the very first time, something I really enjoyed. There are many other readers whom I only know through comments and emails, but I hope that in the coming year, I'll have the chance to get to meet more of you in person.

I took part in panels at Crimefest and the Harrogate Festival alongside such luminaries as Andrew Taylor, John Harvey, Peter James, and Peter Swanson, and got to hang out with some delightful folk, including James Runcie, whose Grantchester novels have been such a hit. The photo above is of a memorable dinner with Catherine Aird, who won this year's CWA Diamond Dagger.

Malice Domestic in Washington DC was terrific. I interviewed Ann Cleeves, the international guest of honour, appeared on a Golden Age panel moderated by Doug Greene, and generally had a great time. All being well, I'll be back there in 2016. I also took part in crime festivals closer to home, in Liverpool, Northwich, and Knutsford, as well as those in Carlisle and Torquay, the latter for the Agatha Christie Festival. I appeared on Sunday Brunch, Radio 4's Open Book  and (believe it or not) a Japanese documentary about Agatha Christie, as well as having the pleasure of watching my Harry Devlin books feature on BBC's Mastermind.

Murder Squad continues to thrive, and we got together at Carlisle in the early summer (above photo) before launching our collection of stories, Starlings, which is edited by Ann, in  Wrexham. Mrs Edwards contributed a story to that book and I hope she can be tempted to do more writing next year. The fact that I'm now only a part-time lawyer also gave me the chance to catch up with some mates from university and school days as well as some much newer friends.

I met - at long last - Roberto and Davide, two Italians with whom I've been in touch for many years, at the Burt Bacharach concert at the Royal Festival Hall in summer (photos below), found that the former owners of my son's London flat, Elaine and English Showalter, are not only distinguished academics but charming dinner companions, and over a pint in a London bar I learned a bit about Austrian academe from a professor I'd first met on a trip around Easter Island, It's always easy to put this kind of socialising with civilised companions off to some unspecified date in the future - but it's so much more enjoyable if you don't. None of us know what is round the corner. Might as well make the most of life right now.

Crimefest 2015

I'm just back from Crimefest, which was - as always - brilliantly organised by Adrian, Myles, Donna and their friendly and hard-working team. Twenty-five years have passed since I attended my first crime convention, the London Bouchercon of 1990, and during that time conventions have become an important part of the literary landscape - unquestionably a Good Thing.

Adrian and company kindly agreed that the Forgotten Authors' panel this year should be themed around The Golden Age of Murder,and I had a wonderful group of friends to help me in celebrating the book's UK publication (celebration enhanced over the course of the convention by terrific reviews from The Daily Mail, The Spectator, Bookbag, and Crime Fiction Lover). Dolores Gordon-Smith, Aline Templeton, John Curran and this year's CWA Diamond Dagger winner, Catherine Aird all came up with all manner of insights for the audience, and it was sheer pleasure to moderate the panel (the photo was taken by Karen Meek, whose Eurocrime blog is required reading for fans.)

That evening, I had dinner with Catherine and a few friends - a memorable occasion. She is one of those authors I admired long before I met her, and when we did meet, I found, as I have often done with major authors, that she is great company as well as a fine detective novelist. I continue to hope very much that she will publish her long-awaited biography of Josephine Tey, about whom she spoke rather movingly.

My second panel, moderated by John Harvey (whose "Fedora" is one of the best crime short stories of the past decade), tacked the subject of the short story. Andrew Taylor intrigued me by talking about his ghost story, which is a Kindle single,, and I was delighted to meet Robert Olen Butler, a Pulitzer Prize winning author who read out a very short but striking example of his work. The other panellist was Christine Poulson, one of Britain's most under-rated crime writers, and author of several highly distinctive short stories. Other events of note included Sophie Hannah and Matthew Prichard talking about The Monogram Murders, and Lee Child interviewing the legendary Maj Sjowall.

The banquet was smoothly run, and I was very lucky with all my dining companions, who included Catherine Aird, Sheila Mitchell (widow of Harry Keating) and James Runcie, author of the highly successful Grantchester books, who proved to be a witty toastmaster. I'd never met James before, but soon discovered he was a fellow Manchester City fan; after that, it was a struggle not to keep talking football, but somehow we managed it.

I met some other pleasant people for the first time, and as ever it was good to catch up with old friends. The latter include Ali Karim, pictured above with The Golden Age of Murder. Ali is one of the most entertaining companions one could wish to have, and I am really sorry that I shall not be with him at Bouchercon at Raleigh in October, where he will make a fabulous job of his far from easy task as programming chair. I also had the chance to talk to the publishers of the CWA fiction anthology and non-fiction anthology, as well as to catch up with my own publisher, Susie Dunlop of Allison & Busby, who hosted a drinks party during the week-end. It was lovely to see her again, and I'm so glad she's pleased with the next Lake District Mystery, The Dungeon House. All in all, a terrific week-end which I shall long remember.




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Grantchester - ITV review

It took me twenty-four hours to get the chance to watch ITV's new period (1950s) detective show Grantchester, based on the books by James Runcie, son of a former Archbishop of Canterbury. This was because I've been away on a trip to Oxford and the Cotswolds - and when I watched the show it reminded me, just as the trip did, of the loveliness of many parts of England. I visited Hidcote, a National Trust gem that is home to one of the country's finest gardens (amazing to see such a profusion of colour among the flowers, not just the autumn leaves, at this time of the year), and the market town of Chipping Campden, complete with a wonderful second hand bookshop, as well as the Congregation Hall in Oxford, a slice of history dating back to the fourteenth century and now converted to a vibrant cafe crammed with students.

Grantchester is set around Cambridge, not Oxford, but it blends many of the ingredients to be found in Endeavour and other popular detective shows - Midsomer Murders, Agatha Christie's Marple and Father Brown spring to mind. It's genteel, rather than gritty, and though I'm not keen on the term 'cosy' as applied to crime fiction, it's hard to deny that this was a cosy show with a rural vicar as amateur sleuth, the sort of programme that you expect to find on a Sunday evening. Most of the reviews I've seen have been very positive, and I wonder if that reflects the same sort of interest in traditional detective fiction (perhaps coupled with a nostalgic yearning for the past) that has caused the British Library Crime Classics to become so successful.

It's hard to create a truly baffling TV whodunit that is over and done with in rather less than an hour, once commercial breaks are accounted for, but the story - about the supposed suicide of a rascally solicitor - was competently done. However, I suspect that Grantchester is less likely to succeed because of its story-lines than through the casting of James Norton as the vicar, Sidney Chambers. When last seen on TV, Norton was the convincingly psychopathic Tommy in Happy Valley; this role could scarcely be more different, and Norton's ability to excel in both roles demonstrates what a fine actor he is. The cast also includes Robson Green as Sidney's police inspector pal Geordie. They make an odd couple among sleuths, but I suspect that Grantchester will enjoy a lot of success.

Much as I love traditional detective fiction, I'm also keen on crime stories with a harder edge. Similarly, much as I like the chocolate-box prettiness of the Cotswolds, I also find less well-heeled places like Liverpool entrancing. For me, Happy Valley was a long way ahead of Grantchester as a TV drama because of its much greater originality. But that doesn't mean that I didn't enjoy Grantchester.  On the contrary, much of the enduring appeal of crime fiction is due to the fact that the genre is exceptionally diverse, and both shows are well-crafted, presenting a picture of different facets of English life at different times and in different parts of the country. It's perfectly possible to enjoy both noir and nostalgia..