Showing posts with label Paul Freeman. Show all posts
Showing posts with label Paul Freeman. Show all posts

Monday, 16 December 2013

Lucan - ITV review

Lucan is a two-part ITV programme about one of the most renowned murder cases of the Seventies and I've just caught up with the first part. Nobody has ever been put on trial for the murder of the Lucan family nanny, Sandra Rivett, but Lord Lucan's disappearance meant that he has always been prime suspect. And the makers of this programme made it clear that they considered him guilty. Unjust? Well, Lucan was, by all accounts, a vile man. The great mystery is what happened to him after the killing.

This version of the story is based on a book by John Pearson, and follows his attempts to find out about the closed circle of rich men who were members of Lucan's clique at the Clermont Club, where he gambled away the family fortune. Pearson is played by the always impressive Paul Freeman. Lucan, as played by Rory Kinnear, is not just posh and rich, but vicious and very, very stupid. The other main villain of the story is the weird John Aspinall, played with his customary excellence by Christopher Ecclestone, who exploits Lucan, and eggs him on to dark deeds. He also appears to be an advocate of eugenics.

The rich are different, we are often told. Not in a good way, though, if Lucan is any guide. The murder of Sandra Rivett, a poor woman who was just in the wrong place at the wrong time, was a repellent crime committed by a repellent person. In fact, the main weakness of this well made and well cast programme was that it took ninety minutes to tell a depressingly straightforward story. I shall watch the second part, in the hope of a credible explanation for Lucan's fate. Is he still alive? I can't imagine it. You'd surely have to be much more intelligent than Lucan to evade attention for forty years.

One of the reasons why stories like the Lucan case appeal so widely, of course, is that most people have an instinctive desire to believe that wealth does not equate to happiness. Lucan certainly supports this view, but there is a legitimate question as to whether it is right to dramatise the case when some of the innocent people involved are still alive. It must be painful for Lady Lucan and her children, and the story makes it clear that she and they deserve sympathy. But after forty years, surely it's fair enough to make a programme about the case, provided every attempt is made to stick to the facts.

Sunday, 3 January 2010

Agatha Christie's Poirot - Appointment with Death: review


Appointment with Death is one of my least favourite Poirot novels, but I’ve just caught up with the David Suchet version screened on Christmas Day and it made enjoyable viewing. This was the result of a number of pleasing ingredients, including good background music and excellent photography – the setting of the screenplay is Syria in 1937, and the programme was visually impressive.

The cast, needless to say, was of high quality. I’ve talked before about my admiration for Suchet’s interpretation of Poirot, but among the other performances I enjoyed was that of Paul Freeman as Colonel Carbury. I always associate Freeman with his role in The Long Good Friday, in which his unwise shady dealings lead to disaster for Harold Shand, played by Bob Hoskins. A very different role here, and he played it with gusto. Other notable cast members included Cheryl Campbell, Mark Gatiss, Tim Curry – and Beth Goddard, who is so attractive that the nun she played was instantly noticeable and therefore highly suspicious.

Guy Andrews’ screenplay took plenty of liberties with the original, but got away with it, because the criminal’s motivation in the book is profoundly unsatisfactory. I still remember being disappointed by it when, as a Christie addict, I first devoured the book as a teenager. In the tv version, the motivation is totally different, and there are two culprits working hand in glove rather than one, as well as new characters and (groan!) that now hoary old stand-by, child abuse.

Purists will say that the screenplay was wildly over the top, and this is certainly true of the climactic scene. But on the whole, this is surely forgivable in the case where the original book is very far from being a classic. Appointment with Death was fun to watch.