A Mother's Son

A Mother's Son is a two-part crime drama screened earlier this week, and I've just caught up with it. I saw a newspaper preview which likened it to Hitchcock's film Suspicion (based on, but not as good or as dark as, Before the Fact by Francis Iles) and thought I ought to take a look at it. But interested as I was, I didn't expect such excellence. It really was gripping.

The setting - evocatively photographed - is East Anglia. The attractive but brittle Hermione Norris has recently married Martin Clunes, an affluent solicitor, after divorcing the rather less affluent Paul McGann. The new relationship brings two families together; two groups of children, and two adults still feeling their way as a couple. Then a 13 year old girl who goes to school with their kids goes missing. Soon her body is found in reed beds. But what is even worse for Rosie (Norris) is that she starts to worry that her son Jamie (superbly played by Alexander Arnold) may know something about the girl's death.

Suspicion is a fascinating subject for a crime story. Before the Fact is a masterpiece, even though it has a major flaw as regards the characterisation of drippy potential murder victim Lina Aysgarth. One of the finest crime novels I've ever read, Red Leaves by Thomas H. Cook, deals with the same issue very differently but quite brilliantly. And I had a play with it in my second whodunit featuring Harry Devlin, Suspicious Minds.

In this story, there were various clues and plentiful red herrings, but a plot twist that I anticipated never materialised. The real focus of the story was on the corrosive nature of suspicion (something Cook's book handles superbly) and the complex nature of family life. The dilemma of whether Rosie should tell the police about her suspicion was nicely handled, though I must say I sided with Clunes on this one rather than Norris. A really good television drama, one of the best I've seen in a long while.

Red Leaves and Crippen

I’ve been having a very busy time since returning from Lincoln, and this week has included not only a good deal of work, but also two enjoyable events.

The first was an evening at the shiny new branch of Waterstones in Altrincham. Cath Staincliffe and I talked to a pleasingly large audience about our approach to writing, and specifically about Thomas H. Cook’s excellent novel of psychological suspense, Red Leaves. Cath and I are huge fans of the book, though interestingly, some of the readers’ group members in the audience disliked it, mainly because it was too bleak, although one plot hole was cited by Ayisha of Waterstones.

It was good to meet, for the first time, Paul Beech, who sometimes comments on this blog, Jennifer Palmer, who is organising a Mystery Women event which I shall participate in at Manchester’s Portico Library in July, and Caroline Shiach, the competition winner whose story appeared in the anthology Criminal Tendencies, which I mentioned recently.

The second event was another talk about the life and mishaps of Dr Crippen, this time hosted by Alison Russell and taking place at Runcorn Library. A smaller audience, but many questions and much discussion, so a very satisfactory session. The consensus of those attending was that Ethel Le Neve played a more prominent part in the death of Mrs Crippen than has been acknowledged.…