The Pleasures of Research

Shotsmag, run by Mike Stotter, is a crime and thriller ezine that grew out of a print magazine that was established in the Nineties by a group of fans including Bob Cartwright. The continuing energy, enthusiasm and expertise of Mike and the current team has resulted in a resource that is of tremendous value to crime fans.

Mike has kindly published an piece of mine discussing the pleasures of researching The Frozen Shroud in lovely Ullswater. Shotsmag also includes a great review of the book written by Sue Lord, which naturally I was delighted to see.

On the subject of research, I'm currently turning my attention to the next Lake District Mystery, number seven in the series. Since I finished The Frozen Shroud, I've not been totally idle, mind you. I've been tackling a major non-fiction project which I very much hope will see the light of day at some stage in the future. I've also been working on the CWA's Diamond Jubilee anthology, Deadly Pleasures, which contains some wonderful brand new stories by star names such as Peter Robinson, John Harvey and Ann Cleeves.

But now it's back to fiction. I'm warming up with a short story, a light-hearted piece written in tribute to the late Maxine Clarke which I'll be submitting to a proposed charity anthology in the near future. Then I should be ready to produce a synopsis of the new book. And I'm tempted to research a different part of the Lakes this time. Somewhere where I might construct a sandstone quarry, perhaps....

Disappearing Magazines

We’ve become sadly familiar with the experience of first-rate print magazines vanishing from the shelves, because of declining circulation. The biggest loss in recent years was probably that of Sherlock, a splendid magazine, which under the editorship of David Stuart Davies covered the whole world of crime fiction, not just Sherlockiana. But after several successful years, the owner lost heart. Unfortunately, the trend of disappearance isn’t confined to print publications. A couple of worthwhile ezine projects have faltered in the last year or so.

One was Cobwebby Bottles, produced by fellow author and blogger Rafe McGregor. This had a Sherlockian emphasis, and was really very promising. Now comes the news that Crime Fiction Gazette, the brainchild of rare book specialist and new novelist Paul Moy is also coming to an end after only two issues. A pity.

The snag is that producing print magazines takes a considerable financial investment, and even with ezines, there has to be a significant input of time and effort if the publication is to be sustained. It’s hard work, and I can well understand why those involved give up.

On a happier note, there are still various magazines available which do a terrific job of discussing the genre, and they deserve the support of crime fans everywhere. In the US, I can think of Mystery Scene, Deadly Pleasures, Give Me That Old-Time Detection and The Strand. In the UK, we have CADS, which I think is quite brilliant, and also excellent online resources such as Shots and Crime Time. I like all of them, and admire all the editors who do such a good job with them – but I’m sure there is room for fresh publications too.

George Easter and Deadly Pleasures

I haven’t had much time for reading since my return from holiday, but at least I’ve managed to devour the latest issue of George Easter’s fanzine ‘Deadly Pleasures’. This is issue 58, and I’ve been a reader (and, often, a contributor) to the magazine from the outset, having first got to know George as long ago as the memorable 1992 Bouchercon in Toronto.

‘Deadly Pleasures’ differs from other crime fan magazines that I’ve mentioned here, such as CADS and Give Me That Old-Time Detection, in that the focus is primarily on reviews of modern books. (We're talking here about print magazines; there are also some superb online publications such as Shots and Crime Time). But DP features numerous shortish articles too, invariably including a piece from the admirable Philip Scowcroft: this time, Philip surveys ‘Asia in British Crime Fiction’.

One of the many things I like about George is that he has a very soft spot for British mysteries, and from that first meeting I’ve always found him very generous about my own books. A regular section in DP is ‘News and Reviews from the UK’, and there is also an article on Scottish crime fiction by Jeff Popple. There is extensive treatment of Second World War mysteries, and Laura Wilson is featured on the cover.

Among many interesting bits and pieces this time around is a short article by Carlos R. Zafon and this reminds me that I still haven’t got round to reading The Shadow of the Wind. I bought my copy at the time of original publication after that very good judge Maxim Jakubowski told me it was his favourite book of the past twelve months. But somehow it’s slipped down the pile...

Forgotten Book - Close Up

It seems heretical to suggest that a book by Len Deighton might be 'forgotten' so as to qualify for inclusion in Patti Abbott's series. But I think Close Up does qualify, and given that Deighton has just celebrated his 80th birthday, it seems timely to remember this foray into the movie world. I covered the book as my contribution to an extensive Deighton appreciation for Shots, that excellent online magazine, and I thought I'd include in a blog post a few of my thoughts about it.

Inevitably, Deighton will always be associated with the spy novel. I have long been a fan of books like Bilion Dollar Brain and Horse Under Water. There was one nice little trick connected in a way with the concealment of identity in Billion Dollar Brain which I was cheeky enough to adapt and then utilise in a very different book of my own - I Remember You.The Ipcress File made an especially good film, benefiting from a soundtrack by the brilliant John Barry that includes the spooky main theme, often heard today as background for all kinds of television programmes.

But there is much more to Deighton than Harry Palmer (the name given to his central character when the books were filmed). To my mind, some of other work is equally appealing. I’m definitely not qualified to judge his cookery books, or his travel guides, but I enjoyed Only When I Larf, which is quirky and unusual. Close-Up is even better.

Close-Up was published in 1972, and I read it a couple of years later. I haven't read it from cover to cover since then, but still it sticks in the memory. It’s set in the film world and presents the story of a fading star called Marshall Stone. Deighton spent some time working in the movie business, and he put his experience of the business to good use.

What impressed me most was the way in which Deighton focused on the gap between image and reality. The material offers tremendous scope for Deighton’s sardonic humour. A typical example comes right at the end when the mogul Koolman says: ‘Close-Up. I’d never buy a title like that. It’ll mean nothing on a marquee in Omaha.’

I met Len Deighton once, about fifteen years ago, when he was over in Britain (he spends most of his time in the States.) He struck me as modest and unassuming. It was one of those conversations that lasts only a few minutes, and which one wishes had gone on much longer. Had it done so, I would have mentioned how much I enjoyed not only his celebrated novels, but also Close Up.

16 Things

I’ve never really got to grips with memes and tags, but Ali Karim has asked me (along with various others, including Mike Stotter of Shots Magazine), to highlight 16 little-known facts about myself. I would normally be desperate to come up with some excuse to avoid doing this, but Ali is such a great guy - and I do already owe him a pint or three - that I’m glad to oblige. But then, the awful challenge is to come up with 16 morsels of info that do not immediately characterise me as Britan’s Boringest Blogger. How interesting these bits and pieces are, I’m dubious, but here goes.

1. I was born in Knutsford, the Cheshire town which was the basis for Elizabeth Gaskell’s Cranford, and to this day the law firm I’m a partner in has an office in the town.

2. The first time I wrote about crime fiction, I was seven years old. I recorded in my school book that I’d enjoyed an episode of ’77 Sunset Strip’ called ‘The Chrome Coffin.’ The teacher needed to correct my spelling of ‘chrome’, though.

3. A Team for all Seasons is the title of the book written by my father about the local football club of which he was a passionate supporter and ultimately President. It took him ten years to write and was published shortly before his death. It ran to over 400 pages. Quite an achievement for someone who left school at 14 and had little formal education. He consulted me regularly about his writing, but routinely disregarded my advice – and the book was all the better for it.


4. After I left school, I had what is now known as a ‘gap year’. I spent three months unemployed (it was the era of the miners’ strike, daily power cuts and the three day working week) and then six months working in a factory that made yogurt. Surely this was the least exciting gap year ever. But it certainly made me appreciate university.


5. Balliol, the Oxford college where I studied law, was also the college of those great fictional detectives Lord Peter Wimsey and John Dickson Carr’s Dr Gideon Fell.

6. I saw the Beatles in person when I was about eight years old and many years later carried out legal work for the Cavern Club in Liverpool, where they were discovered.

7. My first book was published in 1983 and rejoiced in the title of Understanding Computer Contracts. Racy, huh?

8. Three years after that, I published a book called Managing Redundancies. Unfortunately, it has again become a very topical subject. In recent years, my book on equal opportunities has reached its fourth edition.

9. Magazines I’ve written for include such action-packed titles as Car Mechanics (though I barely know how to open my car's bonnet), Practical Woodworker (there is nobody less practical than me), and Good Housekeeping (I'm deplorably untidy). I was legal correspondent for those legendary publications Social Services Insight and The Expatiate at different times, and spent 18 months writing leader articles for The Solicitors Journal - an excellent opportunity to pontificate on anything that appealed to me (a bit like blogging!)

10. My first fiction success was with a short story that won the Southport Writers’ annual competition, judged by the fiction editor of Bella, a women’s magazine which duly published it. It later appeared in Ellery Queen’s Mystery Magazine. After that, there was no stopping me….

11. My methods of coping with stress are listening to music and, less obviously, shopping (but not in a supermarket.)

12. I once gave a lecture to a group of international lawyers in the unlikely setting of the Salzburg castle where much of ‘The Sound of Music’ was filmed.

13. My favourite sport is cricket, but currently my clients at work include Liverpool Football Club and the Football Association.

14. Although I tend to take the Edith Piaf line on regrets, I do regret never learning to play the piano. But when I was a student, a song I’d co-written was recorded on an album by an Italian musician and I was featured in the pop column of ‘The Oxford Mail’. (Someone currently selling the album on eBay describes it as ‘unusual’….) One of my neighbours now is Ian Brown, a rock musician formerly of the Stone Roses, but I have not been brave enough to tell Ian about my past life as a songwriter.

15. The first pop music concert I attended was by Dionne Warwick, in 1976, and the most recent was by…Dionne Warwick, last year.

16. A phrase that crops up several times in my novels is: ‘Life is short’. Something I strongly believe.