Malice Domestic

I'm back home from Malice Domestic 30. Malice is an excellent convention that I've recommended before and will definitely be recommending many times in the future; it's for all those who enjoy the traditional mystery. It's also very slickly organised by an experienced Board whose hard-working members are committed to making sure that everyone has a great time. This year, the convention moved to a new hotel, still in Bethesda, Maryland, and conveniently close to a Metro station, so that I was able to fit in some sight-seeing in Washington DC before the festivities began.

Those sights included the lovely garden at Dumbarton Oaks, where the spring blossom was gorgeous and memorable, and the famous steps which feature in the film of The Exorcist. Naturally, I fitted in second hand bookshop or two, though for once I resisted the temptation to purchase, knowing that many good books would await me at Malice. Washington DC is a marvellous tourist spot, and the Georgetown area is among its attractive destinations. For dinner,  a historic restaurant with the irresistible name of Martin's Tavern proved a brilliant recommendation, not just because the food was good but because it's a place brimming with atmosphere and history; among other things, it's where JFK proposed to Jackie. And when the sun shone, I even found myself reading a book for an hour in the improbable setting of the middle of a busy roundabout, at the rather appealing Dupont Circle.

This year's recipient of the Poirot Award was Brenda Blethyn, twice-nominated for Academy  Awards, and now renowned as DCI Vera Stanhope. As last year's recipient, I was asked to host a discussion with Brenda and Vera's creator, Ann Cleeves. There could have been no easier or more pleasurable task, and the vast ballroom was packed. My thanks to Elisa Varey for the photos. The following day I was on an Agatha nominees panel with Cindy Callaghan and Mattias Bostrum, and then on Sunday Kristopher Zygorski moderated a panel about the darker side of traditional fiction with his customary verve.

As always at these events, there was a chance to catch up with old and valued friends, such as Doug Greene, Josh Pachter, Shelly Dickson Carr, Les and Leslie Blatt, Shawn Reilly Simmons, Catriona (who is in the photo with me below), Cathy Ace, Michael Dirda, Janet Hutchings, and many more, as well as to make new ones - Mattias, Patricia Gouthro (who interviewed me for a research project), and Gabriel Valjean among others.

These contacts are a hugely enjoyable part of a convention, even if at times the whirl of activity can become a bit overwhelming. I have to admit that I was running out of energy before the time came to brave the long double flight back to Manchester, and I've arrived home rather wearily. But I need to spring back into action soon - my next flights and next festival are next week...

The CWA Dagger Awards 2017

The CWA Dagger Awards Gala Dinner is one of the major occasions, perhaps the major occasion, in the crime writing world, in Britain at least. I've attended quite a number of Dagger award ceremonies (for a while they were lunches rather than dinners) over the past twenty years, but last Thursday's Gala Dinner at the Grange City Hotel in London was a very different experience, because in my capacity of Chair of the CWA, I was hosting the event. To say that this took me way outside my comfort zone would be an under-statement, but as things turned out, it was a marvellous evening, and Hayley and the organising team deserve huge credit for making sure that everything went so well. Thanks also to Gary Stratmann, our photographer for the evening.

Huge credit also goes to our Master of Ceremonies, the inimitable Barry Forshaw, whom I presented with a CWA Red Herring award. Barry, the consummate professional,  made sure that the ceremony went with a swing. And our guest speaker was absolutely excellent. He was Robert Thorogood, creator and writer of Death in Paradise, who proved to be both witty and charming. We had a very enjoyable chat about Golden Age fiction, of which (as those who have watched the show can guess) he is a huge fan. Robert had a tough act to follow, because last year James Runcie was a splendid guest speaker, but we were lucky to have someone equally impressive this time around.

I've attended quite a lot of awards ceremonies over the years, in the legal world as well as in the writing world, and the one thing I've learned is that, if you aren't careful, they can drag on, and the audience becomes bored. I vividly remember legal dinners where sweepstakes were run to guess the length of the seemingly interminable speeches. We were determined to make sure this didn't happen on Thursday.. Whilst it's obviously essential not to rush through awards in such a way that they make no real impression, the pace of the evening's events was an important element in creating the feelgood factor that prevailed from start to finish. An added bonus for me was that a story from a book I'd edited, Motives for Murder, won the CWA Short Story Dagger., though I hasten to emphasise that the judging process is completely independent!

It was a glittering occasion, and the audience of 250 people included such stars as Peter Capaldi and Brenda Blethyn. I talked briefly about the progress the CWA has made this year, and had the great pleasure of presenting Ann Cleeves with the CWA Diamond Dagger. All in all, a memorable occasion, a career highlight, and one that (now it's over!) I shall look back on with enormous and lasting pleasure. 

Harrogate Reflections

I arrived home yesterday afternoon from Harrogate after four fun-filled days at the Theakston's Old Peculier Crime Writing Festival. So fun-filled, in fact, that I fear Friday's Forgotten Book was indeed forgotten! Never mind, it will return this week...

This year I spent more time than usual on writing business, as Harrogate offers a great opportunity to meet up with one's agent and publishers, and so on. But there was still a chance to catch up with friends such as Ann Cleeves and Ali Karim (who took the photo of me with Ann). I also met a good many readers - not least several from the Lake District and my home turf in Cheshire.

I've been on panels at Harrogate in the past, but this year for the first time I was asked to chair a panel - Double Indemnity: the theme was not the James M. Cain novel of that name, but rather lawyers who have become crime writers. Denise Mina (never actually a lawyer, but she did attend Glasgow Law School), Alafair Burke, Steve Cavanagh and Matthew Hall proved to be excellent panellists, and the discussion flowed nicely.

In the signing tent after the panel, I was pleased to meet not only a London crime editor who hails from my home village of Lymm but also a mutual friend of a great pal of mine from long ago student days. A little later I met up with the delightful Roz Dudley, whom I first met when she was performing in one of Joy Swift's brilliant murder mystery weekends (playing the part of a psychopathic serial killer, I should add). And it was good to have a chat with Vera herself, Brenda Blethyn. These unexpected encounters really are part of the pleasure of conventions.

I was invited to several publishers' parties, and these provide an opportunity to catch up with people in the writing business whom one might see only once in a blue moon if one is not London-based. As the wine flowed, there were plenty of fascinating conversations. The northern chapter of the CWA also had an informal get together with CWA colleagues from other parts of the country,  and pleasingly the turn-out exceeded our most optimistic expectations.

One of the parties was hosted by Harper Collins, and they'd organised an exhibition of correspondence between Agatha  Christie and Billy Collins that I found both interesting and informative. Of my various enjoyable get togethers, one was with a rare book dealer who told me about a notable discovery of his which I hope to talk about more in a future blog post.

All in all, a great weekend. The weather wasn't as kind as usual, with a mini-monsoon on Saturday. But even so, the clouds had a silver lining. Following encouragement from an American editor, I had a bit of time to myself to think out a new short story, featuring a new detective character who might just investigate further cases in due course. I even wrote the first few lines last night..



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Harrogate - and a question

Other commitments have meant that I'm reporting on the Theakstons Old Peculier Crime Writing Festival at Harrogate ten days after it came to an end. But it was a really enjoyable week-end, and it's prompted me to ask readers of this blog a question.

The programming chair for the Festival was Ann Cleeves, and she is such an efficient person that it was predictable that the whole week-end would be very well organised. And it was. Ann would be the first to give much credit to the very professional team that handles all the arrangements. It all seemed to me to run like clockwork. As usual, there was much socialising in the bar and elsewhere, and I took the opportunity to have a number of meetings, not least with my agent, with whom I was discussing my future writing plans. The good news is that he is happy with them!

I enjoyed the hospitality of Harper Collins at a dinner on the Friday evening, and met a number of fascinating people, including a new author, Ben McPherson; I sense that his debut novel will be well worth looking out for. Later on, Ann introduced me to Brenda Blethyn, the extremely pleasant star of Vera, and I finished up having a long chat with an old friend, that very fine writer Peter Robinson. The following night, I hosted a table at the Sicilian-themed murder mystery dinner masterminded by Kate Ellis. Great fun.

On Sunday, I took part in a panel celebrating the life and work of Patricia Highsmith. The moderator was Andrew Taylor and my colleagues were Peter James, Perer Swanson, and Sarah Hilary. Sarah had just won the Theakstons Prize for best crime novel of the year, and this gave me special pleasure as some years ago I included an early short story of hers in one of my anthologies for the CWA. She is a real star.

One questioner in the audience raised the issue of the relative significance of the author's life and the author's work. And this is my question to you - how interested, if at all, are you in the biography of a writer? Do you think it's relevant to their books?

My own views on this have shifted over the years. I used to think that the books were overwhelmingly more important than the life. Now, I take much more interest in the biographical material. In fact, I now think that you can't fully appreciate Highsmith (who, admittedly, had an extraordinary life) without knowing something of her life. But I'm sure that plenty of readers would take a different view. So - do let me know your opinion, and why you hold it.. 

Harbour Street by Ann Cleeves - review

Harbour Street is the latest book written by Ann Cleeves and featuring DI Vera Stanhope. It's just been published, and one of my Christmas treats was to be given the opportunity to read a review copy. I've been a fan of Vera since her first appearance in The Crow Trap. In fact, I'd like to think that I was ahead of the crowd in recognising her tremendous potential as a character. Suffice to say that, since her debut, she's developed into one of the most interesting detectives in modern British crime fiction, and her appeal has been enhanced by the successful television series with Vera played by that fine actor Brenda Blethyn. I gather that a television adaptation of this book will reach our screens before too long.

The story is set in the run-up to Christmas, and gains from the seasonal backdrop. Newcastle is busy and Vera's sidekick, Joe Ashworth, and his daughter Jessie take a trip on the Metro after a choral performance in the Cathedral. Jessie screams when she discovers the body of an elderly woman, who proves to be Margaret Krukowski. Train-related crime stories have been popular for rather more than a century. But this is a very different kind of mystery from the cases of the railway detectives created by such diverse writers as Victor L. Whitechurch, Andrew Martin and Edward Marston, and certainly from Murder on the Orient Express.

Margaret seems to have been a thoroughly decent woman, although it appears that there is some mystery about her past, and also about her long-ago marriage. Why would anyone want to kill such a pleasant person? This is the sort of question that appeals to me as a writer, as well as a reader. I did not, however, correctly identify the culprit. Although this is a very different book from The Glass Room, which offered a sort of homage to the Golden Age (and which Ann turned into an excellent murder mystery event that I've seen a couple of times), there are a number of ingredients that will please fans of traditional detective fiction, including questions posed by the dead woman's will, and a puzzle hidden in the past

Ann Cleeves is a friend of mine,and it is only natural for me to enjoy her books. But I am confident that her many fans will like this one. It's a neatly crafted piece of work, and a reminder that the great success that Ann has enjoyed in recent years, both with these books and the Shetland novels starring another likeable cop, Jimmy Perez, is well deserved.

Vera and Lewis

Vera, starring Brenda Blethyn as Vera Stanhope, had a good second outing with Telling Tales, based on a first rate novel by Ann Cleeves.The screenplay was by Paul Rutman.

This was a story where a good deal of focus was on the characters of Vera and, to some extent, her relationships with her sidekick and members of her team. It's interesting to compare and contrast this enjoyable new series with an old favourite. I gather, to my amazement, that we have now had no fewer than five series of Lewis, of course following countless episodes of Inspector Morse. And the latest series ended with a highly enjoyable episdoe, The Gift of Promise.

The story was about the murder of a woman who runs a scheme to promote the cause of gifted children, and as ever the body count quickly mounted. But what I liked most was the way the story was set up. Usually in Lewis, there is a crime right at the start, but this time a whole range of seemingly unconnected and sometimes rather odd incidents occurred. All very tantalising, and it reminded me of the early days of Taggart, when Glenn Chandler came up with some wonderfully convoluted story-lines. Here, the mysterious threads were gradually woven together - an excellent example of screenwriting and possibly my favourite Lewis so far.

Silent Voices - review

To coincide with the screening of Vera on ITV, I’ve been reading Ann Cleeves’ new book about DI Vera Stanhope, Silent Voices, which is the fifth in the series to date. It gets off to a great start with Vera discovering a body in a health club, and there are many twists and turns before an intriguing solution (which I must admit I didn’t figure out) is revealed.

Ann worked as a probation officer back in the 80s, and her knowledge of social work plays an important part in the story-line, and adds a good deal of strength to the material. The North East setting is, as usual, very well done.

I also thought that the portrayal of Vera and her sidekick Joe Ashworth was very well done. It may be that seeing Brenda Blethyn play Vera has given Ann even more ideas for the character, who really is very well-rounded in more senses than one!

It’s thought-provoking that at one time, amazingly, Macmillan didn’t publish Ann in paperback, and that she once wrote a book, Sea Fever, which took years to achieve publication in the UK. She has come a very long way since then, and this enjoyable book shows her on very good form.

Vera: Hidden Depths - review

Vera, starring Brenda Blethyn as DI Vera Stanhope, kicked off this evening with an adaptation of Hidden Depths. It was an interesting choice of story, because the first Vera book Ann Cleeves wrote was The Crow Trap. However, my own feeling when it came out originally was that Hidden Depths was a very strong novel, with an especially gripping opening, and this may partly explain the choice. In any event, if you haven't read them yet, the books can be read out of sequence without any difficulty or major spoilers at all.

Brenda Blethyn makes a very likeable, if at times surprisingly emotional, Vera, and the cast included Murray Head - whom I think of more as a singer, but who was excellent in his role as a catalyst for crime - and Juliet Aubrey, who played his glamorous wife. The North East locations were terrific, as good in their way as the Oxford settings in Inspector Morse. The finale was a touch melodramatic, but that is the way with television dramas, and its setting, in a spooky ruined castle, was very atmospheric.

Having followed Ann's career for so long, it was a great pleasure for me to see her work on the telly at last, so I don't suppose I am the most objective judge, but suffice to say that I thought this was a really enjoyable programme.

The timing of the show is, I think, marvellous, in that we've had a bank holiday week-end, and there is a feelgood factor around in many quarters after the Royal Wedding. I've read that the BBC have ditched Zen because there are 'too many male TV detectives'. Silly reasoning, in my opinion, but at least Vera is an original and refreshing character, as well as (much less important, I think) a woman.

One final point. I've encouraged Ann to contribute some copies of the scripts and materials to the CWA archives. At some date in the future, I hope we will have a fascinating record of the genesis of what I confidently expect to be a long running and very successful series.

Vera, starring Brenda Blethyn

Vera, the new TV crime series starring Brenda Blethyn, which is based on a splendid series of books by Ann Cleeves, is coming to our screens in the UK very soon. The first episode will be shown on ITV at 8 pm on Sunday, 1 May. There are to be three more episodes in succeeding weeks, and assuming the ratings are good (and I'm sure they will be great, given the strength of the cast and the storylines), another series will follow at a later date.

I'm enormously pleased about this, because I have been enjoying Ann's books since her writing (and my book reviewing) began in the late 1980s. We met through the Crime Writers' Association a few years later, and have been friends ever since. She has written many very enjoyable books, but her career really took off after she won the CWA Gold Dagger for Raven Black.

Vera Stanhope first appeared in The Crow Trap, a novel which I read and reviewed at the time of its original publication. I felt at the time that she was a wonderful character who deserved a series of her own, and although I think I'm right in saying that Ann did not originally intend Vera to be a long-running series character, I'm sure the TV series will prove that, for once at any rate, I was ahead of the game!

Looking Ahead

Life at the moment seems rather hectic and demanding, but there are a number of things that I'm looking forward to in the coming months. A real highlight in May is bound to be Crimefest in Bristol, which is always a fun event. Amongst other things, I'm hoping to get the chance to say hello to quite a number of fellow bloggers and readers of this blog.

I will be moderating a couple of panels, including a session on "forgotten authors", which has proved very popular in the past two years. I'm glad to say that two of my fellow panellists, Peter Guttridge and Adrian Magson, both have books coming out shortly, published by Severn House, whose crime list is expanding at the moment in a very impressive way.

Peter's book, The Last King of Brighton, is set in that fascinating resort which has been the setting for some marvellous works of crime fiction. Adrian's novel, Tracers, is his second thriller to feature former MI5 officer Harry Tate. Two more novels but I'm really keen to find time – somehow! – to read before long.

I'm also very much looking forward to the television series based on the books that Ann Cleeves writes featuring Vera Stanhope. I was sorry to miss out on a launch of Ann's latest mystery, which was attended by Brenda Blethyn, who will star as Vera Stanhope on the small screen. But thanks to Mike Stotter, I have permission to reproduce this photo of Brenda with Ann at the launch, a reminder of a show that a great many people are eagerly anticipating – including me.

Little Voice

Little Voice, the 1998 movie, is not a crime film – although it features several actors very familiar in roles from crime films or TV series – but has a screenplay which illustrates the interplay between story-line and characterisation. It is based on a play written by Jim Cartwright, and I thought it a well-crafted piece of work.

Cartwright’s approach is to create vivid and memorable characters. Jane Horrocks is Little Voice, the almost mute young woman who is devoted to her late father, a fan of light music, and possesses a dazzling gift for mimicking singers such as Shirley Bassey, Marlene Dietrich and Marilyn Monroe. Her mother, played by Brenda Blethyn, is loud and tarty, and she is ‘discovered’ by a small time showbiz agent, played by Michael Caine. The cast also includes Ewan Macgregor, Alex Norton (Burke, from Taggart) and Philip Jackson (Japp, from Poirot.)

Blethyn and Caine give wildly over-the-top performances, but for the very good reason that these are called for by the way in which the screenplay is written. Cartwright’s story is straightforward, and would not work if his characters were subdued. In this respect, the demands of the story reminded me of the demands of an action thriller – with a straightforward plot, there isn’t much room for subtlety of interpretation, but the effect can be very satisfying if the performances are strong.

And the performances in Little Voice are strong. Above all, Jane Horrocks is excellent, and her singing quite superb. Apparently Cartwright wrote the original play especially for her, and I can see why. The setting, incidentally, is in Scarborough, a resort I know very well indeed. My parents first met there, and made many return trips on holiday, taking me with them year after year. I’ve not been to Scarborough for some years, but seeing the town again in Little Voice was a trip down memory lane.

Vera

Now, at last, the story can be told. I am delighted to share the news that the Vera Stanhope novels written by my good friend Ann Cleeves are to hit the television screens. Last weekend, I took Ann and Cilla Masters (also pictured, outside Christ Church College) on a walking tour around Oxford and Ann mentioned that the news was about to break, while swearing us to secrecy. But now the embargo has been lifted, and it’s really very exciting.

The equally good news is that Vera will be played by that splendid actor, the Oscar-nominated Brenda Blethyn.OBE, whose glittering CV includes films such as Pride and Prejudice. I first came across her in a very enjoyable comedy series called ‘Outside Edge’, which featured my favourite sport of cricket, and drew her to my attention as a performer of real talent. It’s no surprise to me that she’s gone on to enjoy such success, and I’m sure she’ll be good as Vera.

Vera first appeared in The Crow Trap, which was Ann’s first stand-alone and quite a departure from her previous work. Ann acknowledges today that the book was perhaps over-long, but when I read it, I was immediately impressed with the character of Vera, who is that rarest of creatures, a genuinely distinctive detective.

The first ‘Vera’ will be based on Ann’s novel Hidden Depths. Filming begins in October and I can’t wait to see the finished version. Ann is a fine writer who wrote splendid novels for many years before receiving the scale of acclaim that she deserves, and it’s great to see her achievements in the genre rewarded.