Showing posts with label Carol Carnac. Show all posts
Showing posts with label Carol Carnac. Show all posts

Friday, 2 December 2022

Forgotten Book - When the Devil Was Sick


Until a few years ago, as a reader I focused on the books that Carol Rivett wrote under her most prominent pen-name, E.C.R. Lorac, rather than those which appeared under the name Carol Carnac. One of the reasons was that the Carnac books tend to be very elusive. However, I was lucky enough to acquire an inscribed dedication copy of Crossed Skis and, although I'm not interested in ski-ing, I enjoyed the novel.

Some time later, I was delighted when the British Library agreed to publish Crossed Skis as a Crime Classic and positive reader reaction duly followed. Of course, this author was highly prolific under both names and not all the books can appear as Crime Classics, but excellent sales figures mean that it's likely that Lorac/Carnac titles will continue to be reprinted. Meanwhile, I've been reading a shelf-full of them.

Among them is an obscure Carnac mystery - the fifth to appear under that name - with the odd title When the Devil Was Sick. (The title comes, it seems, from an old phrase that I must admit I hadn't encountered before). It's a country house mystery, but with quite a bit of the atmospheric description of rural settings that was a hallmark of this writer. The detection is done by Inspector Charles Ryvett (a surname obviously based on Carol's own real name, suggesting that she had quite a high level of identification with this particular character).

Strange events on Lammas Night culminate in the murder of a mysterious man dressed up as monk. Is he a member of the family in whose mansion he is discovered? The butler is among those who knows more than he is willing to reveal to Ryvett. A very unusual feature of this novel, especially for one written in the Golden Age by a woman, is that amateur boxing plays a part in the storyline. Ryvett is an appealing character and this interesting story is one of a number of Carnac titles which I think deserve a new life in the twenty-first century.

Friday, 29 July 2022

Forgotten Book - Impact of Evidence


Impact of Evidence is a novel by Carol Carnac (better known as E.C.R. Lorac) which was published in 1954, towards the end of her life. Beyond doubt, it can safely be described as a forgotten book. I've never read a review of the novel and at the time of writing, only one copy is for sale anywhere in the world - for the less than modest cost of £650 for an American first edition (pictured). One wonders what price a UK first in a jacket would command. As far as I know, there was never a paperback edition.

Does the novel deserve such obscurity? My answer is an emphatic 'no'. This is a novel typical of the Lorac stories that she wrote from the 1940s onwards, after moving to live in Lunesdale. But it's not set in Lunesdale. The action takes place on the English-Welsh border (towards the southern end of that border; towns such as Hereford are mentioned in passing). Yet in many ways, the setting is strongly reminiscent of Lunesdale. I suspect the main reason that it wasn't set there was that the author was trying to differentiate her two series (which did have a great deal in common).

Lorac was a keen driver, as readers of Two-Way Murder will appreciate. This Carnac title again reflects her interest in motor cars and centres around an accident in the snow that involves two vehicles, one of them driven by elderly, infirm Dr Robinson, who dies in the crash. But when people look inside his car, a second body is discovered. The deceased is not a local, and he died before the accident. What on earth has been going on?

This is a pretty good premise for a traditional detective story and Inspector Julian Rivers of Scotland Yard turns up to conduct the investigation. We learn that he spent some of his early days on a farm in Norfolk and it's clear that, like Inspector Macdonald in the Lorac books, his burgeoning interest in the countryside and the challenges of farming life reflects his creator's enthusiasms. As so often with these books, the evocation of rural Britain is the strongest point, but I'd add that the plot is very soundly constructed. If you're a fan of traditional mysteries, this is a most enjoyable read.

Thursday, 9 April 2020

Forgotten Book - Crossed Skis


Crossed Skis by Carol Carnac, Martin Edwards | Waterstones

I've discussed my interest in the detective novels of E.C.R. Lorac often enough on this blog, but I've not had much to say about the work of her alter ego, Carol Carnac, which features a Scotland Yard cop called Julian Rivers. This is simply because I've not read many Carnacs. However, a while ago I was offered the chance to acquire an inscribed copy of the Carnac novel Crossed Skis, and I jumped at it.

The book was published in 1952, and is dedicated to Lorac's fifteen fellow members of a ski-ing party that travelled from England to Lech in Austria: "with thanks for their help and advice and happy memories of their charming company". My copy was inscribed to a member of the party, and I wonder what he made of it. I'm pretty sure he'd have been fascinated, since the story is all about - guess what? - a party of sixteen English people who go ski-ing to Lech...

This is an interesting and fairly unusual detective story, and I'm delighted that the British Library has decided to publish it in the Crime Classics series. There are two narrative strands. The ski-ing party set off for the continent, with some of its members unknown to each other. I did worry that Lorac had made a mistake by introducing too many characters, and personally I think a party of four men and four women would have been viable in this story, but I can see why she thought her plot called for more people.

The second strand of the story begins with a fire in a London house. Is it an insurance scam, is it an accident, or is something more sinister happening? Rivers takes charge of the investigation, and soon finds himself on the trail of a ruthless killer. As the two strands come together, the tension mounts. This is an enjoyable book, even for someone like me, who would rather do almost anything than ski!


Monday, 23 September 2019

Researching Lunesdale and the Lake District


Friday was a beautiful day, and the weather was ideal for a trip with two research objectives in mind. First, I aimed to gather more material for a forthcoming introduction to a novel in the British Library Crime Classics series by Carol Rivett, better known as E.C.R. Lorac (although the book in question will be one of those she wrote under another name, Carol Carnac). I was lucky enough to talk to someone who actually knew Carol Rivett in the years up to the author's death in 1958. It was a fascinating conversation. What's more, I've acquired an original manuscript by the author for the Detection Club's archives, held at Gladstone's Library. Developing the archives is a very long-term project, but one which I believe is hugely worthwhile. It's so easy for writers and their work, even fine writers and great books, to disappear from the public consciousness. The aim of the archives is to preserve a wide range of items of crime fiction heritage, and to make them accessible to members of the public.


My kind and generous hosts also made me a present of two works of art from their Rivett inheritance, as well as showing me a number of fascinating items in their possession. Carol was a gifted artist, and above is an example of a Christmas card, depicting an interior scene from her home in Aughton, which she designed and sent in 1956.


We met in the small village of Gressingham in picturesque Lunesdale, close to Aughton, where Carol Rivett lived for the last fifteen or sixteen years of her life. The next leg of my journey took me to Ulverston. I've been researching the next Lake District Mystery for some time, and I wanted to absorb myself again in some of the countryside (just outside the national park in this case) which provides part of the background for the book.


Earlier this year, while taking part in a talk at Ulverston Library, I met a fellow crime writer, Zosia Wand, who lives in the town. Zosia is the author of Trust Me and The Accusation, and is also a successful writer for radio, coach of writers, and playwright. She's lived in Ulverston for some years, and kindly took me on a tour which encompassed both the Hoad Monument (a lighthouse-like tower on top of a hill) and Conishead Priory (above photo), now a charming Buddhist retreat, with woodland walks to the shore. The views of Morecambe Bay were absolutely magnificent.


I was so inspired by these sights that instead of setting off home straight away, I made the most of the sunshine by driving further along the coast, as far as Roa Island on the tip of the Furness peninsula, with views of Piel Island, which I visited four years ago - yes, I've been thinking about this new novel for four years! And whilst roaming, I came upon the ideal setting for the opening scenes. All in all, truly rewarding trip.



Wednesday, 9 September 2009

E.C.R. Lorac


E.C.R. Lorac is a writer forgotten today by the general reading public, but enthused over by some fans of Golden Age detection, and avidly collected by a number of people. Her real name was Carol Rivett, and she also wrote as Carol Carnac. The quest for copies of her early books has meant that prices on the second hand market can be very high.

My parents were both keen on Lorac, and one story in particular, in which the curious features of Morecambe Bay played a vital part in the plot, was a favourite of theirs. I refer to it in one of the key scenes in The Serpent Pool, when Marc Amos is deliberating about his life with Hannah Scarlett.

I mentioned James M. Pickard’s catalogue of rare books the other day, and he features several highly obscure Lorac items. These include two unpublished novels. One is called Two-Way Murder, and was written under the name of Mary Le Bourne. The other, an unfinished novel, and possibly the one she was writing at the time she died, doesn’t have a title.

These are truly fascinating items which have a place in crime fiction history. The only snag is that their unique nature makes them very pricey, at £5,000 and £3,500 respectively. But I hope that whoever buys them could be persuaded to make the content of the stories more widely available to Lorac fans.