Forgotten Books - Forgotten No More?

Over the years that I've been writing this blog, many pleasurable things have happened as a result of my posts. The response to my snippets about "forgotten books" has been especially heartening. I've been a fan of Golden Age books - as well as contemporary mysteries, of course - for many years. Before the internet came along, however, I knew relatively few people who shared this fascination to anything like the same extent. Christie, Sayers, Allingham, Tey, and Marsh were consistently popular,but that was about it, in my experence. How things have changed. Now I am in touch with people all around the world who enjoy Golden Age fiction,and I've learned a great deal from them.

There's remarkable enthusiasm for the Golden Age in Britain right now. I know several people whose collections of rare titles make mine seem inconsequential by comparison, and in the past few years I've met scores of men and women whose delight in 'forgotten books' matches my own. Significantly, the 'Forgotten Authors' panel at Crimefest is so popular that it has become a very well attended annual event. Preparations for next year's session are already underway. There is a genuine appetite among readers across the UK, as well as further afield, for older books, including some that until recently were very obscure indeed. A number of publishers - Ostara and James Prichard's Langtail Press are admirable examples that spring to mind - have brought old books back into print at affordable prices. And the British Library has lately been doing absolutely sterling work in this field, with their Crime Classics series.

It's only eight months since I blogged about J. Jefferson Farjeon's Mystery in White, and since then, the BL has not only decided to publish it, but invited me to write an intro for the new edition. Now I've been told (and kindly permitted to share the news) that early sales have been so high that publication has been brought forward to this week. By the time you read this post, about five thousand copies of the book will have been sold in no time. I wonder if the original book sold as many in all the years it was available. (The answer may be yes, as Farjeon was a popular writer in his day, but many perfectly good contemporary novels fail to sell this many copies, let alone with such speed..)

Two highly successful titles in the series have been the first two crime novels written by John Bude. As a result, I was delighted to hear from the author's daughter, who has given me fresh information about her father, and about his involvement with the Crime Writers' Association in its early days. This will all help to bolster the material we have in the CWA archives - and the archives are a topic that I'll write about at greater length in the future. In a month's time copies of Bude's third book, The Sussex Downs Murder, will be available from Waterstones, who, I understand, have exclusive rights to sell it until mid-January. The fact that such a major bookshop is excited about a reissue of a book by John Bude is really pleasing. It wouldn't have happened ten, or even five years ago, I'm sure. Naturally, I was delighted when I was asked to write an intro to that book too.

And there's one more book from the BL that Golden Age fans can start looking forward to right now, again exclusively from Waterstones at first. This is Murder in Piccadily by Charles Kingston. I hadn't heard of either author or book until fairly recently, but plunged into research mode once the BL mooted its publication as a possibility and duly wrote another intro. All the indications at this stage are that this too will be a reissue that sells really well. Next year will see more titles in this series from the BL and I'm confident that the programme for 2015 (and for 2016, come to that) will, when public knowledge, appeal to a great many people, including those who in the past may not have been especially interested in period mysteries.

There are several reasons why these books are enjoying such success. The British Library takes a huge amount of credit, both for its enthusiastic marketing and its terrific cover artwork. But books don't sell unless readers want to buy them, and the excellent sales figures must be an accurate reflection of customer demand, primarily in Britain, but also overseas I'm also really pleased that my US publisher, the splendid Poisoned Pen Press, has recently become involved with distribution of titles in the States. And with The Golden Age of Murder due to be published next May, I'm daring to hope that, for once in my life, I've got my timing right...

A Criminally Good Break

When Agatha Christie's Secret Notebooks, by John Curran, was published, I felt that it was the most fascinating book about the genre that I had read for a long time. The notebooks that John Curran has so painstakingly transcribed give a fascinating insight into the thought processes of the most successful crime writer of all time.

So when John invited me to attend the launch in Dublin of his follow-up volume, Agatha Christie's Murder in the Making, I seized the chance to combine the get-together with a long weekend in the Irish capital. And it all worked out marvellously well – even the weather was pretty kind.

The launch was held at a prestigious venue, the Civic Offices on the banks of the River Liffey, and was attended by well over 100 people. The following evening saw a private party hosted by friends of John at their house in Clontarf, which was another highly enjoyable event. Amongst the highlights, as the photograph shows, was the production (and consumption!) Of a cake featuring a facsimile of the book. Mathew Prichard, Christie's grandson (and the father of James Prichard, whose Langtail Press I have featured a few times in this blog) was present on both evenings, and there's no doubt that his support of the project has been crucial to the success of John's work, and that it has been absolutely justified by the dedication John has shown.

I'll be reviewing the book shortly, and I'm delighted that its publication gave me the excuse (if one were needed) for a brief but fascinating break. Dublin is a fairly compact city, and we covered a lot of ground in a short time. And, as unexpected bonus, whilst I was there I not only dreamt up a new short story, but got an idea for the title for my next Lake District Mystery.

Forgotten Book - The Burning Court

My choice for today's Forgotten Book is a novel first published in 1937 by the master of the locked room mystery, John Dickson Carr. The Burning Court is unusual in that it does not feature either of Dickson Carr's two regular series detectives, and extraordinary in terms of the twist in the epilogue.

Another unexpected facet of the book is its setting. Although Dickson Carr was American, he was a confirmed Anglophile, and often set his mysteries in England. However, he wrote this novel at a time when his British publisher was pressing him to write something less "grotesque", and he chose not only to set the book in Pennsylvania but also to start the story in a relatively low key, commonplace manner, with a young publisher's editor making a trip to his holiday home in the countryside.

Needless to say, things do not remain commonplace for long. There are two brilliant "impossible" mysteries. How could an entombed corpse disappear from its coffin? And how could a mysterious woman walk through a solid wall in the room of a dead man? The answers are enjoyable to discover, but Dickson Carr then throws in a further amazing development that is open to more than one interpretation. Quite a good book choice for April Fool's Day, actually!!

I have been on the lookout for this book for a while, and so I was absolutely delighted when Langtail Press made it available again. I do think that Langtail are doing a real service for fans of hard to find crime fiction classics – long may they continue to do so!

Forgotten Book - The Lenient Beast

I mentioned recently an interesting and enterprising print on demand publishing venture called Langtail Press and I have now read one of their books. This was The Lenient Beast by Fredric Brown, first published in 1956.

I may not have said very much about Fredric Brown in this blog over the years, but I'm a huge fan of his work. I've read half a dozen of his novels, as well as some of his first-class short stories, and none have disappointed. And The Lenient Beast certainly lived up to my expectations, high as they were.

The first chapter gets the book off to an excellent start. John Medley, apparently a respectable bachelor with a taste for classical music, discovers a man's body in his backyard one morning and called the police. The dead man has been shot and a murder hunt is launched.

The story is short, crisp and fascinating and a clever feature is the way Brown uses multiple viewpoints, so that we see the same events from different perspectives. The characterisation, especially of a cop of Mexican origin, is excellent and the setting in Tucson, Arizona is vividly conveyed. I also thought that the depiction of racial prejudice was very well done. What is more, the murder motive is memorable – my only quibble is that I had a rather similar idea some time ago and am dismayed to discover that it is not as unique as I thought!

I can recommend this book, as well as Fredric Brown's crime writing in general (he also wrote science-fiction, but I have never read any of that.) Langtail Press have done modern readers a real service by making this book available.

Langtail Press

Langtail Press is a new kid on the block so far as publishers go. It’s a venture run by James Prichard, and it produces print on demand traditional format books and e-books.

What is special about Langtail is the list of titles, which include many ‘forgotten classics’. For instance, there are several titles by Anthony Berkeley, the brilliant plot-twister of the Golden Age and founder of the Detection Club.

Other authors on the list so far are three of the great American crime writers – John Dickson Carr, Ellery Queen and Fredric Brown. All of them fascinating novelists, all brilliantly ingenious. I am reading one of them now and will review it before long.

James told me: ‘I set up the business about a year ago, with the general idea of bringing out of print books back to life. I started with crime books because a) it is a genre I love and b) because they lend themselves to this publishing model: the writers were prolific, the books are short, readers are many, voracious and completists, and there is a good community on the web. I approached a few agents and, possibly to my surprise, I got some really great authors quite quickly...I have about 50 titles available currently, and am now desperately trying to gather more titles for publication early in the Summer. Part of the difficulty with this as a project is tracking down the rights for the authors: some Estates (mostly it is Estates, not authors) have agents, but some do not and tracking these down is not easy (though fun).'

More power to his elbow!