Showing posts with label Mick Herron. Show all posts
Showing posts with label Mick Herron. Show all posts

Monday, 10 August 2020

Vintage Crime


Vintage Crime: from the Crime Writers' Association (Fiction Without Frontiers) by [Crime Writers' Association, Martin Edwards]

Vintage Crime is published tomorrow. It's my latest anthology to be edited on behalf of the Crime Writers' Association, and it differs from its predecessors in a couple of respects. First, we have a new publisher, Flame Tree Press, with whom I've worked in the past. They are lovely people to work with, and the care they devote to their publications is admirable. The production values on Vintage Crime are terrific.

Second, this is not a collection of newly written stories, but rather a book that is designed to showcase the evolution of the crime short story throughout the existence of the CWA. The CWA was founded back in 1953, and its first anthology appeared in 1956. Since then the CWA has been a major supporter of crime short stories, and many award-winning stories made their first appearance in a CWA collection.

In essence, I've mined the CWA archives to put together a book of stories which have appeared in previous CWA anthologies but which seem to me to deserve a new life. I've chosen stories dating back to the 1950s, written by a range of writers whose names are mostly well-known, including the brilliant Mick Herron and the equally gifted Andrew Taylor, two of the finest authors working in the genre today.

There are some terrific names here, including Robert Barnard (whose "Sins of Scarlet" won a Dagger), Frances Fyfield, Celia Fremlin, Peter Lovesey, Liza Cody - and John Dickson Carr. Yes, the king of the locked room mystery was a CWA member. The contributors have, between them, won enough awards to fill a locked room, and I'm hopeful that many readers will enjoy devouring these mysteries from the (sometimes quite recent) past.

Monday, 29 October 2018

The Dagger in the Library



Thursday evening proved to be one of the most enjoyable of my whole writing career. It was the occasion of the CWA Daggers Awards, a glitzy black tie event at the Grange City Hotel in London, and I'll remember it forever because I was fortunate enough to be awarded the CWA Dagger in the Library.


The Dagger in the Library is awarded for a writer's body of work that has brought pleasure to library users, and nominations are submitted by librarians up and down the country. I was delighted to feature on first the longlist, announced in May, and then the shortlist, announced in July. The other authors nominated included such prominent and popular bestsellers as Sophie Hannah, Nicci French, and Peter May. Formidable competition, to put it mildly.


The judging panel is composed exclusively of librarians, and so it was a very special moment when the chair of the panel, Sue Wilkinson, opened the envelope and read out my name. During the past three years, I've been nominated for three other Daggers, and to win on this occasion was a real joy. Exactly ten years have passed since the wonderful night when I won my first Dagger, for best short story, and this was if anything an even more cherishable moment.


There were many other happy moments during the evening, not least the chance to present the Diamond Dagger to Michael Connelly, and Red Herring awards to Ali Karim, Ayo Onatade, David Stuart Davies, and Mike Stotter. It was also grand to spend time with my editors at Head of Zeus and Harper Collins, and with my agent, as well as friends such as Mick Herron and Matthew Booth, and to chat over dinner with the guest speaker, tv scriptwriter Jude Tindall. It was all truly memorable. I've still not quite come down to earth, and I'm certainly feeling very, very fortunate.









Wednesday, 18 February 2015

Mick Herron - Nobody Walks - book review

Mick Herron's latest novel, Nobody Walks, is a stand-alone thriller published by Soho Press. It follows on his great success in winning the CWA Gold Dagger for Dead Lions. Now I have to confess that, as yet, I haven't read Dead Lions, but one thing I can say is that if it is any better than Nobody Walks, I really must get round to it very soon. Because Nobody Walks is gripping and very well written, with absolutely no padding..

In fact, the style reminds me rather of early Len Deighton, not just because it deals with a maverick from the spying world, but because the prose is taut and witty. In my teens I devoured books like Horse Under Water and Billion Dollar Brain, and absolutely loved them. Very few writers since then have come close to matching Len Deighton, but Mick Herron is a class act.

This book follows the attempt of a man called Bettany to discover the reason for the death of his son Liam, from whom he was estranged. Liam worked for a game company run by a mysterious character called Driscoll, and it eventually becomes apparent that the Secret Services have some kind of interest in Driscoll. But is that a cover for something more sinister?  The setting is London, and it's beautifully evoked, with a series of crisp and memorable images. Bettany makes one big mistake which I found surprising, to say the least, but overall it's not too difficult to suspend disbelief, and the story rattles along to a very dark climax.

Mick Herron is someone I've met a few times at crime writing events, and coincidentally he, like me, has had a day job in the employment law field. I first became aware of his work before we met, when he contributed a short story to an anthology I edited some years back.The only reason I've not read his novels before is that lame old excuse, lack of time. But now I know just how good they are, I've every incentive to catch up with his backlist..

Monday, 19 May 2014

Crimefest - and a magic moment...


Crimefest at Bristol, always so enjoyable, was especially memorable for me this year,as I was awarded the inaugural CWA Margery Allingham short story prize for my story "Acknowledgments". Moments of this kind don't come along very often in a writer's life - well, not in my writing life, anyway - and are something to cherish. The announcement was made by Julia Jones, Allingham's biographer, whom I'd had the pleasure of meeting for the first time the previous day. She kept the secret very well - I had no idea whatsoever that my name would be read out. Thanks to Ali Karim, as ever, for the photo above, as well as these, taken at a party to celebrate Severn House's 40 years of publishing. There's me with Jake Kerridge, the crime critic from The Daily Telegraph, a group shot, and Ali's daughter Sophia, Susan Moody, Felix Francis (son of Dick), me, bookseller Richard Reynolds, and Mike Stotter of Shots.






In the lead-up to the prize giving, I'd been absorbed by a wonderfully witty one-man show by Simon Brett, this year's CWA Diamond Dagger winner. On the subject of short stories, I was also delighted that the stories John Harvey and Cath Staincliffe contributed to Deadly Pleasures have been shortlisted for the CWA Dagger, to be announced at the end of June.

On Thursday, I again moderated the Forgotten Authors panel. Martin Walker, Jessica Mann, Stephen Booth and Christine Poulson shared their enthusiasm for, and knowledge of, a terrific range of writers, including Bruce Graeme, Mavis Doriel Hay, Dilwyn Rees and Harry Kemelman. With such a group, moderating was easy - the only challenge, as usual, was that the time whizzed by all too quickly, There is always so much more that we would like to say about our chosen authors.

On Saturday Kate Ellis moderated a panel about archaeology and history in which I took part, along with Tom Harper, and two writers I was meeting for the first time, Luca Veste, whose first novel has made a big hit, and Elly Griffiths, one of the most successful detectuve novelists to have emerged in recent years.Kate had never moderated before, but she did a fine job, and she later took part in the Mastermind, coming second only to Paul Johnston, who has won the quiz previously. I was given a lift to and from Bristol with Kate and her husband Roger and as always they were great company.

So too were many writers and readers with whom I enjoyed spending time over the week-end. One particular pleasure is catching up with fellow writers whom I haven't seen for a few years. This time, that list included Hilary Bonner, a former CWA chair who hasn't been working in the crime field for about a decade - it's great to see her back - Linda Regan and her husband, the actor Brian Murphy, Rob Gittins and Mick Herron, who was last year's CWA Gold Dagger winner. Mick reminded me that the last time we met, I won the CWA Short Story Dagger,so with that track record, I hope to run into him more often in future! There were also various interesting conversations about some good things to come. These include a guest blog by Susan Moody and, I hope, a couple of other talented writers,, a Golden Age project mooted by Mike Linane, a new CWA venture, and a possible new direction for the CWA anthology amongst other things.

The feelgood atmosphere of a convention like this is always the result of a vast amount of hard work by a small group of volunteers. Adrian, Donna, Myles, Liz and their team do a remarkable job. They must be absolutely exhausted now, but at least they have the satisfaction of knowing the whole event was another real success. And believe me, I'll remember it with pleasure for a long, long time.