Bodies from the Library 2019

I doubt I was the only person who was surprised to be reminded that Saturday's Bodies from the Library conference was the fifth to be held. What a five years it has been for lovers of classic crime fiction! How vividly I still recall my first chat over coffee with Rob Davies (a welcome attendee on  Saturday, even though he has now left the BL) and his suggestion that I write a couple of intros for forthcoming novels by John Bude, as well as my telling him that I was just about to conclude work on a manuscript about "the golden age of murder".....

The programme for the day was packed but well-organised and as ever I'd like to congratulate all those who worked so hard to make the day a success. I was on a flying visit to London, but Moira Redmond of the Clothes in Books blog had invited me to join a small gathering for tea at the Wallace Collection, and this proved a convivial occasion, at which I had the pleasure of meeting Brad Friedman, a blogger based in San Francisco, who was over in the UK for a few days. (Moira took the photo above, of Christine Poulson, Kate Jackson, Brad and me). We even did a bit of book shopping in Charing Cross Road before heading over to Euston for a meal with the Bodies team, David Brawn of HarperCollins, and a number of other friends.

Because it's such a busy day, there's never as much time to socialise as would be ideal, but it was good to see the likes of Nigel Moss, Barry Pike, and Geoff Bradley during the breaks. I enjoyed listening to the various talks, including one by Sarah Ward about E.C.R. Lorac which was very timely given that earlier in the week I'd been on a trip to Lorac's country - about which, more another day.

There was a live performance of "Sweet Death", a radio play by Christianna Brand, which worked very well, and I was interested to learn more about June Wright, an author about whom I knew nothing, from Kate Jackson. I was interviewed by Christine Poulson about Cyril Hare, and there was also an enjoyable session at the end of the day when the speakers answered questions posed by audience members. Great fun.



 

Books for Christmas (and any other time of year...)

If you're anything like me, you still won't have finished your Christmas shopping. So today let me highlight a few books you might like to seek out. Naturally, I can't resist reminding you about my own titles. Not only Gallows Court, but also the Macavity-winning The Story of Classic Crime in 100 Books, available in paperback as well as hardback. Then there's The Christmas Card Crime and other stories, a British Library anthology that's been in the small publishers' charts for weeks, and has dodged around and about the number one spot in the Amazon anthology bestseller lists for as long. To say nothing of Ten Year Stretch (the CrimeFest anthology), Blood on the Tracks....no, no, I must stop!

And one reason I must stop is because there are loads of other books I'd like to mention. And if I may, I'll begin with a few titles that may not be on your radar from authors of talent who don't have massive publicity budgets behind them, but who are certainly worthy of serious consideration by crime fans. End of Term by A.C. Koning, for instance, is definitely worth a look. It features a blind detective, Fred Rowlands, and is set in Cambridge in the 30s. I met the author at a crime event in Cambridge a year ago, and I think her work deserves to be better known.

Someone I first met a couple of years back, at the Essex Book Festival in Southend, is Leye Adenie. He's a really talented writer, and I was delighted that a short story of his featured in last year's CWA Short Story Dagger shortlist. His latest novel is When Trouble Sleeps. Again, he's a writer who will in my opinion become increasingly well-known.

Guy Fraser-Sampson is an experienced author, someone else I met at the festival in Southend. Guy is one of that increasing band of novelists making very good use, in a variety of ways, of the settings, characters, or conventions of Golden Age detective fiction (Alison Joseph and Andrew Wilson are among the others). Guy's latest is The House on Downshire Hill.

Now for books for which I've given blurbs during the course of this year. It's impossible, of course, to respond to every such request - life is simply far too short, and from time to time I have to go into blurb purdah. (As now, when I really need to get on with the next novel....) But here are three of the books I managed to read, and with enjoyment.

Abi Silver, a fellow lawyer, is responsible for The Aladdin Trial, which I described as "An enjoyably elaborate and distinctive variation on the courtroom thriller." Of Gigi Pandian's The Cambodian Curse and other stories, I said: "Mysteries about seemingly impossible crimes have a long and distinguished pedigree and in this collection Gigi Pandian keeps the tradition going with verve and ingenuity." Another collection of short stories comes from Teresa Solana, who comes from Spain but now lives in the UK. The First Prehistoric Serial Killer and other stories is a collection of which I said: "Teresa Solana's distinctive writing is humorous yet thought-provoking, and her short fiction is as entertaining as her novels."

If you're not already spoiled for choice, I could go on and on, mentioning books by splendid authors whom so many of you love such as Ann Cleeves, whose latest Shetland novel I reviewed recently; Kate Ellis, who has just published The Boy Who Lived with the Dead (I'm also desperate to get round to The Mechanical Devil, which has been high on my TBR list for a while) Sarah Ward, author of The Shrouded Path, and...well, it's getting late, and time's running out on me. Happy gift-buying!

Forgotten Book - Unexpected Night

I've been prompted to take a fresh look at the work of American whodunit writer Elizabeth Daly after listening to Sarah Ward talking about Daly's books on a couple of occasions recently. Sarah chose Daly as one of her authors to remember at Crimefest, and also discussed her work in some depth at Bodies from the Library. She also suggested that it helps to get a clear picture of the life of Daly's amateur sleuth, Henry Gamadge, if one starts with Daly's first book in the series.

This raises a point that I find very interesting. A great many people I talk to say that they like to begin a series at the beginning. I can understand why. Characters and relationships can sometimes make more sense than if one plunges into a series when it's already very well-established. When my Lake District Mysteries are sold at events, The Coffin Trail, the first in the series, generally sells best. Yet there are downsides to beginning at the beginning. A good author will want to improve, and sometimes a first book will spend quite a lot of time setting the scene. Later books may be more impressive.

I've just read Daly's debut, Unexpected Night, set in 1939, and published a year later, when Daly was already over 60. Compared to most authors working in the Golden Age tradition - and Daly clearly was - she was a late starter, though she did go on to have a long and successful career. This one i's a decent whodunit with a nice, if well-telegraphed, plot twist, and it introduces Gamadge as an affable, youngish expert in manuscripts.

Overall, however, I think it's fair to say that Daly was one of those writers who honed her technique over the years, and some of her later books represent a significant advance on this one. I felt that the basic set-up, about a young but sickly man who comes into a fortune on his 21st birthday was very contrived, and that the pool of suspects was not the most interesting. Gamadge, too, though likeable, is not truly memorable. I'd rate this one as worth a read, but I think Daly's later books tend to be better.

In Bitter Chill by Sarah Ward - review

In Bitter Chill is a first novel by Sarah Ward, best known hitherto for her excellent blog Crime Pieces. The book is published by Faber, which is in itself a hallmark of quality, and I must say that I think it's a very satisfying book, judged by any standards, let alone those applicable to a debut. I should also say that Sarah is someone I've known and liked for several years, but I would not enthuse about this novel in the way that I do unless I genuinely found it to my taste.

The story is set in a fictional Derbyshire town, Bampton. Derbyshire is a wonderful county, one I know and love (I've also had the mixed blessing of supporting the county's cricket team since I was young; this has at least proved character-building, given the team's propensity for snatching defeat from the jaws of victory...) Until now, Stephen Booth, a very capable author indeed, has been the leading writer of Derbyshire crime, but Sarah's writing is in the same league. They both produce well-crafted traditional mysteries with credible police officers and good descriptions of landscape..

I'm conscious that one has to be wary of comparing one writer with another, but the other comparison that did cross my mind when reading this book was with Ann Cleeves. Ann has a gift for combing her well-plotted mysteries with sound evocation of character and place, a gift that amazingly was long under-estimated before the massive success of Vera and Shetland caused her to receive her well-deserved international acclaim.I don't expect Sarah to have to wait as long for widespread recognition. She is, like Ann, someone whose work demonstrates an understanding of human frailty, but also a good deal of compassion, a combination that is very appealing to many readers.

The plot involves a "cold case" in a cold climate. Back in 1978, two girls went missing, and only one returned. A death in the present day causes the local police to start reconsidering what happened. The kidnapping of the girls might seem reminiscent of Brady and Hindley at work, but the storyline is very different from the tragedy of the Moors Murders, though it is certainly not without bleakness. A really good read.

In a Word: Murder

Margot Kinberg, whose admirable blog will I'm sure be known to everyone who reads Do You Write Under Your Own Name? has done a great job in putting together In a Word: Murder, an anthology which is designed as a tribute to another fine blogger,the much-missed Maxine Clarke, alias Petrona. Proceeds go to the Princess Alice Hospice, which cared for Maxine during her illness. This seems to me to be a great idea and very fitting. I have a long-standing connection with the hospice movement in the north west of England, and coincidentally I'm discussing a literary project with one of the hospices local to me at the moment. To my mind, there are few worthier causes.

Margot suggested that contributions to the anthology might touch on subjects close to Maxine's heart, and this gave me the idea for a storyline connected with....blogging. At about the same time, I had a very enjoyable trip to Whitby, and that provided me with a highly suitable setting for the tale that was buzzing round in my mind. The result was a brand new short story called "The Killing of Captain Hastings." It's a more light-hearted piece than many of my stories, and I had fun writing it. This is the great joy of having the opportunity to write a short story for an anthology or magazine - part of the pleasure lies in the chance to do something a bit different.

There are some very interesting contributors to the book, including, I was delighted to see, Sarah Ward, whose blog Crime Pieces is another must-read, and Elizabeth S. Craig, whose blog probably contains more helpful tips and suggestions for writers than almost any I've ever read. The other contributors include Paula K.Randall, Pamela Griffiths, and Jane Risdon.

The book is now available from Amazon, and I gather that a print version will be available in 2014. Margot's hard work (and believe me, putting an anthology together is not as easy as it may look!) deserves the highest praise. I count it a real privilege to have had a story of mine included in a tribute to Maxine. Her kindness and astute critiques of the crime fiction scene will long be remembered by those of us who knew her.

An evening to remember

I've mentioned Gladstone's Library, in North Wales, a number of times on this blog, and regular readers will recall that I'm a huge fan of this unique and marvellously atmospheric place, which attracts book lovers and scholars from all over the world - and they can even stay on the premises (in rooms that are extremely pleasant, I may add.)

Yesterday evening saw the official, if slightly belated, UK launch of The Frozen Shroud, and I was especially lucky - not only that the Library hosted the event, as it has done for my last two Lakes books, but also that we were able to hold it in the stunning setting of the library itself. Normally, the library is still being used by researchers and residents in the evening, but because the Gladstone Room, where talks are usually held, is being refurbished, I was given special dispensation to make use of the library itself.

After a reading, a talk about researching the book, and questions, there was a chance to mingle with the audience, always very enjoyable. And a great (and, given the nature of visitors to the library) diverse and international audience it was too - also including Sarah Ward, well known to many of you for her excellent blog Crime Pieces. Sarah has returned to this part of the world after a number of years in Greece and it was good to see her again after our famous 'near miss' in the Harrogate quiz a few weeks ago!

I've been really pleased by reaction to the book so far, with wonderful reviews from The Literary Review and elsewhere. Very good for morale as I set about tackling the next Lake District Mystery.

And I'm delighted to say that I have two further events scheduled at Gladstone's Library in the near future. First, a Victorian murder mystery evening staged as part of their first literary festival, Gladfest (others appearing include Stella Duffy, formerly a writer in residence at the Library) and then I'll be giving my first ever after dinner speech - at the annual conference of the Sherlock Holmes Society of London's annual gathering. Looking forward to both occasions...