James Quince was an interesting writer whose career in crime fiction was brief but intriguing. I've previously discussed The Tin Tree, the first of his novels, and Casual Slaughters, the third and best-known. I was lucky enough to add inscribed copies of them to my collection ten years ago, but his second novel, Notice to Quit, proved elusive until recently, when again I was fortunate to snag an inscribed copy at an unexpectedly modest price.
An interesting feature of the book is that it's a hardback, published by Hodder in 1932, which makes a big point (as you can see from my photo) of the fact that its price is 3/6. At that time, I believe the usual price for hardback first editions was 7/6. Hodder brought out a number of cheaper books, including titles by Gavin Holt and D.L. Ames, and I assume this was a response to the economic depression, a way of buoying sales when money was tight.
Whether the scheme worked I don't know for sure, but the very scarcity of Notice to Quit suggest that the print run was small. And it really is scarce - I've not found any online discussion of the book whatsoever, nor anything in any of the usual reference books.
So what's it all about? Quince was an inventive writer, and here,as in The Tin Tree, he tries to do something different. This is a story about an identity switch and I must admit I find such scenarios inherently fascinating (and yes, there are quite a few of them, of various kinds, in my novels).
In a nutshell, Bill Yolland proposes to change identities with his son John. This is an unusual variation on the standard theme, and the aim is to dodge punitive taxation so that the great family home will stay in the Yolland family, given that Bill receives bad news about his health at the start of the book. The early pages are very entertaining, but things then went in a direction that I didn't expect. In many ways, this story is an interesting take on the generation gap, always a fruitful subject for thoughtful authors.
However, there's also a lot of stuff about politics (the Falklands get mentioned more than once!) and a number of unlikely foreign characters, whose appearance in a Golden Age novel always makes me wince. I think Quince could have done something much more interesting with his excellent premise, but we have to judge a book on what the author set out to do. And unfortunately I don't think it works as well as his other novels.
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