Showing posts with label Agatha Christie's Golden Age. Show all posts
Showing posts with label Agatha Christie's Golden Age. Show all posts

Wednesday, 19 December 2018

Golden Age Books for Christmas


Image result for john goddard agatha christie

Following on from my last post, today I'll focus on books for Christmas with a strong Golden Age connection. And a good place to start is Agatha Christie's Golden Age by John Goddard, sub-titled: "An Analysis of Poirot's Golden Age Puzzles". It's a meaty tome, with a short intro from Christie expert John Curran. Publishing non-fiction books traditionally isn't easy these days, because publishers are wary about the reams of factual information freely available on the internet. So John Goddard produced this book himself, via the Stylish Eye imprint, but that should certainly not put you off. The analysis is extremely cogent. It's best to read the book when you are already familiar with the stories, because John Goddard explores the plots in great detail. I have been dipping into the book over the past few months, perhaps the best way to tackle a densely written volume of this kind, and I've very much enjoyed so doing.

Now for fiction. I have to start, of course, with the British Library's Crime Classics, a series which continues to lead the market. This year, once again, there has been a diverse range of stories. Among the Golden Age mysteries, I'm especially fond of those by E.C.R. Lorac, which are in the orthodox mould, such as Murder by Matchlight, and those by Richard Hull, such as Excellent Intentions, which are anything but.

Harper Collins have continued with their nicely produced Detective Story Club hardback series, and among the titles for which I've contributed an intro is Donald Henderson's A Voice Like Velvet, which I found delightful and gripping. It's such a shame that Henderson died young. The diverse mix of titles to have appeared in the series this year include Freeman Wills Crofts' The Pit-Prop Syndicate and Vernon Loder's The Shop Window Murders, both of which I've reviewed on this blog, and Lynn Brock's The Deductions of Colonel Gore, which I hope to cover in due course. Brock was another very interesting writer; although his books are variable in quality, I find his ambition as an author generally admirable.

Then there is Dean Street Press, which continues to do splendid work in producing a large number of books in ebook and print on demand format. Thanks to their efforts, many of the books written by the prolific and capable Christopher Bush, among others (for instance, the long-neglected Francis Vivian), are now available at a reasonable price.

Finally, an anthology of a different sort, a handsome collection of five anotated American classics from Les Klinger, whose company I enjoyed when visiting New York in January to deliver the annual lecture for the Baker  Street Irregulars. Les is a leading Sherlockian, but his full range of interests is extensive. Classic American Crime Fiction of the 1920s includes books by Queen, Van Dine, Biggers, Hammett and Burnett. On the back cover are endorsements from A.J. Finn and a number of leading American novelists - plus myself. And we all agree that it's a splendid volume.   

Image result for murder by matchlightImage result for richard hull excellent intentions

Wednesday, 29 August 2018

The Publishing Revolution

Technology drives me to distraction when it doesn't work, but in calmer moments, I often reflect on the benefits it has brought, not least to readers and writers. I don't think it's an exaggeration to say that publishing has been revolutionised in recent years by technological advance. Now that it is possible to publish books cheaply, either in print form, or as ebooks, many titles are available that would have been impossible to find in the past.

I'm not just talking about reprints of classic crime novels. Authors of non-fiction are benefiting hugely. Of course, technology has (in a sense) impacted harshly on non-fiction books. So much information is available online at the click of a mouse that traditional publishers may well be wary about taking on new titles unless it's very clear that there's an eager readership for them. But two books landed on my doorstep yesterday that reminded me of those benefits I've mentioned.

The first is a book I've mentioned here previously, the updated version of the late Bob Adey's Locked Room Murders. John Pugmire and Brian Skupin have rendered crime fans a great service by revising this splendid book, which in its original editions is almost impossible to find at a reasonable price. The book appears under John's Locked Room International imprint, and LRI is one of those small presses which have made admirable use of technology to make available books which are fascinating yet which might have a relatively limited readership. Strongly recommended - and I can't wait for the promised further update of Bob's splendid work...

The second is John Goddard's Agatha Christie's Golden Age, a chunky and in-depth study of the Poirot stories, with an intro by John Curran. This book is published by Stylish Eye Press, an imprint set up by John Goddard himself. Again, this is a volume which might not sell in the tens of thousands yet which seems to be a very worthwhile venture. I'm looking forward to reading it, but without that technological progress I've mentioned, I'd never have had the chance. Something to remind myself of the next time my PC breaks down!