Showing posts with label Brian Skupin. Show all posts
Showing posts with label Brian Skupin. Show all posts
Wednesday, 15 January 2020
Locked Room Murders Supplement by Brian Skupin
I've talked on this blog, and also at many library events over the years, about my love of the late Bob Adey's wonderful reference book Locked Room Murders. (The photo of Bob above was taken by Jamie Sturgeon a few years back.) I acquired the first edition from a London bookdealer many moons ago, and then the second expanded edition when it came out. After I got to know Bob, he kindly inscribed them for me. These are not easy books to find nowadays and so Brian Skupin and John Pugmire did fans a great service when they produced a new and affordable revised version of the second edition via John's Locked Room International imprint.
And now, they have gone the extra mile and done something that many of us had hoped Bob might live to do, producing an update of the second edition that is wide-ranging and highly informative. Brian is the author and Locked Room International again the publisher. They call it a "Supplement" but perhaps that description doesn't fully convey the scale of the endeavour. This is a very substantial book in its own right, running to 326 pages. On Amazon UK, it's for sale at about £15, and if you're a locked room fan, that makes it an unmissable bargain.
Brian and John are eminently qualified to undertake this project. They are experts in the field, yes, but even more importantly they are enthusiasts, people whose love of the genre informs their judgements. Their anthology The Realm of the Impossible is fascinating and I can't believe that I've not reviewed it at length on this blog as yet - one of these days, I'm sure I will get round to it.
In the meantime, let me say how much I've enjoyed dipping into the Supplement. It ranges very widely, paying due attention to the work of Paul Halter and the Japanese writers who have worked such ingenious variations on the locked room form as well as to TV shows such as Jonathan Creek. Various contemporary British writers feature in at least one entry - examples include Simon Brett, Chris Fowler, Jim Kelly, Ann Cleeves, and Kate Ellis. I am sure that Bob would be delighted to see this book in print. Brian and John have carried on the baton in admirable manner.
Four of my own stories are included - they are all short stories, since I've never contemplated taking on a full-length locked room novel. At least not yet. Another story, "The Locked Cabin", is due to be included in a forthcoming anthology of locked room mysteries, edited by Maxim Jakubowski although I should say that this isn't itself a locked room mystery in the accepted sense, but rather a story about the idea of creating a locked room mystery - on board the first Queen Mary.
Wednesday, 29 August 2018
The Publishing Revolution
Technology drives me to distraction when it doesn't work, but in calmer moments, I often reflect on the benefits it has brought, not least to readers and writers. I don't think it's an exaggeration to say that publishing has been revolutionised in recent years by technological advance. Now that it is possible to publish books cheaply, either in print form, or as ebooks, many titles are available that would have been impossible to find in the past.
I'm not just talking about reprints of classic crime novels. Authors of non-fiction are benefiting hugely. Of course, technology has (in a sense) impacted harshly on non-fiction books. So much information is available online at the click of a mouse that traditional publishers may well be wary about taking on new titles unless it's very clear that there's an eager readership for them. But two books landed on my doorstep yesterday that reminded me of those benefits I've mentioned.
The first is a book I've mentioned here previously, the updated version of the late Bob Adey's Locked Room Murders. John Pugmire and Brian Skupin have rendered crime fans a great service by revising this splendid book, which in its original editions is almost impossible to find at a reasonable price. The book appears under John's Locked Room International imprint, and LRI is one of those small presses which have made admirable use of technology to make available books which are fascinating yet which might have a relatively limited readership. Strongly recommended - and I can't wait for the promised further update of Bob's splendid work...
The second is John Goddard's Agatha Christie's Golden Age, a chunky and in-depth study of the Poirot stories, with an intro by John Curran. This book is published by Stylish Eye Press, an imprint set up by John Goddard himself. Again, this is a volume which might not sell in the tens of thousands yet which seems to be a very worthwhile venture. I'm looking forward to reading it, but without that technological progress I've mentioned, I'd never have had the chance. Something to remind myself of the next time my PC breaks down!
I'm not just talking about reprints of classic crime novels. Authors of non-fiction are benefiting hugely. Of course, technology has (in a sense) impacted harshly on non-fiction books. So much information is available online at the click of a mouse that traditional publishers may well be wary about taking on new titles unless it's very clear that there's an eager readership for them. But two books landed on my doorstep yesterday that reminded me of those benefits I've mentioned.
The first is a book I've mentioned here previously, the updated version of the late Bob Adey's Locked Room Murders. John Pugmire and Brian Skupin have rendered crime fans a great service by revising this splendid book, which in its original editions is almost impossible to find at a reasonable price. The book appears under John's Locked Room International imprint, and LRI is one of those small presses which have made admirable use of technology to make available books which are fascinating yet which might have a relatively limited readership. Strongly recommended - and I can't wait for the promised further update of Bob's splendid work...
The second is John Goddard's Agatha Christie's Golden Age, a chunky and in-depth study of the Poirot stories, with an intro by John Curran. This book is published by Stylish Eye Press, an imprint set up by John Goddard himself. Again, this is a volume which might not sell in the tens of thousands yet which seems to be a very worthwhile venture. I'm looking forward to reading it, but without that technological progress I've mentioned, I'd never have had the chance. Something to remind myself of the next time my PC breaks down!
Tuesday, 7 August 2018
Great News for Locked Room Fans
On this blog and elsewhere, I've mentioned many times that one of my absolute favourite books about the crime genre is the late Bob Adey's marvellous and unique Locked Room Murders. Bob was a great guy, to whom I dedicated Miraculous Mysteries, and from whose widow Sue I've been able to acquire a number of gems for my own collection. I'm the proud possessor of copies of the first and second editions which Bob inscribed for me years ago, but for a long time it's been a source of frustration and regret that other fans have been unable to track down copies at affordable prices.
Now that's going to be put right. I'm delighted to hear from John Pugmire that the book is to reappear, under his Locked Room International imprint. And even better news, an update is in the works. Here is the information John has passed on to me:
"Locked Room Murders is a bibliography
containing a description of the problem and, separately, the solution to locked
room and impossible crime novels and short stories.
It has been a classic in the locked room
pantheon for over 40 years, beginning with a 1972 article by Bob Adey in The Armchair Detective. The first
edition of Locked Room Murders,
published by Ferret Fantasy in 1979, covered 1280 titles. The 1991 second edition, published by Crossover Press, covered 2019 titles.
Due to limited print runs, both editions
have become prohibitively expensive. Locked Room International (LRI) is now making
a revised version of the Second Edition available at an affordable price.
Edited by Brian Skupin, LRI consultant and co-publisher of Mystery Scene magazine, this revised version contains the same 2019
titles, but with corrections and additional references which have appeared
since 1991.
Plans are in place to publish a Supplemental
Edition in 2019, to include novels and short stories (including translations from
sources outside the Anglosphere) published since 1991, films, TV series, graphic
novels, and other media. It will not contain any of the titles in the Second
Edition, Revised."
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